Книги по истории искусства

This stunningly illustrated book examines the history of poster design and its relation to the arts and broader culture

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

About the Author:

Jurgen Doring is Head of the Department of Graphics and Posters at the Museum für Kunst und Gewerbe in Hamburg, Germany.

A captivating artistic and philosophic exploration of humankind’s complex moral codes

A companion piece to Pandemonium: A Visual History of Demonology and Elysium: A Visual History of Angelology, Seven Sins and Seven Virtues will complete this moral trilogy and finally consider God’s most enigmatic of creations: None of the conundrums of metaphysics are as baroque as the motivations of the human soul. Unlike the devils condemned to perdition and the angels compelled to paradise, humans are divine creatures that house within them warring impulses.

Seven Sins and Seven Virtues will examine the literary, philosophical, theological, and most of all artistic expressions of the seven deadly sins and their respective seven cardinal virtues, drawing upon millennia of history to gather a compendium of humanity at its best and its worst. As a volume, the book will explore the Manichean nature of the human animal in all of its grandeur and canker, motivated by the faith that tales of damnation and salvation are the only stories that are ultimately worth telling.

About the Author:

A staff writer for the Millions, which the New York Times calls the “indispensable literary site,” as well as the editor of Belt Magazine, Ed Simon has contributed his characteristically engaging cultural criticism to almost every major American literary publication, including the New York Times, the Atlantic, the Paris Review Daily, the New Republic, and the Washington Post. Simon’s articles have covered everything from the intersection of robotics and religion to the heretical origins of the sonnet, from Thomas Morton’s forgotten pagan settlement in colonial New England to a cultural history of the color black. Simon is the author of several books, including the top-selling An Alternative History of Pittsburgh, Pandemonium: A Visual History of Demonology, and, in fall 2023, Elysium: A Visual History of Angelology, which promises to be the standard text on the subject for popular readers.

This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.

Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.

The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.

About the Author:

Robert Hughes (1938 – 2012) was an Australian-born art critic, writer, and producer of television documentaries.

One of the most famous and popular books on art ever written

The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

For the first time in many years, the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn.

The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

About the Author:

Sir Ernst Gombrich’s standing in the world of art and his popularity with experts and a vast general readership remain unrivalled. Born in Vienna, he came to London in 1936 to work at the Warburg Institute, where he became director from 1959 until his retirement in 1976. He won numerous honors, including a knighthood, the Order of Merit, and the Goethe, Hegel, and Erasmus prizes.

The Story of Painting provides concise and reliable information on key cultural and historical topics.

Highlights
• Chronological presentation of the most important themes
• More than 150 illustrations with detailed explanations
• Supplementary cards on special related themes and the history of the events
• Timelines, illustrations, and maps
• Index of subjects and names

The essential guide the history of theatre, updated and extended to cover the key themes and shows of early twenty-first-century drama

Acting, direction, stagecraft, theatre architecture and design, the extraordinary evolution of dramatic literature – here is an all-embracing and richly illustrated history, global in scope and ranging from the ancient origins of the theatre in the choral hymns sung around the altar of Dionysus to the fascinating variety of forms that it has taken in our own age.

For this fourth edition, Enoch Brater, Kenneth T. Rowe Professor of Dramatic Literature at the University of Michigan and a specialist on modern and contemporary drama, has revised and extended his final chapter to update the discussion. He surveys performance art, political theatre, new genres, live broadcasts and extravagant spectacles, showcasing the constant and dynamic evolution of stage performance, from classics reinvented to groundbreaking new work.

Contents List:

1. The Greek and Roman Theatre • 2. The Medieval Theatre • 3. The Theatre of the Italian Renaissance • 4. The Elizabethan Theatre • 5. The Golden Age of Spain and France • 6. The English Restoration Theatre • 7. The Theatre in Eighteenth-century Germany • 8. France before the Revolution • 9. The Early Nineteenth-century Theatre • 10. The Later Nineteenth-century Theatre • 11. Ibsen, Chekhov and the Theatre of Ideas • 12. The Modern Theatre • 13. The Contemporary Theatre; Endmatter

About the Author:

The late Phyllis Hartnoll was editor of The Oxford Companion to the Theatre. Enoch Brater is Kenneth T. Rowe Collegiate Professor of Dramatic Literature & Professor of English and Theater at the University of Michigan.

A richly illustrated sourcebook of two-dimensional pattern and three dimensional ornamentation, presenting more than 1,000 historic and contemporary examples from around the world

The wealth of surface pattern and three-dimensional ornamentation in the many objects that enrich our lives is testament to the inventiveness of designers and craftspeople around the globe and throughout history.

This richly illustrated, easy-to-navigate sourcebook presents more than 1,000 historic and contemporary examples of pattern and ornamentation from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also of three-dimensional ornamentation and embellishment.

Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture, such works reveal humanity’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments that go far beyond the requirements of their practical use: an acrylic handbag has a carved motif of insects and wildflowers, a cobalt-blue pottery ewer has a dragon’s-head spout and an early 19th-century fruit plate is shaped like a seashell.

Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection will appeal to designers, artists, illustrators and other creatives from all disciplines as well as anyone interested in visual and material culture.

About the Author:

Amelia Calver is Licensing Research and Development Manager at the Victoria and Albert Museum, London. She has worked at the V&A for more than twenty years and has an impressive familiarity with the museum’s extensive collections, particularly of the fabric and wallpaper designs from around the world that have been acquired during the V&A’s 170-year history.

Alphonse Mucha (1860-1939) was a Czech graphic designer and decorative artist best known for his distinctive Art Nouveau style. He produced many illustrations, advertisements, postcards, packages and paintings throughout his life. The popularity of Mucha s distinctive style and demand for his beautiful works has continued to grow since the strong revival of interest in Art Nouveau during the 1960s. 

This book is the very best collection of Mucha s characteristic works, covering his entire career, from his beginnings in Paris to his final days in Prague after four years in the United States. His most representative works are featured, not only in the field of fine art but also in editorial design and graphic design. 

As a special feature, this book introduces more typography and package design works compared to other publications on Mucha s work. And, of course, Mucha s masterpiece The Slav Epic is also covered in detail, along with an interpretation and its historical background. 

This beautifully designed book will be a valuable reference for graphic designers and illustrators alike and is sure to become a must-have book for Mucha s fans around the world to treasure.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, William Morris: Master of Modern Design, A Thousand and One Nights - have gained recognition worldwide.

A visual journey through five centuries of the city known for centuries as 'La Serenissima' - a unique and compelling story for both lovers of Venice and lovers of its art.

Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more.

Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events.

In this elegant volume, Gayford - who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions - takes us on a visual journey through the past five centuries of the city known 'La Serenissima', the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.

About the Author:

Martin Gayford is a writer and art critic. His books include Michelangelo: His Epic Life (Penguin), as well as Man with a Blue Scarf (in which he recounts the experience of being painted by Freud), Modernists and Mavericks, Spring Cannot Be Cancelled (with David Hockney), A History of Pictures (with David Hockney), Shaping the World (with Antony Gormley), and Love Lucian: The Letters of Lucian Freud, 1939-1954 (with David Dawson), all published by Thames & Hudson.

In this new monograph, the latest in Phaidon's Art and Ideas series, Wayne Franits examines the work of Vermeer within the framework of his times, one of the most intellectually creative periods in this history of art. Written in a lively and accessible style, and incorporating the latest scholarship on the artist, Franits provides fresh insights into many of Vermeer's most famous works, uncovering the creative process behind them and their wealth of meanings.

About the Author:

Wayne Franits, a specialist in seventeenth-century Dutch and Flemish art, is Professor of Art History at Syracuse University, New York. His numerous publications have explored a variety of topics within the field, ranging from genre painting and portraiture to the work of the Dutch followers of Caravaggio.

An exceptional volume bringing together 1,000 images representing the diversity and richness of the visual arts in Vienna at the turn of the 20th century

At the turn of the 20th century, Vienna became an epicentre for new thought. A multi-disciplinary environment emerged where musicians, writers and intellectuals all flourished, often coming together in the capital’s famous coffee houses. This was the time of Freud and Wittgenstein, of Mahler and Schönberg, and of the Secession (1897–1905), the modern movement led by Gustav Klimt, Josef Hoffmann and Koloman Moser that aimed to bring different arts together in a ‘Gesamtkunstwerk’; of Jugendstil and of the Wiener Werkstätte.

There have been many exhibitions and publications devoted to this effervescence of artistic creation, and even more monographs devoted to its key players. None, however, brings together a selection of visual material from across the different artistic disciplines as significant as this volume, curated and authored by three leading scholars of the period. The illustrations take the lead throughout, creating an invaluable visual reference point for all those eager to identify a given category of the arts within this period, particularly in the field of the decorative arts, from ceramics to glass, silverwork, furniture and jewellery; and graphic arts, from book design to posters and postcards. There are also many less familiar works in the field of fashion and photography, and a particular focus is given to the role of women practitioners of the time.

This is an essential publication for anyone interested in fin-de-siècle Vienna, Viennese art and modern decorative arts more generally.

About the Authors:

Christian Brandstätter is a Viennese author, curator and publisher. Among his previous books is Wonderful Wiener Werkstätte, also published by Thames & Hudson.

Rainer Metzger is an art historian and author who has been a professor at the Kunstakademie Karlsruhe since 2004. His books include Gustav Klimt: Drawings and Watercolours (2005), Berlin in the 20s (2007) and Munich: Its Golden Age of Art and Culture 1890–1920 (2009), all published by Thames & Hudson. 

Daniela Gregori studied Art History in Vienna and Hamburg. As an author and journalist, she works especially in the field of applied arts.

