Книги з живопису

Paul Cézanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec and others began as Impressionists but soon extended their explorations of the world around them to create highly personal work. 

With their foundations in the bright colours of Impressionism and the break from traditional representational art, the Post-Impressionists worked alone but collectively created the bridge into the expressionism of the 20th Century. Their delightful and evocative masterpieces are celebrated in this gorgeous new book.

In art history, we tend to be on first-name terms only with the most revered of masters. The Renaissance painter and architect Raphael Santi (1483–1520) is one such star. The man we call simply Raphael has for centuries been hailed as a supreme Renaissance artist. For some, he even outstrips his equally famous, equally first-named, contemporaries, Leonardo and Michelangelo.

From 1500 to 1508, Raphael worked throughout central Italy, particularly in Florence where he secured his reputation as a painter of portraits and beautifully rendered Madonnas, archetypical icons within the Catholic faith. In 1508 he was summoned to Rome by Pope Julius II and later embarked on an ambitious mural scheme for the Stanza della Segnatura in the Vatican. Within this room, Raphael’s The School of Athens is considered a paradigm of the High Renaissance, merging Classical philosophy with perfected perspectival space, animated figures, and a composition of majestic balance.

This essential introduction explores how in just two decades of work, Raphael painted his way to legendary greatness. With highlights from his prolific output, it presents the mastery of figures and forms that secured his place not only in the trinity of Renaissance luminaries but also among the most esteemed artists of all time.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Crowned the “Prince of Painters” by Giorgio Vasari, Raphael (1483–1520) was one of the most popular artists of the Italian Renaissance. Famous for his serene and harmonious series of Madonnas and his work at the Vatican Palace, he was an extremely influential painter, both during and after his own lifetime. Pope Julius II hired Raphael as his chief architect and his first commission charged him with the task of decorating the papal apartments at the Vatican in 1509. Now known as the Raphael Rooms, these astonishing displays continue to attract visitors from all over the world.

Raphael in Detail shows his beautiful masterpieces in unprecedented, large-format details. The art historian and specialist of the Italian Renaissance, Stefano Zuffi, takes the reader on a surprising voyage into Raphael’s life and work. The book is organized thematically and includes a biography and a list of works.

Italian art historian Stefano Zuffi specializes in the period from the Renaissance to the Baroque. He has over sixty publications to his credit, notably on Dürer, Michelangelo, Rembrandt, Vermeer, Titian and Caravaggio. For Ludion, he has written about Caravaggio, Leonardo da Vinci and Raphael.

Rembrandt van Rijn (1606–1669) never left his homeland of the Netherlands but in his massive body of painting, drawing, and etching, he changed the course of Western art. His prolific oeuvre encompasses religious, historical, and secular scenes, as well as one of the most extraordinary series of portraits and self-portraits in history.

Rembrandt’s work foregrounds texture, light, and acute observation. Like sudden, startling apparitions in a shadowy street, his subjects are illuminated against deep, dark backgrounds and rendered with immense physical as well as psychological scrutiny. Whether biblical or mythological figures, powerful patrons, or fellow citizens, each subject is bestowed not only with meticulous facial features but also with the intrigue of thoughts and feelings so that even age-old narratives such as the bible story of David and Bathsheba find a new level of human drama. Rembrandt also left one of the most extensive series of self-portraits of any artist, chronicling his own face from his youth to the year of his death.

Rembrandt’s rise coincided with the blossoming of the Dutch Golden Age, an era of prosperity in the Netherlands. He was encouraged by wealthy patrons, but was above all driven by a profound fascination with people. In this book, we tour some of Rembrandt’s key paintings, etchings, and drawings to introduce his techniques, inspirations, and exceptional achievements. From the Baroque Belshazzar’s Feast to the world-famous Night Watch we uncover a world of deep, rich tones, masterful draftsmanship, and a remarkable sensitivity for the human condition.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Видатний поворотний момент - Аугсбург як центр німецького Відродження.

Ганс Гольбейн Старший і Ганс Бургкмайр вважаються поряд з Альбрехтом Дюрером попередниками живопису Відродження в Німеччині. Процвітаюче імперське та торгове місто Аугсбург було важливим центром у цей золотий вік мистецтва. Завдяки високоякісним творам цей том дає всебічний погляд на епохальну революцію від середньовіччя до сучасності.

