Книги по истории искусства

A compact edition of this highly acclaimed survey of the Fayum paintings, the enigmatic and compelling funeral portraits created by the inhabitants of Roman Egypt in the 1st century CE

These remarkable paintings take their name from a district of Roman Egypt, whose people in the first three centuries AD included Greeks, Egyptians, Romans, Syrians, Libyans, Nubians and Jews. In the Egyptian tradition, they embalmed the bodies of their dead; but then placed a painted portrait over the mummy, preserving the memory of each individual to an uncanny degree. Over 1000 have so far been discovered – men, women and children of all ages. Illustrating almost 200 of the portraits, Euphrosyne Doxiadis’s book combines arresting beauty with up-to-date scholarship. Having selected the best and most interesting, she has grouped them according to the places where they were found. Many new photographs were commissioned and some are shown since cleaning.

Doxiadis’s text sets the people and the paintings in their social, artistic and geographical context, describing the techniques used and showing how the Fayum portraits relate to Byzantine icon painting, in a tradition that extends from ancient Greece to the Renaissance and on to the present day.

Contents List:

Foreword by Dorothy L. Thompson
Introduction
Acknowledgments

The Plates
I Graeco-Roman Egypt
II The Portraits
III The Find-Sites
Commentaries on the Portraits

About the Authors:

Euphrosyne Doxiadis is a Greek artist and writer. She was born in Athens and studied art in Salzburg, at the Cranbrook Academy of Art in Michigan, and at the Slade School of Fine Art and the Wimbledon School of Art in London. Her interest in the Fayum portraits was kindled by working with the distinguished Greek painter Yannis Tsarouchis.

Enter the world of myths and legends with this unforgettable compendium that spans the centuries and crosses the continents to share the greatest stories of all time.

Sit back and enjoy more than 80 classic myths retold for the modern reader with engaging text and eye-catching graphics.

Part of the Big Ideas series, The Mythology Book introduces the great and the good, from the gods of ancient Greece to the stories of the Cherokee People of North America. Going beyond the ancient world, this book brings to life influential tales of Aboriginal Australians and the Aztecs, each packed with compelling characters, plot twists and turns, and incredible insight into human existence.

Discover the lessons behind every story and get to the heart of cultures far and wide through the inspiring narratives that capture the way communities work together to make sense of the world around them.

The Mythology Book is essential reading for everyone who delights in stories of imagination, action, and adventure, taking new generations back in time to love and learn from the stories of the past.

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Пролистать книгу The Mythology Book: Big Ideas Simply Explained на Google Books.

A complete history of the occult and magic around the world, from ancient to modern times, by the author of the bestselling Monsters

Our belief in some form of magic runs throughout human history. In fact, in an increasingly rational and scientific world, the idea that occult or arcane knowledge can give us access to another, hidden reality is as strong and widespread as ever.

The Occult, Witchcraft and Magic is a lively and fascinating history of all things cryptic, mystic and other-worldly, beginning with the earliest evidence of magical thinking amid the gloom of a Palaeolithic cave, and ending in the bright light of our digital age and its newfound interest in paganism.

With hundreds of images drawn from rare and unusual sources, in-depth explorations of cross-cultural themes and profiles of key figures from the history of magic, this is a bewitching and irresistible treasury of esoteric thought that will appeal to believers and sceptics alike.

Contents List:

Introduction • 1. Ancient Magic • 2. Greek or Roman Magic • 3. Northern Magic • 4. Medieval Magic • 5. Renaissance Magic • 6. World of Magic • 7. Enlightenment Magic 8. The Magic Revival • 9. Modern Magic

About the Author:

Christopher Dell holds a degree in the History of Art from the Courtauld Institute, London. He has written and edited many bestselling titles on art and visual culture, including Freemasonry, Mythology, Monsters and What Makes a Masterpiece?, all published by Thames & Hudson.

“A riveting book . . . few stones are left unturned.” — Roberta Smith’s “Top Art Books of 2019,” The New York Times

This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives — from duchesses and country gentry to prostitutes and washerwomen — and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus.

“What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.” — Kathryn Hughes, The Guardian

A brilliant book.” — Ulinka Rublack, Times Literary Supplement

About the Authors:

Barbara Burman is an independent scholar, and Ariane Fennetaux is an associate professor of eighteenth-century history at the Université de Paris.

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Пролистать книгу The Pocket: A Hidden History of Women's Lives, 1660-1900

This stunningly illustrated book examines the history of poster design and its relation to the arts and broader culture

The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes art nouveau, Bauhaus, pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassadre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.

