Art Deco is one of the most exciting chapters in the history of the decorative arts. Conceived in France before the First World War, it spread throughout Europe and had its greatest and most spectacular success in the United States. Myriad influences shaped the style – Cubism, Constructivism, Orientalism, the Ballets Russes, the Bauhaus – and its exponents included many of the century’s most celebrated artists, designers and craftsmen.

Focusing on Art Deco graphic art and illustration, this gorgeous new book features fascinating text on the movement in general, fashion and advertising, accompanied by beautiful reproductions of work by talents such as Barbier, Erté, Cassandre and Colin. 

Sympathetic examples of other forms of Art Deco are also included.

Part of a new series of beautiful gift art books, Art Deco Fashion: Masterpieces of Art highlights artworks from fashion illustrators of the era that was characterized by the allure of modernity, progression, women’s liberation, and luxury – leading to the short hemlines and androgyny of the Flapper, the outdoorsy Sporty girl and Silver Screen goddesses. 

Beginning with a fresh and thoughtful introduction to the Art Deco movements and its influence upon fashion, the book features all the best known Art Deco fashion masterpieces, including works by renowned artists such as Georges Barbier, Paul Iribe and Erté. 

An astonishing collection of super glamorous interiors with a sumptuous style that draw on art deco for inspiration

What does a contemporary Art Deco interior look like to you? Is it glittering and cabaret-like, featuring marabou trims, sequin scales, and striking chevron stripes? Or is it elegance personified in the manner of a Marlene Dietrich trouser suit — soft and well-tailored, but accessorised dramatique?

Through jewel-like furnishings that light up the room, ornate mirrors as beautiful as brooches, simple Japanese-style lighting, and bold, curvaceous furniture shapes, join design journalist Claire Bingham as she tours the most sumptuous, modern-day Deco interiors — at home, on holiday, in restaurants and bars. Spanning ritzy venues to sublimely-styled houses, Living in Style The New Art Deco is all about 21st century Deco-inspired interiors — vivid, glamorous, polished, and self-assured.

With chapters focusing on all facets of the Art Deco look, including designers, design details, paint palettes, and Art Deco accessories, this gorgeous interiors book opens the door to exclusive, charismatic, contemporary Deco spaces and offers abundant Art Deco design ideas and inspiration for beginners and experts alike. Vintage photographs contextualize the featured interiors, showcasing the icons of Art Deco that have immortalized the era and style. From 1920s and 1930s trendsetters swathed in silks and furs to swanky Dimore Studio-designed salons, this book celebrates the enduring appeal of a halcyon design age as modern and desirable as it is elaborate and luxurious.

CLAIRE BINGHAM is an interiors journalist who writes about design, travel, and style for several publications worldwide. Before becoming an author, including the teNeues books Modern Living and A Beautiful Mess, she was the Homes Editor for Elle Decoration U.K. and her insightful work has been featured in international glossies, including Vogue Living and Architectural Digest. Scouring the globe for inspiring interiors and discovering the talents behind the scenes, she ultimately writes about homes full of character — be it modern-day glamour or old world, disheveled charm.

Includes private homes as well as chic hotels, stylish restaurants, and trendy bars

With its streamlined shapes and forward-looking approach, the Art Deco style still looks modern today. In the 1920s and 1930s, designers and craftsmen made innovative use of both natural and man-made materials to produce elegant pieces that broke with tradition and celebrated the future. In this beautifully illustrated guide, antiques expert Judith Miller explores the key makers and pieces of the movement, explaining what to look for as a collector.

The book explores all the key collecting areas, with chapters on furniture, glass, ceramics, sculpture, metalwork, silver and plastics, prints and posters, rugs and textiles. With clear price codes and biographies of key makers and designers, the book also contains "A Closer Look" and "Good, Better, Best, Masterpiece" features comparing ranges of items from makers and factories.