На Аугсбург з самого раннього етапу вплинула гуманістична культура Італії. Завдяки міжнародним торговим домам, які любили мистецтво, як-от Fuggers, а також тривалим перебуванням імператора Максиміліана I і частим імперським дієтам місто запропонувало таким митцям, як Гольбейн Старший і Бургкмайр, ідеальне місце для розвитку нової форми мистецтва. Разом із роботами Дюрера, Гольбейна Молодшого та інших, багато з їхніх найважливіших творів свідчать про те, як ці два митці сприйняли італійське Відродження, як плідно, але водночас протилежно.

Про авторів:

Гвідо Месслінг є куратором німецького живопису в Галереї живопису Художньо-історичного музею у Відні.

Йохен Сандер є заступником директора та керівником колекцій голландського, фламандського та німецького живопису до 1800 року в музеї Штеделя у Франкфурті.

One of the leading lights of the Impressionist movement, Pierre-Auguste Renoir (1841–1919) remains a towering figure in art history with enduring public appeal. Sun-kissed, charming, and sensual, his work shows painting at its most lighthearted and luminous, while championing the plein air and colour innovations of his time.

Renoir’s oeuvre was prolific, with some several thousand works in his lifetime. Much influenced by forerunners such as Courbet, Degas, Manet, Delacroix, he worked with contemporary peers such as Monet to explore fresh uses of colour and brushwork, rendering texture and depth with different-hued daubs. Drawn to intimate and tender human scenes, his subjects include lovers, mothers, and numerous nudes.

As his career progressed, Renoir investigated different styles and techniques, shifting away from the feathery Impressionist touch to a more robust, classical corporeality, sometimes called his “Ingres period,” and later to monumental pieces such as The Bathers. From the abundant output of his lengthy career, this essential artist introduction selects key Renoir works to explore his innovations in the art of painting, as much as his traditions in pursuit of beauty, harmony, and the female form.

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Pierre-Auguste Renoir's timelessly charming paintings still reflect our ideals of happiness, love, and beauty. TASCHEN's Renoir: Painter of Happiness, the most comprehensive retrospective of his work yet published, examines the personal history and motivation behind the legend. Though he began by painting landscapes in the Impressionist style, Renoir (1841-1919) found his true affinity once he started painting portraits, after which he abandoned the Impressionists altogether. Though often misunderstood and criticized, Renoir remains one of history's most well-loved painters — undoubtedly because his works exude such warmth, tenderness and good cheer.

In an incisive text tracing the artist's career and stylistic evolution, Gilles Néret shows how Renoir reinvented the female form in painting, with his everyday goddesses and their plump forms, rounded hips and breasts. This last phase in Renoir's work, in which he returned to the simple pleasure of painting the female nude in his baigneuses series, was his most innovative and stylistically influential, and an inspiration to both Matisse and Picasso.

With a complete chronology, bibliography, index of works, and 600 sumptuous, large-format colour reproductions, as well as photos and sketches illustrating Renoir's life and work, here is the essential work of reference on this enduring master artist.

Realism vs. Abstraction. A colorful exploration of the life and work of Gerhard Richter

Meet Gerhard Richter, the German artist who redefined painting. Between abstract works and photography-based paintings, Richter pushes the medium’s boundaries and reminds us of its urgency and importance in a world overwhelmed by digital images. This introduction to one of the greatest artists of our time explores his entire career.

An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter’s work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.

The author:

Klaus Honnef was honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art, Andy Warhol, and Pop Art.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Rebel with a cause. A revolutionary spirit in modern art

Diego Rivera (1886 -1957) is a loud presence on the art historical stage. With devout political principles and a turbulent romantic history, he was at once husband and paladin of Frida Kahlo, advocate and adversary of Stalin's Soviet Union, and liberator and traitor of Leon Trotsky.

Vibrant, graphic, and often monumental, Rivera's paintings carry the same live political and passionate charge as his personal biography. Fusing European influences such as Cubism with socialist ideology and an exaltation of Mexico's indigenous and popular heritage, he created a new iconography for art history and for his country. He became one of the most important figures in the Mexican mural movement and won international acclaim for his public wall paintings, in which he presented a utopian yet accessible vision of a post-revolutionary Mexico. In 1931, Rivera was the subject of MoMA s second ever monographic exhibition.

This book explores the unique blend of influence and ideology which secure Rivera's place as both a unique and a universal painter, bound to the particular turbulent experience of early 20th century Mexico, and yet preoccupied with subjects such as revolution and class inequity which continue to speak to us today. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

This illustrated catalogue is published to accompany the retrospective exhibition devoted to American artist Mark Rothko, curated by Suzanne Pagé and the artist’s son, Christopher Rothko. The show will feature over one hundred works. Born Markus Rothkowitz in Latvia in the early 20th century, the man who would soon become known as Mark Rothko began painting in the 1930s. While his early works were influenced by mythology and Surrealism, his first abstract paintings emerged in the 1940s with the Multiform series, followed by his Classic Years and the Black and Gray paintings. A key figure on the New York art scene, Rothko was an uncategorisable artist who deployed an extensive palette of colour and light with a talent that consistently triggers emotion. His great sensitivity shaped a poetic, enigmatic universe that leaves no one untouched.

