Книги по истории искусства

Alphonse Mucha (1860-1939) was a Czech graphic designer and decorative artist best known for his distinctive Art Nouveau style. He produced many illustrations, advertisements, postcards, packages and paintings throughout his life. The popularity of Mucha s distinctive style and demand for his beautiful works has continued to grow since the strong revival of interest in Art Nouveau during the 1960s. 

This book is the very best collection of Mucha s characteristic works, covering his entire career, from his beginnings in Paris to his final days in Prague after four years in the United States. His most representative works are featured, not only in the field of fine art but also in editorial design and graphic design. 

As a special feature, this book introduces more typography and package design works compared to other publications on Mucha s work. And, of course, Mucha s masterpiece The Slav Epic is also covered in detail, along with an interpretation and its historical background. 

This beautifully designed book will be a valuable reference for graphic designers and illustrators alike and is sure to become a must-have book for Mucha s fans around the world to treasure.

About the Author:

Hiroshi Unno was born in 1939 in Tokyo. Unno writes on art, cinema, music, urbanism, novels, flower arranging and more. Unno recent titles released by PIE International - Avant-Garde Graphics in Russia, The Art of Fantasy, Sci-fi and Steampunk, Harry Clarke, William Morris: Master of Modern Design, A Thousand and One Nights - have gained recognition worldwide.

A visual journey through five centuries of the city known for centuries as 'La Serenissima' - a unique and compelling story for both lovers of Venice and lovers of its art.

Venice was a major centre of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Carpaccio, Giorgione, Titian, Tintoretto and Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a speciality of native artists such as Canaletto and Guardi, but the city has also been represented by outsiders: J. M. W. Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more.

Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, and the arrival of pioneering modern art collector Peggy Guggenheim in the late 1940s, the city has become a shop window for the contemporary art of the whole world, and it remains the site of important artistic events.

In this elegant volume, Gayford - who has visited Venice countless times since the 1970s, covered every Biennale since 1990, and even had portraits of himself exhibited there on several occasions - takes us on a visual journey through the past five centuries of the city known 'La Serenissima', the Most Serene. It is a unique and compelling portrait of Venice that will delight lovers of the city and lovers of its art.

About the Author:

Martin Gayford is a writer and art critic. His books include Michelangelo: His Epic Life (Penguin), as well as Man with a Blue Scarf (in which he recounts the experience of being painted by Freud), Modernists and Mavericks, Spring Cannot Be Cancelled (with David Hockney), A History of Pictures (with David Hockney), Shaping the World (with Antony Gormley), and Love Lucian: The Letters of Lucian Freud, 1939-1954 (with David Dawson), all published by Thames & Hudson.
 

Under the Microscope. The secrets behind world-renowned masterpieces

If you thought these paintings were familiar, look again, and look closer. Part art history, part detective work, this fascinating collection explores 100 world-famous works of art through enlarged details, revealing the fashions and lifestyles, the loves and intrigues, politics and people that truly make a masterpiece.

This important addition to our understanding of art history’s masterworks puts some of the world's most famous paintings under a magnifying glass to uncover their most small and subtle elements and all they reveal about a bygone time, place, and culture.

Guiding our eye to the minutiae of subject and symbolism, authors Rose-Marie and Rainer Hagen allow even the most familiar of pictures to come alive anew through their intricacies and intrigues. Is the bride pregnant? Why does the man wear a beret? How does the shadow of war hang over a scene of dancing? Along the way, we travel from Ancient Egypt through to modern Europe, from the Renaissance to the Roaring Twenties. We meet Greek heroes and poor German poets and roam from cathedrals to cabaret bars, from the Garden of Eden to a Garden Bench in rural France.

As we pick apart each painting and then reassemble it like a giant jigsaw puzzle, these celebrated canvases captivate not only in their sheer wealth of details but also in the witness they bear to the fashions and trends, people and politics, loves and lifestyles of their time.

The author:

Rose-Marie Hagen was born in Switzerland and studied history, Romance languages, and literature in Lausanne. After further studies in Paris and Florence, she lectured at the American University in Washington, D.C.

Rainer Hagen was born in Hamburg and graduated in literature and theater studies in Munich. He later worked for radio and TV, most recently as chief editor of a German public broadcasting service. Together they have collaborated on several TASCHEN titles, including Masterpieces in Detail, Pieter Bruegel, and

It might seem like the sitters and subjects of art history’s greatest nude paintings have little left to show, but don't be fooled: there is more than meets the eye in these naked masterworks. Rose-Marie and Rainer Hagen guide us into the secrets of the flesh, coupling extended discussions with crisp, enlarged details of 12 iconic works from the canon of art history.

