Книги по истории искусства

Realism vs. Abstraction. A colorful exploration of the life and work of Gerhard Richter

Meet Gerhard Richter, the German artist who redefined painting. Between abstract works and photography-based paintings, Richter pushes the medium’s boundaries and reminds us of its urgency and importance in a world overwhelmed by digital images. This introduction to one of the greatest artists of our time explores his entire career.

An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter’s work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.

The author:

Klaus Honnef was honorary professor of photography theory at the Kassel Art Academy. He was one of the organizers of documenta 5 and documenta 6 in Kassel, and has been the curator of more than 500 exhibitions in Germany and abroad. He has written numerous books, including TASCHEN’s Contemporary Art, Andy Warhol, and Pop Art.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The self as a subject is one of the most fascinating and fruitful of artistic enterprises. From the 15th century to today, this collection brings together some of the best examples of self-portraiture to explore the genre’s evolution over the centuries as well as the enduring questions of selfhood and self-representation that have besieged human experience for centuries before social media and the selfie.

Is a self-portrait of an artist a medium of reflection? Or is it merely a black void, the “false mirror,” as the Surrealist René Magritte entitled his 1928 painting of an eye? How much does it impart about contemporary notions of beauty, power, and status? From Albrecht Dürer to Egon Schiele, Fra Filippo Lippi to Frida Kahlo, this far-reaching collection explores the numerous ways in which artists have taken themselves as subjects, the variety of ingenious methods and perspectives they have used, and the intriguing questions they raise.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Decode the secrets and uncover the origins and meanings of over 2,000 signs and symbols, from ancient hieroglyphs to modern-day logos.

Why is a heart pierced by an arrow a classic symbol of love? What are the ancient roots of fertility symbols? Why are scales a symbol of justice?

Delve into the meaning of each symbol and investigate how they have been interpreted in myth, religion, folklore, and art over time, with authoritative text from experts in the field and striking line drawings and photography that emphasize the visual strength and beauty of signs. Divided into six thematic sections - the cosmos, the natural world, human life, myths and religions, society and culture, and symbol systems - this guide to the secret language of signs and symbols is a must-have for those who want to understand the world around them.

Signs, Symbols and Ciphers takes the reader on journey of discovery through the intriguing world of symbols and what they can mean

How does a sign represent something other than itself? How do we understand the meaning of a written symbol? Can clothes be a sign? Can sounds?

Signs and symbols represent ideas and objects and, over time, these marks and gestures have multiplied into a complex network of images. This handy pocket-book combines scholarship, documentary evidence and fantastic illustrations to provide the story of how we have interacted with signs and symbols across the ages.

About the Author:

Georges Jean (1920 - 2011) was a French poet and essayist specializing in the field of linguistics, poetry and the philosophy of semiology.

Soviets features unpublished drawings from the archive of Danzig Baldaev

They satirize the Communist Party system, exposing the absurdities of Soviet life from drinking (Alcoholics and Shirkers) to the Afghan war (The Shady Enterprise), via dissent (Censorship, Paranoia and Suspicion) and religion (Atheism as an Ideology).

Baldaev reveals the cracks in the crumbling socialist structure, detailing the increasing hardships tolerated by a population whose leaders are in pursuit of an ideal that will never arrive. Dating from 1950s to the period immediately before the fall of the Soviet Union in 1991, his caricatures depict communisms winners and losers: the corruption of its politicians, the stagnation of the system, and the effect of this on the ordinary soviet citizen.

Baldaevs drawings are contrasted with classic propaganda-style photographs taken by Sergei Vasiliev for the newspaper Vercherny Chelyabinsk. These photographs portray a world the Party leaders dreamed of: where workers fulfilled their five-year plans as parades of soldiers and weapons rumbled through Red Square.

This book examines both broadly and in minute detail the official fiction and the austere, bleak reality, of living under such a system.