• A catalogue of the major exhibition of remarkable paintings by Mark Rothko at the Fondation Louis Vuitton in Paris, from October 18, 2023 to April 2, 2024
• This publication has been produced in close collaboration with the artist’s family
• Two page fold-outs plunge the reader deep into Rothko’s oeuvre
• Contains previously unpublished works and archive material
• Represents a major cultural event for Paris and the world

About the Author:

An internationally renowned art historian, Suzanne Pagé is currently artistic director of the Fondation Louis Vuitton. Formerly the director of the Musée d’Art Moderne de la Ville de Paris, she curated the previous French retrospective of Rothko’s work, back in 1999.

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Пролистать книгу Rothko (Foundation Louis Vuitton)  на сайте издательства.

Mark Rothko's iconic paintings are some of the most profound works of twentieth-century Abstract Expressionism.

This collection presents fifty large-scale artworks from the American master's color field period (1949-1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop. Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressivecolor of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time. A textured case and large-scale tip-on on the front cover round out this sumptious package.

About the Authors:

Mark Rothko (1903-1970) was one of the foremost members of the Abstract Expressionist movement. He is known for his colour field paintings, which used staining techniques to create abstract fields of colour on large canvases. Rothko was a guest instructor at the California School of Fine Arts, San Francisco, and taught at Brooklyn College, the University of Colorado, Boulder, and Tulane University. From 1958 to 1969, he worked on three major commissions: monumental canvases for the Four Seasons Restaurant and Seagram Building, both in New York; murals for the Holyoke Center, Harvard University; and canvases for the chapel at the Institute of Religion and Human Development, Houston, known worldwide as "The Rothko Chapel." His work is held in gallery and museum collections worldwide.

Janet Bishop is the Thomas Weisel Family Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. While the museum underwent expansion construction, she oversaw "SFMOMA on the Go," an innovative program of exhibitions presented throughout the Bay Area and beyond. She is best known for her curatorial work on Matisse/Diebenkorn; The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde; and Robert Bechtle: A Retrospective.

Dore Ashton is an award-winning critic of modern and contemporary art. An authority on Abstract Expressionism and the New York School of the 1950s and 1960s, she is the author and editor of more than 30 books, including About Rothko, a celebrated biography of Mark Rothko. Ashton is a professor of Art History at the Cooper Union in New York City.
 

The self as a subject is one of the most fascinating and fruitful of artistic enterprises. From the 15th century to today, this collection brings together some of the best examples of self-portraiture to explore the genre’s evolution over the centuries as well as the enduring questions of selfhood and self-representation that have besieged human experience for centuries before social media and the selfie.

Is a self-portrait of an artist a medium of reflection? Or is it merely a black void, the “false mirror,” as the Surrealist René Magritte entitled his 1928 painting of an eye? How much does it impart about contemporary notions of beauty, power, and status? From Albrecht Dürer to Egon Schiele, Fra Filippo Lippi to Frida Kahlo, this far-reaching collection explores the numerous ways in which artists have taken themselves as subjects, the variety of ingenious methods and perspectives they have used, and the intriguing questions they raise.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Опублікований з нагоди великої ретроспективи, цей чудовий новий огляд зосереджується на картинах, пов’язаних з роками, які Хоакін Соролья провів у Парижі.

Уродженець Валенсії, іспанський імпресіоніст Хоакін Соролла (1863–1923) вперше поїхав до Парижа в 1885 році як молодий художник у віці двадцяти трьох років. Він виставлявся на міжнародних салонах, отримавши Гран-прі на Всесвітній виставці в 1900 році, а в 1906 році він вперше виставлявся в Galerie Georges Petit, одній з головних галерей імпресіоністів. Виставка мала приголомшливий успіх і допомогла створити міжнародну репутацію Sorolla. Відомий своїми енергійними композиціями, незвичайною кольоровою палітрою та вільними, сяючими мазками пензля, залиті сонцем пейзажі, пляжні сцени та світлові портрети Соролла вразили навіть таких сучасників, як Клод Моне. Ця важлива книга, багато ілюстрована та нещодавно досліджені есе відомих учених, відкриває багато нової інформації про діяльність Соролли та стосунки з іншими митцями в Європі.