Biblical tales of morality or modern portrayals of leisure, works such as Tintoretto’s Susanna and the Elders or Manet’s The Luncheon on the Grass offer diverse visions of natural beauty. Each artwork is presented in reproductions of the highest quality, sourced directly from the original, located in collections of the Louvre, Musée d’Orsay, Uffizi, and many others.

From works depicting ultimate feminine grace, like Velázquez’s Rokeby Venus, to Hans Baldung’s mesmerizing image of the body’s decline in The Three Ages of Man and Death, these paintings are unified in their masterful rendering of the bare human form—both in life and beyond. Through this exploration into the covert secrets of nude works, they cease to be two-dimensional and come to full hot-blooded life.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

This book includes examples of the Wiener Werkstätte’s iconic aesthetic and covers all of the significant artists who were a part of the collective.

The Wiener Werkstätte, founded by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, was an artists’ and craftsmen’s collective that existed in Vienna from 1903 until 1932. The artists’ goal was to bring high-quality design and craft into all areas of life and to elevate everyday objects into pieces of art. During that time, the collective produced items in a variety of media including ceramics, furniture, glass, jewelry, metalwork, and textiles. The Wiener Werkstätte style influenced generations of architects from Bauhaus to Art Deco. This book features the work of well-known Wiener Werkstätte members such as Josef Hoffmann, Koloman Moser, and Dagobert Peche along with lesser-known designers such as Gudrun Baudisch, Carl Otto Czeschka, and Ugo Zovetti. It also includes in-depth essays that explore the Wiener Werkstätte’s long history and legacy.

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Пролистать книгу Wiener Werkstätte - 1903-1932: The Luxury of Beauty

Re-examining history from a female perspective, this book celebrates the numerous important roles women have played in culture and society that are less often told.

Packed full of evocative images, this gloriously illustrated book reveals the key events in women's history - from early matriarchal societies through women's suffrage, the Suffragette movement, 20th-century feminism and gender politics, to recent movements such as #MeToo and International Women's Day - and the key role women have had in shaping our past.

Learn about the everyday lives of women through the ages as well as the big names of women's history - powerful, inspirational, and trailblazing women such as Cleopatra, Florence Nightingale, Emmeline Pankhurst, Eva Peron, and Rosa Parks - and discover the unsung contributions of lesser-known women who have changed the world, and the "forgotten" events of women's history.

Placing women firmly centre stage, Women - Our History shows women where they have come from, and, in celebrating the achievements of women of the past offers positive role models for women of today

Абстрактное искусство всегда уходит корнями в опыт реального мира. Так начинается смелое новое исследование искусствоведа Пепе Кармела о происхождении и эволюции абстрактного искусства. Выходя далеко за рамки устоявшихся фигур и движений, обычно ассоциируемых с абстракцией, Кармел вместо этого показывает нам, как художники - мужчины и женщины со всех уголков мира - используют абстрактные образы, чтобы реагировать на социальные, политические и культурные изменения.

Начиная с обсуждения пионеров абстракции, книга хронологически исследует вопрос через предметные категории: тела, ландшафты, космологии, архитектура, знаки и узоры. Каждая категория далее делится на ряд тем: тотемы, органы, украшения, каллиграфия и другие. Тема состоит из вступления, за которым следуют описания отдельных работ, имеющих как неожиданно общие черты, таки заметные различия. В основе книги лежит желание продемонстрировать новые подходы к абстрактному искусству, исследуя широкую и многогранную вселенную таких художников как Василий Кандинский, Ибрагим эль-Салахи, Карлос Крус-Диас, Бриджет Райли, Анни Альберс, Шон Скалли, Джули Мерету и У Гуаньчжун.

Книга Современное искусство в деталях: 75 шедевров содержит информацию, которая может быть неизвестна даже профессионалам искусства, проливает свет на нюансы, которые едва заметны при беглом просмотре. Примечания экспертов раскроют более глубокие детали и технические приемы, к которым прибегал художник для достижения определенных эффектов. В этом издании затронуты различные темы, внешние и внутренние факторы, повлиявшие на создание этих работ – от всемирных политических событий до революционных движений, например, Кубизма, Абстрактного экспрессионизма и Поп-арта, и даже научных и математических теорий, которые зачастую играют важную роль.