Unleash the unconscious: Provoking the establishment with primal instincts 

With Salvador Dalias its figurehead, the great ship of Surrealism traversed the turbulent seas of the early twentieth century with sails billowing with dreams and desires. Inspired by the psychoanalytical practise of Sigmund Freud, the Surrealists championed the unconscious as the domain of truth, uninhibited by the standards or expectations of society.

With techniques ranging from hypnotism to nocturnal walks to automatic writing, the likes of Andre Breton, Max Ernst, Brassai, and Meret Oppenheim produced paintings, drawings, texts, and films in which they sought to excavate their most intimate and primal instincts. 

The results abound with sexual fantasies, with mysterious, menacing creatures, and with the juxtaposition of seemingly contradictory objects or ideas.

This book introduces the origins and the sensational legacy of the Surrealist movement, one of the most profound and enduring influences on film, theatre, literature, art, and thought.

Featured artists: Hans Arp, Andre Breton, Giorgio de Chirico, Salvador Dali, Max Ernst, Alberto Giacometti, Paul Klee, Rene Magritte, Andre Masson, Matta, Joan Miro, Pablo Picasso, Meret Oppenheim, Yves Tanguy.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

Explore the most important sacred signs and symbols in the world with this visual directory

Chosen for their powerful symbolism, the illustrations in this book range from the myths and legends of the ancient world to the icons used in modern culture and science. You will discover the fascinating origins and meanings of over 500 signs and symbols, from the secrets of the Maya calendar to demon-summoning seals and secretive symbols of the hermetic orders.

Divided into seven thematic sections – astrology; the natural world; sacred writings; alchemy, numerology and sacred geometry; magic; demonology; and the western esoteric tradition – this decoding guide is the ultimate resource for unlocking the secret language of signs and symbols for the modern occultist.

Contents List:

Foreword
1. Astrology
2. The Natural World
3. Sacred Writings
4. Occult Sciences
5. White Magic and Cartomancy
6. Black Magic and Demonology
7. Western Esoteric Tradition

About the Author:

Eric Chaline is a professional author and editor based in London. He has a special interest in religion and philosophy, especially in relation to East Asia, Mesoamerica, and India. He has written books on a range of subjects, such as history, travel, and health and fitness. His published works include The Book of Zen, The Book of Gods and Goddesses, Simple Path to Yoga, 101 Dilemmas for the Armchair Philosopher, Lost Treasures, History’s Worst Inventions, Fifty Minerals that Changed History, Ancient Greece, and Strokes of Genius: A History of Swimming (which won the Lord Aberdare Prize for best book on the history of sport in 2018). Publishers he has worked with include Quarto Publishing plc, Harper Collins, Firefly, New Holland Publishers Ltd, David and Charles Plc, and Reaktion Books Ltd. He has an MA in Japanese Studies and spent seven years in Japan where he studied Zen Buddhism and the martial arts. He also has a BA in Spanish and Latin American Studies.

Used for self-exploration or divination, Tarot has, for more than a 500 years, been the most popular and accessible of all esoteric tools, looming large in today’s mainstream culture. Why? Because the cards are inexpensive and easy to carry — a perfect traveling companion and, therefore, an invitation to a journey inward and out.

Humans are drawn to playing games and feel driven to find meaning in the chaos of paradoxical signs. The vivid iconography of the “arcanas” speak to us like no other language, moving us to the core, weaving through each cards a universal story, a metaphorical pathway of transformation.

This 400 page book presents for the first time a close look at 500 years of figurative card decks created or used for fortune telling, divinations, and oracle purposes and will explore, one card at the time, their iconographic roots at the cross-roads of the medieval imaginarium, Western esoteric wisdom, folklore, and also contemporary art and pop culture.

With hundreds of images drawn from more than 100 decks, rarely published and often forgotten in library archives, it will offer the first visual history of tarot.