About the Author:

Judith Miller began collecting in the 1960s while a student at Edinburgh University in Scotland. She has since extended and reinforced her knowledge of antiques through international research, becoming one of the world's leading experts in the field. In 1979 she co-founded the international best-seller Miller's Antiques Price Guide and has since written more than 100 books, which are held in high regard by collectors and dealers. Judith Miller appears regularly on TV and radio. She is an expert on the BBC's Antiques Roadshow and co-hosts the popular BBC series The House Detectives, ITV's Antiques Trail, and Discovery's It's Your Bid. She has appeared on The Martha Stewart Show and CNN. She is a regular lecturer and contributor to numerous newspapers and magazines, including Financial Times, BBC Homes & Antiques and House & Garden. She has lectured extensively, including at the V&A in London and the Smithsonian in Washington.

Based on The Metropolitan Museum’s renowned collection, French Art Deco presents more than eighty masterpieces by forty-two designers.

Art Deco – the term conjures up jewels by Van Cleef & Arpels, glassware by Lalique, furniture by Ruhlmann – is best exemplified in the work shown at the exhibition that gave the style its name: the Exposition Internationale des Arts Décoratifs et Industriels Modernes, held in Paris in 1925. The exquisite craftsmanship and artistry of the objects displayed spoke to a sophisticated modernity, yet were rooted in past traditions.

Although it quickly spread to other countries, Art Deco found its most coherent expression in France, where a rich cultural heritage was embraced as the impetus for creating something new. The style drew on inspirations as diverse as fashion, avant-garde trends in the fine arts – such as Cubism and Fauvism – and a taste for the exotic, all of which converged in these exceptionally luxurious and innovative objects. While the contemporary practice of Art Deco ended with the Second World War, interest in it has not only endured to the present day but has also grown steadily.

Examples include Süe et Mare’s furniture from the 1925 Exposition; Dufy’s Cubist-inspired textiles; Dunand’s lacquered bedroom suite; Dupas’s monumental glass wall panels from the SS Normandie; and Fouquet’s spectacular dress ornament in the shape of a Chinese mask.

Jared Goss’s engaging text comprises a discussion of each object together with a biography of the designer who created it, and is enlivened by generous quotations from contemporary writings. The extensive introduction provides historical context and explores the origins and aesthetic of Art Deco.

Accompanying the text are sumptuous, atmospheric photographs of the objects themselves, making this not only one of the rare books on French Art Deco in English, but also an objet d’art in its own right.

Jared Goss is an independent scholar and former associate curator in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art.

This is a guide to the ceramics of the 1920s and 1930s, offering clear explanations of art terms such as Art Deco, Modernism, Art Moderne, and Streamline Style.

Over 200 photographs provide a visual reference of objects both useful and decorative, chosen for their visual power, their historical significance or their appeal to collectors.

The volume includes an A-Z reference section listing significant ceramicists, designers, decorators and the factories of the period as well as a glossary of technical terms.

‘As good a treatment of this subject as one could ever hope for’ – Los Angeles Times

After its initial explosion in mid-1920s Europe, American designers began to make their own contribution to the style of Art Deco. Most of the important buildings of the 1930s were embellished with Art Deco ornamentation — from the Oviatt Building in Los Angeles to New York’s romantic Chrysler Building. The style was adopted in Hollywood and Art Deco became part of the background of ordinary people.

A dynamic American tradition developed in virtually all the applied arts, as demonstrated by the dazzling illustrations in this book. In chapters covering subjects such as furniture, silverware, glass, architecture, sculpture and painting, jewelry and world fairs, Alastair Duncan explores this wide and exuberant subject, reassessing the work of such gifted artists as Donald Deskey, Paul Manship, Gilbert Rohde, Walter von Nessen, and many others whose vision helped to transform American art and design.

A wide-ranging compilation of Art Deco graphics from six European countries, Euro Deco assembles a wealth of alluring and sophisticated design from an extraordinary period of creative vitality and political turmoil.

An essential reference for graphic artists, designers and anyone with an interest in advertising or art history, this book assembles a wealth of original artefacts from the 1920s to the 1940s, including samples of design and illustration from posters, packaging, magazines, advertisements and many other sources.

With sections featuring more than 2,000 samples of graphic ephemera from France, Germany, Spain, the United Kingdom, Italy and the Netherlands, Euro Deco offers inspiration for the designer and an engaging and original portrait of the time and place in which these works were created.