About the Author:

Jurgen Doring is Head of the Department of Graphics and Posters at the Museum für Kunst und Gewerbe in Hamburg, Germany.

A captivating artistic and philosophic exploration of humankind’s complex moral codes

A companion piece to Pandemonium: A Visual History of Demonology and Elysium: A Visual History of Angelology, Seven Sins and Seven Virtues will complete this moral trilogy and finally consider God’s most enigmatic of creations: None of the conundrums of metaphysics are as baroque as the motivations of the human soul. Unlike the devils condemned to perdition and the angels compelled to paradise, humans are divine creatures that house within them warring impulses.

Seven Sins and Seven Virtues will examine the literary, philosophical, theological, and most of all artistic expressions of the seven deadly sins and their respective seven cardinal virtues, drawing upon millennia of history to gather a compendium of humanity at its best and its worst. As a volume, the book will explore the Manichean nature of the human animal in all of its grandeur and canker, motivated by the faith that tales of damnation and salvation are the only stories that are ultimately worth telling.

About the Author:

A staff writer for the Millions, which the New York Times calls the “indispensable literary site,” as well as the editor of Belt Magazine, Ed Simon has contributed his characteristically engaging cultural criticism to almost every major American literary publication, including the New York Times, the Atlantic, the Paris Review Daily, the New Republic, and the Washington Post. Simon’s articles have covered everything from the intersection of robotics and religion to the heretical origins of the sonnet, from Thomas Morton’s forgotten pagan settlement in colonial New England to a cultural history of the color black. Simon is the author of several books, including the top-selling An Alternative History of Pittsburgh, Pandemonium: A Visual History of Demonology, and, in fall 2023, Elysium: A Visual History of Angelology, which promises to be the standard text on the subject for popular readers.

This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.

Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.

The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.

About the Author:

Robert Hughes (1938 – 2012) was an Australian-born art critic, writer, and producer of television documentaries.

One of the most famous and popular books on art ever written

The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.

For the first time in many years, the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn.

The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

About the Author:

Sir Ernst Gombrich’s standing in the world of art and his popularity with experts and a vast general readership remain unrivalled. Born in Vienna, he came to London in 1936 to work at the Warburg Institute, where he became director from 1959 until his retirement in 1976. He won numerous honors, including a knighthood, the Order of Merit, and the Goethe, Hegel, and Erasmus prizes.

The Story of Painting provides concise and reliable information on key cultural and historical topics.

Highlights
• Chronological presentation of the most important themes
• More than 150 illustrations with detailed explanations
• Supplementary cards on special related themes and the history of the events
• Timelines, illustrations, and maps
• Index of subjects and names

The essential guide the history of theatre, updated and extended to cover the key themes and shows of early twenty-first-century drama

Acting, direction, stagecraft, theatre architecture and design, the extraordinary evolution of dramatic literature – here is an all-embracing and richly illustrated history, global in scope and ranging from the ancient origins of the theatre in the choral hymns sung around the altar of Dionysus to the fascinating variety of forms that it has taken in our own age.

For this fourth edition, Enoch Brater, Kenneth T. Rowe Professor of Dramatic Literature at the University of Michigan and a specialist on modern and contemporary drama, has revised and extended his final chapter to update the discussion. He surveys performance art, political theatre, new genres, live broadcasts and extravagant spectacles, showcasing the constant and dynamic evolution of stage performance, from classics reinvented to groundbreaking new work.

Contents List:

1. The Greek and Roman Theatre • 2. The Medieval Theatre • 3. The Theatre of the Italian Renaissance • 4. The Elizabethan Theatre • 5. The Golden Age of Spain and France • 6. The English Restoration Theatre • 7. The Theatre in Eighteenth-century Germany • 8. France before the Revolution • 9. The Early Nineteenth-century Theatre • 10. The Later Nineteenth-century Theatre • 11. Ibsen, Chekhov and the Theatre of Ideas • 12. The Modern Theatre • 13. The Contemporary Theatre; Endmatter

About the Author:

The late Phyllis Hartnoll was editor of The Oxford Companion to the Theatre. Enoch Brater is Kenneth T. Rowe Collegiate Professor of Dramatic Literature & Professor of English and Theater at the University of Michigan.

A richly illustrated sourcebook of two-dimensional pattern and three dimensional ornamentation, presenting more than 1,000 historic and contemporary examples from around the world

The wealth of surface pattern and three-dimensional ornamentation in the many objects that enrich our lives is testament to the inventiveness of designers and craftspeople around the globe and throughout history.