About the Author:

French-born Laetitia Barbier is an independent scholar and curator, as well as a professional tarot reader and teacher. She earned a bachelor’s degree in art history at the Sorbonne in Paris. Barbier has worked with Morbid Anatomy as the programming director and head librarian since 2012. Her work has been featured in Atlas Obscura, Vice, and in Death: A Graveside Companion (Thames & Hudson). Barbier shares her love for tarot and obscure fortune telling decks and techniques through her Instagram account, where she has nearly 40,000 followers.

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Пролистать книгу Tarot and Divination Cards: A Visual Archive на Google Books.

Discover the story of colour through the significant scientific discoveries and key artist’s works over 400 years.

From Isaac Newton’s investigations through to Olafur Eliasson’s experiential creations, this stunning book documents the fascinating story of colour with an extraordinary collection of original colour material that includes charts, wheels, artists’ palettes, swatches and schemes.

“In 1704, the scientist Isaac Newton published Opticks, the result of many years of researching light and colour. By splitting white light, Newton identified the visible range of colours, or the rainbow spectrum. In Opticks, he built a colour system around his findings, and he visualised this system in a circular shape, making it one of the first printed colour wheels.
The influence of Newton and his followers, combined with the invention of many new pigments as well as watercolours in moist cake form, had made painting with colour an exciting occupation not just for serious artists but also for a much wider audience. The colour revolution had begun.”

Contents:
Introduction
1. Unravelling the Rainbow: The Eighteenth-Century Colour Revolution
2. Romantic Ideas & New Technologies: The Early Nineteenth Century
3. Industrialism to Impressionism: The Later Nineteenth Century
4. Colour for Colour’s Sake: Colour into the Future:
Glossary
Bibliography
Index

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Пролистать книгу Tate: Colour: A Visual History на Google Books.

A revised edition of a classic title, now with digitally restored photographs, showcasing the finest surviving examples of ancient Buddhist art.

'Benoy K. Behl's remarkable photographs, painstakingly gathered and digitally restored over thirty years of hard labour, are probably the best and truest record of these fabulous treasures that will ever be created.' William Dalrymple

A revised edition of a classic title, now with digitally restored photographs, showcasing the finest surviving examples of ancient Buddhist art.

Since their chance re-discovery in 1819, the breathtaking paintings and sculptures of the Ajanta caves have inspired and delighted experts and amateurs alike. Ranging in date from the second century BCE to the sixth century CE, these ancient Buddhist artworks rank among the world's most important cultural treasures. Benoy K. Behl captured the beauty and luminosity of these works using long exposures and only natural light and now presents them here digitally restored to show the paintings closer to their original glory than ever before.

The exquisite murals, depicting the tales of previous incarnations of Buddha, scenes of princely processions and fantastical birds and beasts, provide virtually the only evidence of painting styles that first developed in India and remain crucially important to the understanding of Buddhist art throughout Asia. On UNESCO's list of World Heritage Sites, the Ajanta caves survive as a potent symbol of the great beauty of India's rich artistic past.

This new edition provides for the first time a view of some of the masterpieces of Ajanta painstakingly digitally restored by Behl. Sensitively carried out, the restoration makes the paintings clearer without interfering with their original grace and nuance, leading to a deeper appreciation of their artistry. Accompanied by expert commentaries to fully immerse the reader in the cultural context of the murals, this book will help preserve the legacy of the glorious art of Ajanta for years to come.

About the Author:

Benoy K. Behl is an art historian, film-maker and photographer who is known for his tireless and prolific output of work over the past forty-six years. He has taken over 53,000 photographs of Asian monuments and art heritage and made 145 documentaries on subjects of art and culture.

A brand-new revised and updated edition of Phaidon's accessible, acclaimed A-Z guide to the most important artists of all time

Updated for only the third time in its 16-year history, this new edition of the award-winning landmark publication has been refreshed with more than 40 important new artists, including many previously overlooked and marginal practitioners. The new edition spotlights more than 600 great artists from medieval to modern times. Breaking with traditional classifications, it throws together brilliant examples from all periods, schools, visions, and techniques, presenting an unparalleled visual sourcebook and a celebration of our rich, multifaceted culture.