Включено понад сто картин, що відображають кар’єру художника, від його ранніх робіт у Парижі, в яких чітко помітний вплив французьких імпресіоністів, до характерних картин, які відображають його зрілий і знаменитий стиль.

Про авторів:

Веронік Жерар-Пауелл – головний куратор і старший викладач історії мистецтва в Університеті Париж-Сорбонна, спеціаліст з іспанського живопису та історії колекціонування.
Домінік Лобштейн є колишнім керівником відділу документальних досліджень у відділі живопису Музею д’Орсе в Парижі.
Марія Лопес Фернандес є головним куратором Mapfre Foundation, Мадрид.
Бланка Понс-Соролла є провідним дослідником творчості Хоакіна Соролла, вона написала численні книги та внесла свій внесок у них, зокрема Sorolla: The Masterworks (Skira Rizzoli, 2012). Вона є правнучкою художника.

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Погортати книгу Sorolla and the Paris Years

The first major U.S. monograph in ten years on Murakami is the definitive survey of the paintings of one of today’s most influential artists.

Takashi Murakami (b. 1962), one of contemporary art’s most widely recognized exponents, receives a long-awaited critical consideration in this important volume. Accompanying the first retrospective exhibition devoted solely to Murakami’s paintings, this book traces Murakami’s career from his earliest training to his current studio practice.

Where other books address the commercial aspects of Murakami’s work, this is the first serious survey of his work as a painter. Through essays and illustrations — many previously unpublished — it explores the artist’s relationship to the tradition of Japanese painting and his facility in straddling high and low, ancient and modern, Eastern and Western, commercial and high art. New texts address Murakami’s output in the context of postwar Japan, situating the artist in relation to folklore, traditional Japanese painting, the Tokyo art scene in the 1980s and 1990s, and the threat of nuclear annihilation. This richly illustrated volume also includes a detailed biography and exhibition history. Takashi Murakami is a true essential for collectors and fans alike.

About the Authors:

Madeleine Grynsztejn is the Pritzker Director and Michael Darling is the James W. Alsdorf Chief Curator of the Museum of Contemporary Art, Chicago. Michael Dylan Foster is associate professor at Indiana University at Bloomington. Chelsea Foxwell is assistant professor at the University of Chicago. Reuben Keehan is curator at Queensland Art Gallery/Gallery of Modern Art in Brisbane, Australia. Akira Mizuta Lippit is professor and chair at the University of Southern California Dornsife College. Nobuo Tsuji is an independent scholar, author, and authority on Japanese aesthetics.

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Пролистать книгу Takashi Murakami: The Octopus Eats Its Own Leg

A revised edition of a classic title, now with digitally restored photographs, showcasing the finest surviving examples of ancient Buddhist art.

'Benoy K. Behl's remarkable photographs, painstakingly gathered and digitally restored over thirty years of hard labour, are probably the best and truest record of these fabulous treasures that will ever be created.' William Dalrymple

A revised edition of a classic title, now with digitally restored photographs, showcasing the finest surviving examples of ancient Buddhist art.

Since their chance re-discovery in 1819, the breathtaking paintings and sculptures of the Ajanta caves have inspired and delighted experts and amateurs alike. Ranging in date from the second century BCE to the sixth century CE, these ancient Buddhist artworks rank among the world's most important cultural treasures. Benoy K. Behl captured the beauty and luminosity of these works using long exposures and only natural light and now presents them here digitally restored to show the paintings closer to their original glory than ever before.

The exquisite murals, depicting the tales of previous incarnations of Buddha, scenes of princely processions and fantastical birds and beasts, provide virtually the only evidence of painting styles that first developed in India and remain crucially important to the understanding of Buddhist art throughout Asia. On UNESCO's list of World Heritage Sites, the Ajanta caves survive as a potent symbol of the great beauty of India's rich artistic past.

This new edition provides for the first time a view of some of the masterpieces of Ajanta painstakingly digitally restored by Behl. Sensitively carried out, the restoration makes the paintings clearer without interfering with their original grace and nuance, leading to a deeper appreciation of their artistry. Accompanied by expert commentaries to fully immerse the reader in the cultural context of the murals, this book will help preserve the legacy of the glorious art of Ajanta for years to come.

About the Author:

Benoy K. Behl is an art historian, film-maker and photographer who is known for his tireless and prolific output of work over the past forty-six years. He has taken over 53,000 photographs of Asian monuments and art heritage and made 145 documentaries on subjects of art and culture.