В книге представлены 75 произведений современного искусства, от Ван Гога (Церковь в Овере) и Пикассо (Авиньонские девицы) до Фрэнсиса Бэкона (Три этюда к фигурам у подножия распятия), Синди Шерман (Без названия № 213) и Паулы Регу (Видения). Начиная со старых работ и заканчивая совсем недавними, это издание демонстрирует радикальный сдвиг от приоритета художественных техник к доминированию идей, скрывающихся за самим творением. Это прекрасный информативный, интересный и доступный гид по современному искусству.

In the turbulent global context following the fall of the Russian Empire and the October Revolution, Georgia declared its independence in 1918. Between then and the beginning of Soviet rule in 1921, an Avant-Garde creative scene burgeoned. Artists met, mainly in the many taverns and cafés in Kutaisi and the capital Tbilisi, to organise multidisciplinary events. Their frequent collaborations and interactions, which bore the imprint of Georgian tradition and Western and Eastern influences, took various forms: paintings, drawings, films, photos, performances and typographical experiments. Divergent movements such as Symbolism/Neo-Symbolism, Futurism, Dadaism, Zaum, Expressionism, Cubism and Cubo-Futurism existed side by side in unprecedented creative turbulence.

This book tells the unknown story of a vibrant Avant-Garde in the Caucasus, born in the taverns of Tbilisi – artistic laboratories where anything was possible, but where Soviet censorship lurked.

Extensively illustrated with works by Elene Akhvlediani, Gigo Gabashvili, Irakli Gamrekeli, Lado Gudiashvili, David Kakabadze, Petre Otskheli, Niko Pirosmanashvili, Ilia and Kirile Zdanevich, and many others.

_A short but flourishing era of Avant-Garde in Georgia brought back to life
_The publication coincides with the exhibition of the same name, The Avant-Garde in Georgia (1900–1936), which runs at BOZAR, Brussels from 5 October 2023 to 14 January 2024 and is part of the Europalia arts festival

A comprehensive, lavishly illustrated guide to 20th-century pewter, which combines key international manufacturers and designers in one book

Pewter is a versatile alloy which has been used to make a wide variety of domestic objects since antiquity. Malleable and lustrous, it was commonly used for making tableware until the eighteenth and nineteenth centuries, when porcelain and glass became more popular. An inexpensive alternative to silver, it re-emerged as a popular material in the twentieth century, allowing for a new-found flexibility, and encouraging designers to experiment with form. From architectural finesse to the smallest everyday object, pewter was used globally, and was favoured as an inlay for decorative panels, furniture, vases and bowls.

20th Century Pewter outlines the development of pewter design from the Art Nouveau movement up to the Modernist period. The first book to examine the artists and manufacturers working in this versatile material, it highlights the important factories and workshops of Germany, Britain, France, the Netherlands, Austria, Scandinavia, Japan, and America. Histories of Wurttembergische Metallwaren Fabrik (WMF) and Liberty & Co. are included, as well as details of marks and monograms. With invaluable information on restoration, care, reproductions and fakes, the volume includes over 350 original photographs of outstanding examples of twentieth-century pewter design.

This book traces the rise of the 3D spectacle, from 19th-century stereoscopy to contemporary 3D filmmaking and artworks.

This book follows the cyclical development of 3D media from the 1830s to the present, tracing an alternate history of modernism in which virtual depth takes precedence over material flatness. Pursuing a career-long obsession, author Britt Salvesen explores the origins of the stereoscope and its impact on later artists, featuring historic images by Jules Duboscq, Marcel Duchamp, Oskar Fischinger, Salvador Dali, and others. She traces the origins of anaglyph and polarized film, as well as other 3D formats, such as View-Master, Stereo Realist, lenticular printing, computer animation, and holography. Readers learn how 3D techniques were adopted by such artists as Simone Forti, Dan Graham, Mariko Mori, William Kentridge, Trisha Baga, and Lucy Raven. Encompassing nearly 200 years of innovation and covering a wide range of genres, artists, and media — from sophisticated perceptual experimentation to popular cinema — this volume explores how and why 3D images remain wondrous to 21st-century artists and audiences. Each book includes 3D viewing apparatuses to allow readers to fully engage in this multi-dimensional history of artistic expression.

About the author:

Britt Salvesen is Curator and Head of the Wallis Annenberg Photography Department and the Prints and Drawings Department at the Los Angeles County Museum of Art.

An unrivalled treasury of the methods, techniques, and examples of the great illustrators, this volume covers five centuries of decorations for the printed page. Ranging from the dawn of printing to the twentieth century, it offers working artists and students an unsurpassed reference and source of inspiration. It also forms a delightful browsing book for lovers of art and illustrated books.