Artists featured for the first time in this edition include: Berenice Abbott, Hilma af Klint, El Anatsui, Romare Bearden, Mark Bradford, Cao Fei, Cecily Brown, Judy Chicago, John Currin, Guerrilla Girls, Lee Krasner, Jacob Lawrence, Kerry James Marshall, Joan Mitchell, Zanele Muholi, Takashi Murakami, Louise Nevelson, Clara Peeters, Jenny Saville, Wolfgang Tillmans, and more

- Celebrated and award-winning title, published in more 20 languages and in a variety of formats, which has introduced millions of people worldwide to art and artists
- Showcases art from medieval times to the present day, including paintings, photographs, sculptures, video, installations, and performance
- Updated with 40 additional works, including overlooked historical and cutting-edge contemporary artists
- Each artist is represented by a key work and an informative, explanatory text on the piece and its creator
- Debunks art-historical classifications by juxtaposing brilliant examples across periods, schools, visions, and techniques

What is Fauvism? Which event inspired Picasso's Guernica? Who connects Andy Warhol and David Hockney?

This comprehensive volume answers all these and more. In a grand timeline of art, it explains how one movement influenced the next, discusses influential painters, sculptors, and artists, and showcases 80 of the world's greatest artworks.

Throughout history, art has taken many forms and offers a kaleidoscopic variety of expression. With The Art Book as your companion, you can browse the world's most important artworks, from prehistoric Altamira cave paintings to pop art and avant-garde video installations.

You can observe artistic inspiration evolving from religious themes in the Middle Ages to abstract shapes and colour in the 20th century and understand the ideas that inspired masterpieces by Botticelli, Rembrandt, Klimt, Matisse, Kahlo, and many more. Annotations draw attention to key details of masterpieces, and diagrams offer succinct explanations of art forms and help you contrast techniques of painters such as Cézanne and van Gogh.

With insightful quotations and detailed timelines, The Art Book is a thought-provoking and essential reference for students and art-lovers everywhere.

This grand opus assembles the people and the pieces at the heart of the Art Deco movement at each stage of its enduring appeal. The Art Deco Style is richly illustrated with the work of legendary designers and decorators Eileen Gray, Paul Iribe, Antoine Bourdelle, Armand-Albert Rateau and Jean Dunand, among others.   

Ever since its early 20th-century origins, Art Deco has fascinated and amused socialites, collectors and designers. Referred to at the time as moderne, the style largely took shape around a clientele of French fashion industry luminaries and wealthy international collectors. Art historians christened it during a second wave in the ’60s, while a third generation of afficionados entered the auction houses of the ’80s and ’90s, ready to invest in the most exquisite examples. Curated by art consultant and author Alastair Duncan, this detailed historical account is the gold-standard visual guide to the decorative arts.   

• Richly illustrated history of Art Deco
• Written by art consultant Alastair Duncan
• Designs by Eileen Gray, Jean Dunand and Antoine Bourdelle, among many others
• Featuring legendary Art Deco collectors such as Jacques Doucet, Yves Saint Laurent and Karl Lagerfeld
• Perfect for antiques collectors, as well as fans of art, art history and design

About the Author:

Alastair Duncan is an international consultant on 19th and 20th century decorative arts and was, for ten years, a specialist and consultant on the subject for Christie's New York. He is the author of Louis C. Tiffany - The Garden Museum Collection and the Paris Salons series, also published by ACC. He has written 36 other books on the decorative arts, as well as articles for magazines including Vogue, Connoisseur, The Magazine Antiques and House & Garden.

A unique approach to the history of art told through the story of colour and pigments.