Contents List:

Introduction • 1. The Fine Arts • 2. Painters • 3. The Wiener Werkstätte • 4. Commercial Art and Publications • 5. Glass • 6. Ceramics • 7. Metalwork • 8. Fashion, Textiles and Jewelry • 9. Furniture • 10. Graphic Art and Bookbinding • 11. Photography • 12. Architecture • A–Z of Artists and Manufacturers

Under the Microscope. The secrets behind world-renowned masterpieces

If you thought these paintings were familiar, look again, and look closer. Part art history, part detective work, this fascinating collection explores 100 world-famous works of art through enlarged details, revealing the fashions and lifestyles, the loves and intrigues, politics and people that truly make a masterpiece.

This important addition to our understanding of art history’s masterworks puts some of the world's most famous paintings under a magnifying glass to uncover their most small and subtle elements and all they reveal about a bygone time, place, and culture.

Guiding our eye to the minutiae of subject and symbolism, authors Rose-Marie and Rainer Hagen allow even the most familiar of pictures to come alive anew through their intricacies and intrigues. Is the bride pregnant? Why does the man wear a beret? How does the shadow of war hang over a scene of dancing? Along the way, we travel from Ancient Egypt through to modern Europe, from the Renaissance to the Roaring Twenties. We meet Greek heroes and poor German poets and roam from cathedrals to cabaret bars, from the Garden of Eden to a Garden Bench in rural France.

As we pick apart each painting and then reassemble it like a giant jigsaw puzzle, these celebrated canvases captivate not only in their sheer wealth of details but also in the witness they bear to the fashions and trends, people and politics, loves and lifestyles of their time.

The author:

Rose-Marie Hagen was born in Switzerland and studied history, Romance languages, and literature in Lausanne. After further studies in Paris and Florence, she lectured at the American University in Washington, D.C.

Rainer Hagen was born in Hamburg and graduated in literature and theater studies in Munich. He later worked for radio and TV, most recently as chief editor of a German public broadcasting service. Together they have collaborated on several TASCHEN titles, including Masterpieces in Detail, Pieter Bruegel, and

It might seem like the sitters and subjects of art history’s greatest nude paintings have little left to show, but don't be fooled: there is more than meets the eye in these naked masterworks. Rose-Marie and Rainer Hagen guide us into the secrets of the flesh, coupling extended discussions with crisp, enlarged details of 12 iconic works from the canon of art history.

Biblical tales of morality or modern portrayals of leisure, works such as Tintoretto’s Susanna and the Elders or Manet’s The Luncheon on the Grass offer diverse visions of natural beauty. Each artwork is presented in reproductions of the highest quality, sourced directly from the original, located in collections of the Louvre, Musée d’Orsay, Uffizi, and many others.

From works depicting ultimate feminine grace, like Velázquez’s Rokeby Venus, to Hans Baldung’s mesmerizing image of the body’s decline in The Three Ages of Man and Death, these paintings are unified in their masterful rendering of the bare human form—both in life and beyond. Through this exploration into the covert secrets of nude works, they cease to be two-dimensional and come to full hot-blooded life.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

This book includes examples of the Wiener Werkstätte’s iconic aesthetic and covers all of the significant artists who were a part of the collective.

The Wiener Werkstätte, founded by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, was an artists’ and craftsmen’s collective that existed in Vienna from 1903 until 1932. The artists’ goal was to bring high-quality design and craft into all areas of life and to elevate everyday objects into pieces of art. During that time, the collective produced items in a variety of media including ceramics, furniture, glass, jewelry, metalwork, and textiles. The Wiener Werkstätte style influenced generations of architects from Bauhaus to Art Deco. This book features the work of well-known Wiener Werkstätte members such as Josef Hoffmann, Koloman Moser, and Dagobert Peche along with lesser-known designers such as Gudrun Baudisch, Carl Otto Czeschka, and Ugo Zovetti. It also includes in-depth essays that explore the Wiener Werkstätte’s long history and legacy.

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Пролистать книгу Wiener Werkstätte - 1903-1932: The Luxury of Beauty

Re-examining history from a female perspective, this book celebrates the numerous important roles women have played in culture and society that are less often told.

Packed full of evocative images, this gloriously illustrated book reveals the key events in women's history - from early matriarchal societies through women's suffrage, the Suffragette movement, 20th-century feminism and gender politics, to recent movements such as #MeToo and International Women's Day - and the key role women have had in shaping our past.

Learn about the everyday lives of women through the ages as well as the big names of women's history - powerful, inspirational, and trailblazing women such as Cleopatra, Florence Nightingale, Emmeline Pankhurst, Eva Peron, and Rosa Parks - and discover the unsung contributions of lesser-known women who have changed the world, and the "forgotten" events of women's history.

Placing women firmly centre stage, Women - Our History shows women where they have come from, and, in celebrating the achievements of women of the past offers positive role models for women of today