Starting with 16th-century woodcuts by Albrecht Dürer and Hans Holbein, the chronological presentation features works by Goya, Hogarth, Blake, Morris, Doré, Toulouse-Lautrec, Beardsley, and other masters. A brief text introduces each section, and the volume concludes with an international roster of modern artists, categorized by country. All that is best and outstanding in the field of illustration appears here, in this giant book of sketches, engravings, woodcuts, and lithography.

5000 Years of Tiles is the essential, single-volume colour compendium of tile art and production around the world, from ancient times to the present day.

Over 350 beautiful colour illustrations showcase an incredible range of tile arts, including the first fired roof tiles in ancient Greece in the third millennium BC, English medieval floor pavements from Clarendon Palace, figural tiles from China, richly patterned Iznik tiles from the Islamic world and stylized ceramic tiles of the Arts and Crafts movement.

Placing the tiles firmly in their historical and cultural context, this richly illustrated book highlights the continuity and diversity of tiles, examining how tile art in one time and place has inspired and rejuvenated those in others. The function and form of this versatile art is examined in stunning detail, from floors to roofs, stoves to bathrooms, cathedrals to metro stations to reveal a fascinating history of design, colour and decoration.

A complete edition of the first herbal published by a woman artist — which has a remarkable backstory.

In the 1730s, Elizabeth Blackwell (1699–c. 1758) found herself penniless, with her ne’er-do-well husband confined to a London debtor’s prison. A talented artist, she came up with a unique and ambitious moneymaking scheme: the publication of a new illustrated guide to medicinal plants, including many New World species not depicted in earlier books. Blackwell’s Curious Herbal, published between 1737 and 1739, was hailed for its usefulness to doctors and apothecaries and met with considerable financial success.
This magnificent volume — the first modern edition of Blackwell’s herbal — reproduces all 500 of her exquisite plates. Blackwell not only made the drawings, but prepared the copper plates and personally hand-coloured them. Her handwritten descriptions of the plants, which she creatively adapted (with permission) from Joseph Miller’s Botanicum Officinale, retain considerable interest. This book features a previously unknown preface by Blackwell, in which she reveals her passion for art and nature, and her vision for the herbal. Two introductory texts contextualise Blackwell’s achievement: the noted garden writer Marta McDowell explores the history of herbals as a genre, and the state of botanical knowledge in Blackwell’s time; and the historian Janet Stiles Tyson relates the artist’s rather extraordinary biography.

A Curious Herbal will be essential for all lovers of botanical art, and for anyone interested in women’s history and the history of science.

About the Authors:

Marta McDowell teaches landscape history and horticulture at the New York Botanical Garden. She has authored several books, including Unearthing “The Secret Garden” and All the Presidents’ Gardens. Janet Stiles Tyson, an independent scholar, wrote her doctoral dissertation on Elizabeth Blackwell’s A Curious Herb

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Пролистать книгу A Curious Herbal на сайте издательства.

A groundbreaking survey of the school of expressive, symbolic landscape painting that gave rise to American modernism — newly revised and updated

This magnificent volume, featuring more than 750 illustrations, is the first definitive account of the Tonalist movement. Based on original research, it tells how the progressive Tonalist landscape dethroned the Hudson River School in the late 1870s and remained the dominant school in American art until World War I. More provocatively, it also argues that Tonalism gave rise to American modernism, laying the groundwork for the artists of the Stieglitz Circle, and subsequently Milton Avery, Mark Rothko, Adolph Gottlieb, Barnett Newman, Helen Frankenthaler, Wolf Kahn, and Richard Mayhew.

A History of American Tonalism places the key figures of the movement — such as George Inness, James McNeill Whistler, and John Henry Twachtman — in their cultural context, which was influenced by such thinkers as Ralph Waldo Emerson, Henry David Thoreau, John Burroughs, and William James. It also examines the careers of more than sixty other Tonalist painters, lesser known but highly talented.

This new edition of A History of American Tonalism includes more than one hundred new illustrations, as well as a new overview of the stylistic principles of Tonalism. It will continue to be essential for art lovers, artists, scholars, and anyone seeking a better understanding not only of the Tonalist movement but American art as a whole.

About the Author:

David Adams Cleveland, an art historian, curator, and lecturer, has written for The Magazine Antiques and ARTnews. He is also the author of three novels, Time’s Betrayal, Love’s Attraction, and With a Gem-Like Flame. Cleveland and his wife live in New York, where he works as an art advisor with his son, Carter Cleveland, founder of Artsy.net, the website for discovering, buying, and selling art.