Did you know that the ultramarine that shimmers at the centre of Vermeer’s Milkmaid connects that masterpiece with 6th-century Zoroastrian paintings found on the walls of cave temples in Bamiyan, Afghanistan? Or that the surging waves that crest and curl in Hokusai’s perilous Great Wave off Kanagawa owe their absorbing blue lustre to an alchemist who was born in Frankenstein’s Castle in 1673? And were the Pre-Raphaelites really obsessed with a murky brown hue derived from the pulverized remains of ancient mummies? (Spoiler: they were.)

Invented by prehistoric cave-dwellers and medieval conjurers, cunning conmen and savvy scientists, the colours of art tell a riveting tale all their own. Over ten scintillating chapters, acclaimed author Kelly Grovier helps bring that tale vividly to life, revealing the astonishing backstories of the pigments that define the greatest works in the history of art. Interwoven between these chapters is a series of features focusing on key moments in the evolution of colour theory – from the revelations of the Enlightenment to the radicalism of the Bauhaus – while reproductions of carefully selected artworks help illuminate the narrative’s twists and turns.

The history of colour is an epic saga of human ingenuity and insatiable desire. Read this book and you will never look at a work of art in quite the same way.

About the Author:

Kelly Grovier is a feature writer for BBC Culture and the author of several acclaimed studies of art, including 100 Works of Art That Will Define Our Age, Art Since 1989, and A New Way of Seeing: The History of Art in 57 Works, published by Thames & Hudson. His most recent book, On the Line: Conversations with Sean Scully, is based on revealing chats with his close friend, the internationally-acclaimed abstract artist. His writings have appeared in the Times Literary Supplement, The Independent, the Sunday Times, the Observer, the RA Magazine and Wired magazine. His history of London’s Newgate Prison, The Gaol, was a BBC Radio 4 ‘Book of the Week’. He is co-founder of the scholarly journal European Romantic Review.

He is the author of three collections of poetry, including THE LANTERN CAGE, and has been described by reviewers as “a poet of both truth and beauty” (The TLS) and “a kind of William Blake for the twenty-first century” (Planet magazine).

Kelly was born in Grand Rapids, Michigan, and grew up in the San Francisco Bay Area. He was educated at UCLA and Oxford University, where he earned his doctorate as a Marshall Scholar. He lives in Ireland with his wife and son.

An extensively illustrated compendium of 45 expertly selected illuminated bibles that transport the reader through 1,000 years of history and across the Christian world

For two millennia the Bible has inspired the creation of art. Within this legacy of remarkable art and beauty, illuminated biblical manuscripts offer some of the best evidence for our understanding of early Christian painting and artistic interpretations of the Bible.

Compiled and written by two internationally renowned experts, this beautiful book immerses the reader in the world of illuminated manuscripts of the Bible. Through its pictures we are transported across 1,000 years of history, passing chronologically through many of the major centres of the Christian world. Starting in Constantinople in the East, the journey moves on to Lindisfarne in the North, to imperial Aachen, back to Canterbury, then to Carolingian Tours in western France. Later we view some of the riches of Winchester, Mozarabic Spain, Crusader Jerusalem, the Meuse valley, northern Iraq, Paris, London, Bologna, Naples, Bulgaria, the Low Countries, Rome and Persia. Our journey ends in Gondar, the capital of imperial Ethiopia. Forty-five remarkable books – each a treasure in its own right – provide our itinerary through time and across continents. Together they enable us to explore and revel in the extraordinary art and beauty of illuminated biblical manuscripts, some of the finest but least-known paintings from the Middle Ages.

Contents List:

Introduction: One Thousand Years of Art and Beauty
The Bibles
1. The Golden Canon Tables
Canon Tables of Eusebius of Caesarea, in Greek Constantinople, 6th or 7th century [Turkey]
Glimpses of early Christian splendour in Constantinople
2. The Lindisfarne Gospels
The Four Gospels, in Latin, with added interlinear gloss in Old English
Lindisfarne, c. 700 (added gloss, Chester-le-Street, c. 970) [UK]
Spectacular Anglo-Saxon Ornament
3. The Vespasian Psalter
Psalter, in Latin, with interlinear gloss in Old English
Kent, 1st half of the 8th century [UK]
The Earliest Narrative Initials in Western Europe
4. The Harley Golden Gospels
The Four Gospels, in Latin
Aachen?, Carolingian Empire, c. 800 [UK]
The Gospels Written in Gold
5. The Canterbury Royal Bible
Bible, in Latin (incomplete, now comprising the Four Gospels only)
Canterbury, 1st quarter of the 9th century, [UK]
An Early Canterbury Bible
6. The Moutier-Granval Bible
Bible, in Latin
Tours, 2nd quarter of the 9th century [France]
Symbolic Figurative Art
7. The Lothar Psalter
Psalter, in Latin
Aachen, c. 842–55 [Germany]
An Imperial Psalter
8. The Aethelstan or Coronation Gospels
The Four Gospels, in Latin
Lobbes, south of Brussels, last quarter of the 9th century, or 1st quarter of the 10th century [Belgium]
A Royal Gift
9. Guest-Coutts New Testament
New Testament, in Greek
Constantinople, middle of 10th century [Turkey]
An Illuminated New Testament from Constantinople
10. The Harley Psalter
Psalter, in Latin (Psalms, incomplete)
Canterbury, 1st half of the 11th century [UK]
An Anglo-Saxon Masterpiece
11. The Old English Hexateuch
Hexateuch (Genesis-Joshua), in Old English
Canterbury, 2nd quarter of the 11th century [UK]
The Earliest Illustrated Western Vernacular Bible
12. The Harley Echternach Gospels
The Four Gospels, in Latin
Echternach, middle of the 11th century [Luxembourg]
Ottonian Imperial Style
13. The Tiberius Psalter
Psalter, in Latin, imperfect, with Old English gloss
Winchester, 2nd or 3rd quarter of the 11th century [UK]
A Grand Christological Cycle
14. Theodore Psalter
Psalter, in Greek
Constantinople, 1066 [Turkey]
A Byzantine Visual Commentary on the Psalms
15. The Silos Apocalypse
Revelation and Beatus of Liébana’s commentary,
St Jerome’s commentary on Daniel, in Latin
Silos [Spain], 1091 (text) and 1109 (decoration) [Spain]
A Spanish Vision of the Apocalypse
16. The Stavelot Bible
Bible, in Latin
Stavelot, near Liège, 1093–97 [Belgium]
Monumental Art
17. The Egerton Gospel Lectionary
Gospel Lectionary, in Latin
Germany, c. 1100 [Germany]
Illuminating the Liturgy
18. The Burney Gospels
The Four Gospels, in Greek
Constantinople, 10th century (script) and 2nd quarter
of 12th century (portraits) [Turkey]
An Imperial Tetraevangelion
19. The Psalter of Queen Melisende
Psalter, in Latin
Jerusalem, between 1131 and 1143 [Middle East]
A Psalter for a Crusader Queen
20. The Winchester Psalter
Psalter, in Latin and French with the Apostles Creed
and some prayers in French
Winchester, England, middle of 12th century [UK]
An Illustrated Bilingual Psalter
21. The Worms Bible
Bible, in Latin
Frankenthal, near Worms, c. 1148 [Germany]
A Romanesque Giant Bible
22. The Floreffe Bible
Bible, in Latin
Meuse valley, 2nd or 3rd quarter of the 12th century [Germany]
Visual Biblical Exegesis
23. The Arnstein Bible
Bible, in Latin
Arnstein, Germany, c. 1172 [Germany]
A Grand Monastic Bible
24. The Harley Greek Gospels
The Four Gospels, in Greek
Cyprus or Palestine, late 12th century [Middle East]
A Gospels to Aid Devotion