This richly illustrated, easy-to-navigate sourcebook presents more than 1,000 historic and contemporary examples of pattern and ornamentation from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also of three-dimensional ornamentation and embellishment.

Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture, such works reveal humanity’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments that go far beyond the requirements of their practical use: an acrylic handbag has a carved motif of insects and wildflowers, a cobalt-blue pottery ewer has a dragon’s-head spout and an early 19th-century fruit plate is shaped like a seashell.

Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection will appeal to designers, artists, illustrators and other creatives from all disciplines as well as anyone interested in visual and material culture.

About the Author:

Amelia Calver is Licensing Research and Development Manager at the Victoria and Albert Museum, London. She has worked at the V&A for more than twenty years and has an impressive familiarity with the museum’s extensive collections, particularly of the fabric and wallpaper designs from around the world that have been acquired during the V&A’s 170-year history.

Alphonse Mucha (1860-1939) was a Czech graphic designer and decorative artist best known for his distinctive Art Nouveau style. He produced many illustrations, advertisements, postcards, packages and paintings throughout his life. The popularity of Mucha s distinctive style and demand for his beautiful works has continued to grow since the strong revival of interest in Art Nouveau during the 1960s. 

This book is the very best collection of Mucha s characteristic works, covering his entire career, from his beginnings in Paris to his final days in Prague after four years in the United States. His most representative works are featured, not only in the field of fine art but also in editorial design and graphic design. 

As a special feature, this book introduces more typography and package design works compared to other publications on Mucha s work. And, of course, Mucha s masterpiece The Slav Epic is also covered in detail, along with an interpretation and its historical background. 

This beautifully designed book will be a valuable reference for graphic designers and illustrators alike and is sure to become a must-have book for Mucha s fans around the world to treasure.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, William Morris: Master of Modern Design, A Thousand and One Nights - have gained recognition worldwide.

Accompanying a major traveling exhibition, this book examines the unique artistic and cultural exchange between the Republic of Venice and Turkish Ottoman culture and identity over a three-hundred-year period.

From the early Renaissance to the end of the eighteenth century, Venice held a central position in the global trade network. This book explores how artistic and cultural ideas originating in the Ottoman Empire arrived in Venice and were reinterpreted through the decorative arts, printed books, painting, drawing, and architecture.

Featuring a richly diverse selection from the collections of the Musei Civici di Venezia, this volume showcases the creative contributions of well-known Venetian artists such as Vittore Carpaccio, Gentile Bellini, Michele Giambono, and Mariano Fortuny alongside works created by the best anonymous craftspeople both in Venice and the Ottoman Empire, including textiles, metalwork, armor, and ceramics. With newly researched essays by esteemed international scholars on topics such as trade routes, the involvement of international communities in Venice, diplomatic interactions, and military power dynamics, this important volume offers freshly reviewed and new perspectives on the intricate artistic relationship that existed between Venice and the Ottoman Empire.

About the Author:

Stefano Carboni was the inaugural CEO of the Museums Commission of the Ministry of Culture of the Kingdom of Saudi Arabia (2019–23); director and CEO of the Art Gallery of Western Australia (2008–19); and curator and administrator in the Department of Islamic Art at the Metropolitan Museum of Art (1992–2008). He is adjunct professor at the University of Western Australia.

A visual journey through five centuries of the city known for centuries as 'La Serenissima' - a unique and compelling story for both lovers of Venice and lovers of its art.

Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more.

Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events.

In this elegant volume, Gayford - who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions - takes us on a visual journey through the past five centuries of the city known 'La Serenissima', the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.

About the Author:

Martin Gayford is a writer and art critic. His books include Michelangelo: His Epic Life (Penguin), as well as Man with a Blue Scarf (in which he recounts the experience of being painted by Freud), Modernists and Mavericks, Spring Cannot Be Cancelled (with David Hockney), A History of Pictures (with David Hockney), Shaping the World (with Antony Gormley), and Love Lucian: The Letters of Lucian Freud, 1939-1954 (with David Dawson), all published by Thames & Hudson.

In this new monograph, the latest in Phaidon's Art and Ideas series, Wayne Franits examines the work of Vermeer within the framework of his times, one of the most intellectually creative periods in this history of art. Written in a lively and accessible style, and incorporating the latest scholarship on the artist, Franits provides fresh insights into many of Vermeer's most famous works, uncovering the creative process behind them and their wealth of meanings.

About the Author:

Wayne Franits, a specialist in seventeenth-century Dutch and Flemish art, is Professor of Art History at Syracuse University, New York. His numerous publications have explored a variety of topics within the field, ranging from genre painting and portraiture to the work of the Dutch followers of Caravaggio.