Книги з живопису

New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art. It demonstrates the many ways in which the most significant art movement of the last century continues to be relevant today, featuring an international selection of contemporary artists whose compositions and studio practice reveal its influence.

There are many modalities of historical Surrealism that still maintain contemporary currency: presenting the familiar as unfamiliar and uncanny, the juxtaposition of seemingly unrelated imagery, the use of absurdity to critique political or social issues, and the use of erotic imagery in an irrational, non-linear context. Not all the artists brought together in this book self-identify as Surrealist, per se, but each uses some variation of Surrealism in a personal manner.

The book begins with a study of the origins, leadership, participating artists, and major milestones of historical Surrealism. Zeller chronicles the movement starting at the end of World War I and the birth of Dada. The most important players and events emerge throughout the timeline of events―including World War II, and such notable artists as Max Ernst, Marcel Duchamp, Leonora Carrington, and many others―up until the death of its leader Andre Breton in 1966.

Zeller then explores how elements of New Surrealism are being put into practice in the contemporary art world. Section Two offers a survey of 29 contemporary artists who engage in New Surrealism’s seemingly unlimited variations of the movement’s original themes, including Rosa Loy, Glenn Brown, and Arghavan Khosravi. Section Three features 14 artists, including important contemporary artists such as Inka Essenhigh, Ginny Casey and Anna Weyant, who speak to Surrealism’s influence on their studio practice, detailing in their own words how they create a composition from start to finish.

About the Author:

Robert Zeller is a visual artist and writer who received a BFA from a joint program of the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. Following his bestselling The Figurative Artist's Handbook (2017), New Surrealism: The Uncanny in Contemporary Painting is his second book published by Monacelli Studio. He contributed a chapter about Surrealist photography to the exhibition catalog Photography: Real and Imagined (2024), profiling the permanent collection of the National Gallery of Victoria in Melbourne, Australia, and has also written for The Brooklyn Rail and other influential art periodicals and blogs. In 2009, he founded The Teaching Studios of Art, an in-person and online art school devoted to instruction in figurative art. Zeller maintains a studio practice in Brooklyn, New York, and is the recipient of two Posey Fellowships and a Pollock-Krasner Foundation Grant. He has curated group exhibitions and shown his own work at galleries in the United States and Europe.

Mighty nature: The pioneering forms of Georgia O'Keeffe

Georgia O'Keeffe (1887-1986) was a major figure in modern American art for some seven decades. Importantly, her fame was not associated with shifting art styles and trends, but rather with her own unique vision, based on finding essential and abstract forms in nature.

O'Keeffe s primary subjects were landscapes, flowers, and bones, each explored in successive series over several years. Certain works went on for decades, producing 12 or more variations of an original image. Among these, O'Keeffe s magnified pictures of calla lilies and irises are her most famous. Enlarging the tiniest petals to fill an entire canvas, O'Keeffe created a proto-abstract vocabulary of shapes and lines, earning her the moniker mother of American modernism. In 1946, O'Keeffe became the first female artist to be given a solo show at the MoMA in New York.

This introductory book from TASCHEN Basic Art 2.0 traces O'Keeffe s long and luminous career through key paintings, contemporary photographs, and portraits taken by Alfred Stieglitz, to whom O'Keeffe was married. We follow the artist through her pioneering innovations, major breakthroughs, and her travels and inspirations in Southeast Asia, India, the Middle East, and, above all, New Mexico, where she was particularly inspired by the majestic landscapes, vivid colours and exotic vegetation.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The dazzling life story of the quintessential painter of the Art Deco twenties - as she told it to her own daughter

Illustrated with vibrant colour reproductions of Lempicka's finest works, and exclusive family photos. Out of print for ten years, now back in print in a handsome yet affordable hardcover edition. This edition includes a new chapter about Lempicka's legacy by her granddaughter and great-granddaughter. We've entered the centennial of the 1920s, and interest in Lempicka is high: her paintings continue to smash auction records, and her life is the subject of a new musical.

An attractive new hardcover edition of the classic biography of Tamara de Lempicka, whose paintings defined Art Deco and whose life epitomised the Jazz Age.

As F. Scott Fitzgerald portrayed the mad glories of the 1920s on the printed page, Tamara de Lempicka (1898-1980) captured them on canvas. A seductive Garbo-esque beauty with an irresistible force of personality, this refugee of the Russian Revolution successively conquered Paris, Hollywood, and New York with coruscating portraits of the world's rich and famous. Her Art Deco paintings earned for her a life more fabulously excessive than anything Fitzgerald dreamed of.