25. Syriac Lectionary
Gospel Lectionary, in Syriac
Mosul, between 1216 and 1220 [Syria / Middle East]
A Syrian Visualization of the Gospels
26. The Harley Bible moralisée
Moralized Bible (Maccabees and the New Testament),
in Latin, Paris, 2nd quarter of 13th century [France]
Royal Instruction
27. Apocalypse
Revelation, with extracts from the commentary
of Berengaudus, in Latin, imperfect
London or Westminster, c. 1260 [UK]
An English Illustrated Apocalypse
28. Bolognese Bible
Bible, in Latin
Bologna, c. 1280–1300 [Italy]
Italian Splendour
29. Gospel Lectionary of the Sainte-Chapelle
Gospel Lectionary, in Latin
Paris, last quarter of 13th century [France]
Picturing the Gospels in Medieval Paris
30. The Queen Mary Psalter
Psalter, in Latin
London?, 1st quarter of 14th century [UK]
Unprecedented Psalter Illustration
31. Welles Apocalypse
Revelation, with commentary in Anglo-Norman French,
bound with Peter of Peckham, La lumere as lais
England, c. 1310 [UK]
Revelation in the Vernacular
32. Holkham Bible Picture Book
Bible Picture Book, with captions in Anglo-Norman French
London, c. 1320–30 [UK]
The Bible in Pictures
33. The St Omer Psalter
Psalter, in Latin
Norfolk, c. 1330 (with later additions) [UK]
Glorious Marginal Imagery
34. Bible of Clement VII
Bible, in Latin
Naples, c. 1330–40 [Italy]
A Papal Bible
35. The Gospels of Tsar Ivan Alexander
The Four Gospels, in Slavonic of Bulgarian character
Turnovo (?), 1355–56 [Bulgaria]
Slavonic Emulation of Byzantine Splendour
36. Bible historiale of Charles V
Bible historiale completée moyenne: Genesis to the Apocalypse, in French
Paris, 1357 [France]
The Bible as History
37. Paduan Bible Picture Book
Bibbia istoriata: Exodus to Joshua, in Italian
Padua, c. 1390–1400 [Italy]
The Old Testament in Pictures
38. King’s Biblia pauperum
Biblia pauperum
The Hague, c. 1395–1400 [Netherlands]
The Old Testament revealed in the New
39. The Great Bible of the Kings of England
Bible, in Latin
London, c. 1410–13 [UK]
A Late Medieval Giant Bible
40. Bible historiale of Charles of France
Grande Bible historiale à prologues: Genesis to the Apocalypse
Paris, c. 1420 [France]
Learning Wisdom from the Bible
41. Dutch History Bible
Utrecht Bible: Genesis to Esther
Utrecht, c. 1440–45 [Netherlands]
Seeing Salvation in the Netherlands
42. Edward IV’s Bible historiale
Bible historiale: Tobit to Acts, in French
Bruges, 1470 (script) and c. 1479 (illumination) [Belgium]
A Bible fit for a King
43. The Gospels of Cardinal Francesco Gonzaga
The Four Gospels, in Greek
Rome, 1478 [Italy]
A Renaissance Cardinal’s Gospel book
44. Armenian Gospels
Four Gospels, in Armenian
Isfahan, 1608 [Middle East]
Painting the Gospels in Persia
45. Ethiopian Octateuch and Gospels
Octateuch, Four Gospels and Apostolic Canons, in classical Ethiopic (Ge'ez)
Gondar (?), late 17th century [Ethiopia]
Reviving Former Ethiopian splendour

Further Reading
Index

About the Authors:

Dr Scot McKendrick is Head of Western Heritage Collections at the British Library, and Dr Kathleen Doyle is the Lead Curator, Illuminated Manuscripts at the same institution. Scot and Kathleen edited and contributed to 1,000 Years of Royal Books and Manuscripts (2013) and, with Professor John Lowden, Royal Manuscripts: The Genius of Illumination (2011), which was shortlisted for the William M.B. Berger Prize for British Art History (2012). Together they wrote Bible Manuscripts: 1,400 Years of Scribes and Scripture (2007), and contributed to Sacred: Books of the Three Faiths: Judaism, Christianity and Islam (2007).