A lavishly illustrated survey of American Art Deco architecture.

Art deco architecture flourished in large cities and small towns throughout America in the 1920s and 1930s. Many of the best examples office buildings, movie theaters, hotels, and churches are still in use. Deco architects, artists, and designers drew on European styles but were most committed to a style that grew organically, as they saw it, from their native soil. Two themes bound Deco buildings and their decorative schemes together: a regional pride that tied buildings to their specific locales and functions, and a growing national symbolism that asserted the buildings' identity as uniquely, independently American.

American Art Deco features description sand over 500 color photographs of seventy-five lavish and innovatively designed buildings across the country that have been preserved both outside and in, giving the full scope of this beloved, exciting style.

Jean-Michel Frank was perhaps the most influential Parisian designer and decorator of the 1930s and 1940s, inspiring such varied talents as Andree Putman and Bonetti and Garouse. Frank established his reputation and signature look with the design of the Paris apartment of the Vicomte Charles de Noailles. The Noailles were leading progressives of their day and patrons of the major painters of Paris.

Frank’s style of understated luxury — vellum-sheathed walls, bleached leather, lacquer and shagreen — perfectly complemented the Picassos and Braques on the walls. Frank’s blocky, rectangular club chairs and sofas have been endlessly copied and produced by many admirers. He is credited for the design of the modern Parsons table, a stark form that Frank embellished with the most luxurious finish.

Admiringly described by the French "le style Frank," his look continues to exert its influence through the powerful combination of the simplest forms and the most exquisite materials to produce objects that are truly noble and utterly modern.

Posters by their very nature are ephemeral: crookedly plastered on a roadside billboard, tacked to the back of a tabac, they lasted a few weeks until advertisers issued another imaginative argument for soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized. William Crouse, long-time poster aficionado, has selected over three hundred of the most sought-after examples of poster art created between the wars to include in this definitive volume.

Organized thematically into subject categories (aviation, communication, fashion, etc.), The Art Deco Poster presents a jaunty cavalcade of international poster design and includes highly rare and even unique examples by masters of the art form, including Nizzoli and Beall.

Each poster — digitally photographed under carefully controlled conditions — is accompanied by an expanded caption that addresses the aesthetic, sociological, economic, and/or political context of the image. Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential addition for all interested in graphic design, Art Deco, and life and culture between 1919 and 1939.

William W. Crouse is a long-time collector of twentieth-century posters. He is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists, and the Competition 1929–2009. He lives in Florida and New York.

Alastair Duncan was for many years an officer and consultant of Christie’s, New York, and is now an independent consultant on the decorative arts of the nineteenth and twentieth centuries. He is the author of many books on the Art Deco period, including Art Deco Complete, Art Nouveau and Art Deco Lighting, Art Deco Furniture, American Art Deco and Art Nouveau, and Art Deco Bookbinding. He lives in New York.

Over 300 of the most sought-after examples of poster art created between the wars are included in this definitive volume.

This cavalcade of international poster design is organized by subject: aviation, communication, fashion and many more. Featuring rare and even unique examples by masters of the art form, including Nizzoli, Cassandre and Beall, each poster – carefully re-photographed – is accompanied by an extended caption that addresses the aesthetic, social, economic, and/or political context of the image.

Posters were by their very nature ephemeral: on a billboard or tacked to a newsstand, they lasted only a few weeks until advertisers issued another argument for a soap or an ocean voyage. While few contemporary observers understood the richness of their design or appreciated the ingenuity of their unsung creators, they are now highly prized by collectors.

Introduced by Art Deco specialist Alastair Duncan, The Art Deco Poster is an essential book for all interested in graphic design, Art Deco, and life and culture in the Jazz Age.

About the Authors:

William W. Crouse is the author of Grand Prix Automobile de Monaco Posters: The Art, The Artists and the Competition 1929-2009.
Alastair Duncan is the author of many books on the Art Deco period, including Art Deco Complete, American Art Deco, Art Deco and Art Deco Furniture, Art Deco Furniture: The French Designers