Passion by Design, authored by Tamara de Lempicka's own daughter, is an intimate look at a fascinating personality, and remains the best account of her life and work. This new edition is illustrated with vibrant colour reproductions of her finest paintings, as well as exclusive photographs from family albums. An additional chapter by Victoria de Lempicka, the artist's granddaughter, explores the ever-evolving legacy of Tamara de Lempicka, from the record eight-figure price fetched by her painting La Tunique Rose in November 2019 to the new musical based on her life.

About the Author:

Baroness Kizette de Lempicka-Foxhall, the daughter of Tamara de Lempicka, enjoyed an unequalled firsthand knowledge of her mother's life and exclusive access to her papers.

Портрет художника на початку модернізму

Незрівнянна гра світла та кольору у творчості Поля Сезанна стала основою його репутації попередника модернізму. З самого початку він йшов своїм власним шляхом, і його картини спочатку викликали нерозуміння у мистецтвознавців того часу, а також глузування. Незважаючи на його романтичний, бароковий, імпресіоністський та, нарешті, класичний вплив, досі важко віднести Сезанна до якогось конкретного мистецького напрямку. Однак, які саме місця залишили незабутнє враження на нащадка провінційної банкірської родини? Що і хто були основними впливами, що підтримували та просували його новаторську творчість? Джеймс Х. Рубін простежує життя та творчість Сезанна від А до Я у цьому короткому томі, створюючи образ художника, який хотів перетворити сам живопис. Автору — і визнаному знавцю — вдається наблизитися до художника, водночас зберігаючи необхідну дистанцію до його неповторних картин.

Поль Сезанн (1839–1906) був одним із найвпливовіших художників на початку модернізму, його часто називають піонером Neues Sehen, або Нового Бачення. Його творчість досі має незмінний вплив.

Джеймс Г. Рубін (*1944) — історик мистецтва та професор Університету штату Нью-Йорк у Стоуні-Брук. Його дослідження зосереджені на європейському мистецтві ХІХ століття, зокрема на історії, теорії та критиці французького модернізму.

New insights into Picasso’s Blue Period, through innovative technology that reveals hidden compositions, motifs and alterations, plus hitherto unknown information on the artist's materials and process

This lavishly illustrated volume reexamines Pablo Picasso’s famous Blue Period (1901–04) in paintings, works on paper and sculpture. Relying on new information gleaned from technical studies performed on The Blue Room (Le Tub) (1901), Crouching Beggarwoman (La Miséreuse accroupie) (1902) and The Soup (La Soupe) (1903), this multidisciplinary volume combines art history and advanced conservation science in order to show how the young Picasso fashioned a distinct style and a pronounced artistic identity as he adapted the artistic lessons of fin-de-siècle Paris to the social and political climate of an economically struggling Barcelona.

Essays, a chronology and a summary of conservation findings contextualize Picasso’s experimental approach to painting during the Blue Period. A major contribution to the burgeoning field of technical art history, Picasso: Painting the Blue Period advances new scholarship on one of the most critical episodes in 20th-century modernism.

To commemorate the 50th anniversary of Picasso’s death, this spectacular volume of the artist’s early paintings and sculptures is being reissued. The paintings from his so-called Blue and Rose periods to early Cubism, created between 1901 and 1907, are milestones on Picasso’s path to becoming the most famous artist of the twentieth century. In 2019, the Fondation Beyeler presented some 80 masterpieces from renowned museums and private collections in its most prestigious exhibition to this date. They are not only among the most valuable works of art ever to exist, but are widely viewed as some of modernism’s most beautiful and emotive artworks. This volume brings the early work of this exceptional artist to life in a unique way.

The first book dedicated to Picasso’s self-portraits, many held in private collections and published here for the first time

Much has been said and written about Picasso’s life and art, but until now his self-portraits have never been studied and presented in a single book, perhaps because the artist always left many doubts about his work. However, there is no doubt that Picasso represented himself ceaselessly, whether in a dashed-off pencil sketch, as a flourish at the bottom of a letter, or on a giant canvas.

At the suggestion of Picasso’s widow Jacqueline, the distinguished art historian Pascal Bonafoux began researching Picasso’s self-portraits more than forty years ago. This meticulously researched book presents the fruits of his decades-long project. From the first attributed painting in 1894 as a thirteen-year-old boy, until Picasso's final self-portrait in 1972, a year before his death, Bonafoux charts the evolution of the artist's life and art. Here is Picasso as a student; as a young bohemian; an impetuous artist in Paris; as harlequin; as lover, husband and father; and finally, as an old man confronting his mortality. The book comprises about 170 drawings, paintings and photographs, some from private collections and previously unpublished, bringing together for the first time the attributed self-portraits of this genius of 20th-century art.

About the Author:

Pascal Bonafoux is a French writer, novelist, art critic and art historian, specializing in self-portraiture. He is the author of many books, including Rodin & Eros, also published by Thames & Hudson.

Windmills, Foxtrot and Yves Saint-Laurent

Pivotal in modern art’s move towards abstraction, Piet Mondrian’s oeuvre is extraordinarily versatile and complex. Not only did he paint and draw, he also wrote extensively about his thoughts and theories on art and life. Moving from traditional Dutch landscape painting to a pronounced rhythmic framework focusing on compositional structure rather than naturalistic representation, Mondrian was profoundly impressed by contemporary culture. Thus, he was not only inspired by the pattern of the extensive Dutch canal system, but also by the rhythm of jazz and the foxtrot. Demonstrating the impact of his oeuvre, Yves Saint-Laurent's famous "Mondrian Dress" even made him a fashion icon posthumously.

Celebrating the 150th anniversary of his birth, Ulf Küster entertainingly leads through well- and lesser-known aspects of Mondrian's life and work offering inspiring impulses for reflection and further engagement with the fascinating artist.

Piet Mondrian’s (1872–1944) early work was influenced by the Dutch landscape painting of the 19th century. However, it was his strictly abstract geometric compositions that gained the artist world fame. He worked in Paris, London and New York, where he was active in the avant-garde circles of his time.

The art historian Ulf Küster (*1966, Stuttgart) has been working at the Fondation Beyeler in Riehen | Basel since 2004, where he curates internationally acclaimed exhibitions. He has written numerous publications, among them his text on Louise Bourgeois in the series Art to Read and Edward Hopper A-Z, published by Hatje Cantz.

The world’s most famous portraits and the hidden stories behind their subjects are explored in this fascinating and highly entertaining book.

Portraiture is one of the oldest and most studied genres of art. While most scholars will look at a painting’s composition, style, and themes, often questions remain unanswered—who were these people and why were they painted? This entertaining book reveals the identities and lives of some of the most famous characters that populate art history — from the Renaissance to the 21st century. Readers will learn how the fifteen-year-old subject of da Vinci’s Lady with an Ermine nearly destroyed a marriage; that van Dyck’s depiction of Prudence in wild clothes is actually one of the most controversial aristocrats of the seventeenth century; and that Francis Bacon’s character George Dyer was a man he met in a Soho nightclub.

These and other stories behind works by Picasso, Klimt, Rubens, Warhol, and dozens of other artists show how portraiture remains one of the most enthralling genres.

Based on art scholarship and conveyed in an accessible tone, these fascinating tales of power, lust, intrigue, jealousy, vengeance, and romance will help readers understand masterpieces of art history in an entirely new light.

Paul Cézanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec and others began as Impressionists but soon extended their explorations of the world around them to create highly personal work. 

With their foundations in the bright colours of Impressionism and the break from traditional representational art, the Post-Impressionists worked alone but collectively created the bridge into the expressionism of the 20th Century. Their delightful and evocative masterpieces are celebrated in this gorgeous new book.

In art history, we tend to be on first-name terms only with the most revered of masters. The Renaissance painter and architect Raphael Santi (1483–1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo.

From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for the Stanza della Segnatura in the Vatican. Within this room, Raphael’s The School of Athens is considered a paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance.

This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Crowned the “Prince of Painters” by Giorgio Vasari, Raphael (1483–1520) was one of the most popular artists of the Italian Renaissance. Famous for his serene and harmonious series of Madonnas and his work at the Vatican Palace, he was an extremely influential painter, both during and after his own lifetime. Pope Julius II hired Raphael as his chief architect and his first commission charged him with the task of decorating the papal apartments at the Vatican in 1509. Now known as the Raphael Rooms, these astonishing displays continue to attract visitors from all over the world.

Raphael in Detail shows his beautiful masterpieces in unprecedented, large-format details. The art historian and specialist of the Italian Renaissance, Stefano Zuffi, takes the reader on a surprising voyage into Raphael’s life and work. The book is organized thematically and includes a biography and a list of works.

Italian art historian Stefano Zuffi specializes in the period from the Renaissance to the Baroque. He has over sixty publications to his credit, notably on Dürer, Michelangelo, Rembrandt, Vermeer, Titian and Caravaggio. For Ludion, he has written about Caravaggio, Leonardo da Vinci and Raphael.

Rembrandt van Rijn (1606–1669) never left his homeland of the Netherlands but in his massive body of painting, drawing, and etching, he changed the course of Western art. His prolific oeuvre encompasses religious, historical, and secular scenes, as well as one of the most extraordinary series of portraits and self-portraits in history.

Rembrandt’s work foregrounds texture, light, and acute observation. Like sudden, startling apparitions in a shadowy street, his subjects are illuminated against deep, dark backgrounds and rendered with immense physical as well as psychological scrutiny. Whether biblical or mythological figures, powerful patrons, or fellow citizens, each subject is bestowed not only with meticulous facial features but also with the intrigue of thoughts and feelings so that even age-old narratives such as the bible story of David and Bathsheba find a new level of human drama. Rembrandt also left one of the most extensive series of self-portraits of any artist, chronicling his own face from his youth to the year of his death.

Rembrandt’s rise coincided with the blossoming of the Dutch Golden Age, an era of prosperity in the Netherlands. He was encouraged by wealthy patrons, but was above all driven by a profound fascination with people. In this book, we tour some of Rembrandt’s key paintings, etchings, and drawings to introduce his techniques, inspirations, and exceptional achievements. From the Baroque Belshazzar’s Feast to the world-famous Night Watch we uncover a world of deep, rich tones, masterful draftsmanship, and a remarkable sensitivity for the human condition.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Видатний поворотний момент - Аугсбург як центр німецького Відродження.

Ганс Гольбейн Старший і Ганс Бургкмайр вважаються поряд з Альбрехтом Дюрером попередниками живопису Відродження в Німеччині. Процвітаюче імперське та торгове місто Аугсбург було важливим центром у цей золотий вік мистецтва. Завдяки високоякісним творам цей том дає всебічний погляд на епохальну революцію від середньовіччя до сучасності.

На Аугсбург з самого раннього етапу вплинула гуманістична культура Італії. Завдяки міжнародним торговим домам, які любили мистецтво, як-от Fuggers, а також тривалим перебуванням імператора Максиміліана I і частим імперським дієтам місто запропонувало таким митцям, як Гольбейн Старший і Бургкмайр, ідеальне місце для розвитку нової форми мистецтва. Разом із роботами Дюрера, Гольбейна Молодшого та інших, багато з їхніх найважливіших творів свідчать про те, як ці два митці сприйняли італійське Відродження, як плідно, але водночас протилежно.

Про авторів:

Гвідо Месслінг є куратором німецького живопису в Галереї живопису Художньо-історичного музею у Відні.

Йохен Сандер є заступником директора та керівником колекцій голландського, фламандського та німецького живопису до 1800 року в музеї Штеделя у Франкфурті.

One of the leading lights of the Impressionist movement, Pierre-Auguste Renoir (1841–1919) remains a towering figure in art history with enduring public appeal. Sun-kissed, charming, and sensual, his work shows painting at its most lighthearted and luminous, while championing the plein air and colour innovations of his time.

Renoir’s oeuvre was prolific, with some several thousand works in his lifetime. Much influenced by forerunners such as Courbet, Degas, Manet, Delacroix, he worked with contemporary peers such as Monet to explore fresh uses of colour and brushwork, rendering texture and depth with different-hued daubs. Drawn to intimate and tender human scenes, his subjects include lovers, mothers, and numerous nudes.

As his career progressed, Renoir investigated different styles and techniques, shifting away from the feathery Impressionist touch to a more robust, classical corporeality, sometimes called his “Ingres period,” and later to monumental pieces such as The Bathers. From the abundant output of his lengthy career, this essential artist introduction selects key Renoir works to explore his innovations in the art of painting, as much as his traditions in pursuit of beauty, harmony, and the female form.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions