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This book takes a close look at seven houses designed by Steven Holl, considered one of America's most influential architects. It offers the reader unprecedented access to the thought processes and work of this groundbreaking, cutting-edge architect through his own words and watercolors -- and more than 100 photographs.

This volume features seven of his residential houses and looks at his approach to modernist suburban residences, including two new homes finished in 2017. Viewed as a collection, these houses serve to demonstrate the wide range of Holl's prodigious genius through lavish and striking photographs as well as Holl's own descriptions. Considered one of America's most important architects, Holl is recognized for his ability to blend space and light with great contextual sensitivity and to utilize the unique qualities of each project to create a concept-driven design. Time magazine declared Holl "America's Best Architect" for his "buildings that satisfy the spirit as well as the eye."

About the Authors:

Steven Holl is the founder and principal of Steven Holl Architects in New York and the designer of all projects ongoing in the office. Steven Holl Architects, established in 1977, has won many awards and his work has been presented at the Museum of Modern Art in New York. In 2001 France bestowed the Grande Médaille d'Or upon him, for Best Architect of the Academy of Architecture; and in the same year Time Magazine declared him "America's Best Architect" for his "buildings that satisfy the spirit as well as the eye." Holl has lectured and exhibited widely and has published numerous texts, including Architecture Spoken (Rizzoli, 2007), Urbanisms: Working with Doubt (2009), and several others. Holl is a tenured professor in the Graduate School of Architecture and Planning at Columbia University and an architect in New York.

Philip Jodidio studied art history and economics at Harvard before moving to Paris, where he was editor-in-chief of the French art monthly Connaissance des Arts from 1980 to 2002. Jodidio has written over 90 books about contemporary architecture and art, including Tadao Ando: Venice, Tadao Ando at Naoshima, Tadao Ando Modern Art Museum of Ft. Worth, and I. M. Pei: The Complete Works for Rizzoli.

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Пролистать книгу Steven Holl: Seven Houses

In modern architecture, natural stone is now thought of as a material that provides both elegance and sustainability, which can transform both residential and commercial buildings and is a first choice for both its durability and ecological qualities. 

The houses showcased in this superbly illustrated volume have been built in line with bioclimatic principles and have all received high praise for the ingenious combinations of materials used in their exterior design.

Essential Colonial Revival–style stone houses in bucolic settings — on hillsides, beside streams — and their inviting interiors, by the architect who popularized the beloved form. Stone Houses showcases a beloved kind of home that many of us aspire to own and live in — a place of warmth and security, of charm and romance. The stone house speaks to a very basic dream of stability and comfort, and the houses featured here represent the epitome of this dream. Built in traditional styles with artful construction and considered design between 1904 and 1943, these gems display the hallmarks we associate with the stone house, here polished and beautifully presented: deep fireplaces, thick beamed ceilings, wide plank floors, and country kitchens. Focusing on the work of the eminent architect R. Brognard Okie, who is credited with having greatly contributed to a popular appreciation and understanding of early American domestic architecture and who has had a lasting impact on American residential design, this book will both enchant the reader and serve as an unprecedented resource.

About the Author:

James B. Garrison is an architect and author whose books include Houses of Philadelphia and Mastering Tradition: The Residential Architecture of John Russell Pope. John D. Milner is an architect whose firm specializes in the restoration of historic buildings and the design of houses inspired by the architectural traditions of the past. Geoffrey Gross is a widely published photographer whose work has appeared in Art & Antiques, The New York Times Magazine, and elsewhere, and in books including Tomorrow’s Houses, Old Homes of New England, and Great Houses of New England.

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Пролистать книгу Stone Houses: Traditional Homes of R. Brognard Okie на сайте издательства.

Charming old houses in a uniquely American form are lovingly showcased in this engaging book. 

Romantic, imaginative, and eminently photogenic, Carpenter Gothic homes feature fairy-tale–like exterior details — steep gables; pointed arches, windows, and doors; elaborate gingerbread trim; and porches — in addition to one-of-a-kind, highly desired interior features that imbue the homes with a wealth of character — arched entryways, bay windows, stained glass, fireplaces, and wooden ceiling beams. 

The first of the Victorian romantic architectural revivals to sweep America during the nineteenth century, the Carpenter Gothic style was inspired by the pattern books of Andrew Jackson Downing and made possible by the invention of the steam-powered scroll saw. Homebuilders created these delightfully fanciful houses in most states across the country. 
Storybook Cottages highlights both the picturesque exteriors of these homes as well as the incomparable interiors that give them such warmth. Presented are stunning photographs by Paul Rocheleau, Tim Street-Porter, Steve Gross, and Sue Daley, among others, along with illustrative examples from Downing’s pattern books, and black-and-white images from the Historic American Buildings Survey. 

The text examines the roots of the style, from Medieval Europe and Gothic cathedrals through Inigo Jones, Augustus Pugin, and the Gothic Revival; the role of the American Gothic, from the pattern books of Andrew Jackson Downing and Alexander Jackson Davis (Rural Residences, Victorian Cottage Residences, The Architecture of Country Houses) that inspired the style to the impact of the scroll saw, which allowed local builders to interpret Gothic Revival architectural details in wood, thus creating the Carpenter Gothic style; and the hallmarks of Carpenter Gothic, from sharply peaked gables to board-and-batten siding, peaked windows and doors, gingerbread trim on porches, stained glass windows, and decorated bargeboards, among other features. 

The primary focus will be on exterior architectural details in homes and carriage houses, but will also include decorative elements of the Carpenter Gothic style, from wallpapers to carpets and furnishings. The text will also discuss historic interiors, adapting the style for modern living, and floor plans, wallpapers, carpets, and furnishings inspired by the Carpenter Gothic style.

About the Author

Gladys Montgomery has written features for publications such as Antiques and Fine Art, Old House Interiors, Country Living, Yankee, Country Decorating Ideas, and Country Victorian. She edits the award-winning magazine Berkshire Living Home + Garden.

Whether ultramodern or hundreds of years old, every one of the summer houses in Jennifer Ash Rudick and Tria Giovan’s lavish coffee table book Summer to Summer: Houses By the Sea is brimming with idiosyncratic style.

From the rocky coast of Maine to the sandy beaches of the Hamptons, from Nantucket to Newport, from Fire Island to Fishers Island, from Martha’s Vineyard to Provincetown, summer houses are as varied in style as the people who hightail it to the beach as soon as the temperature climbs. In this lushly illustrated book, author Jennifer Ash Rudick has sought out twenty-five of the best. She invites us into a minimally decorated, Isamu Noguchi–designed home in Northeast Harbor and Sister Parrish’s cozy multigenerational house in Dark Harbor. We imagine relaxing in a comfortably cushioned rattan chair on the sun porch of a Nantucket house designed by Tom Scheerer, taking in the view of Long Island Sound through the glass curtain wall of a sleek house on Fishers Island, and feeling snugly cosseted in a tiny Provincetown cottage.

With over 300 full-color photographs, all we need to do is settle back, kick off our shoes, and let the sun-kissed pages of Summer to Summer wash over us.

About the Authors:

Jennifer Ash Rudick is the author of Palm Beach Chic, Out East: Houses and Gardens of the Hamptons, and City of Angels: Houses and Gardens of Los Angeles. A contributing editor to Veranda magazine, she also writes for other national publications and, with Maysles Films, produced the Emmy-nominated documentary Iris. She lives in New York City and Southampton, NY.

Tria Giovan specializes in interiors, still life, food, and portrait photography. Her books include Vendome’s Summer to Summer: Houses by the Sea, Out East: Houses and Gardens of the Hamptons, and Island Hopping: Amanda Lindroth Design. Giovan lives in Sag Harbor and New York City.

The Montpellier School of Architecture (France), under the tutelage of Nicolas Crégut, devoted a monographic study of our single-family homes, a course we called “Sunlight Houses” and which today lends its name to this book. The title made reference to that other book by Le Corbusier (When the Cathedrals were White) and the Tom Wolfe’s chapter from From Bauhaus to Our House in which he describes the arrival of the modern architects from Central Europe to America in the 40′s as the arrival of the “the white gods”, and he backs a color which is the very essence of the light now being threatened by those in the government who prefer to vindicate earth tones in order to “integrate architecture into a certain neo-rural context”.

This book showcases recent houses by the world-renowned Japanese minimalist architect, offering unprecedented access to his thought process through more than 100 photographs, line drawings, sketches, and plans.

Tadao Ando is one of the best-known and most influential contemporary architects with a minimalistic aesthetic and love of natural materials like glass and concrete -- proof that less is more. This volume features ten houses and examines his approach to these designs. Viewed as a collection, these houses serve to demonstrate the wide range of Ando's prodigious genius through lavish and striking photographs. Characteristics of his work include large expanses of unadorned architectural concrete walls combined with wooden or stone floors and large windows. He uses simple methods to solve complicated and small spaces and turns them into spaces with breathtaking landscapes.

With precise and beautiful photographs accompanied by Tadao Ando's sketches, drawings, and plans, this volume presents several unseen and little published works, from the Bosco Studio and House facing the Pacific Ocean in Oaxaca, Mexico (2014)to a penthouse in Manhattan for a Japanese collector, completed in 2019.

About the Author:

Philip Jodidio studied art history and economics at Harvard before moving to Paris, where he was editor-in-chief of the French art monthly Connaissance des Arts from 1980 to 2002. Jodidio has written more than 100 books about contemporary architecture and art.
Born in Osaka, Japan, Tadao Ando is one of the most renowned contemporary Japanese architects. In 1969 he established Tadao Ando Architect & Associates. Among the many awards Ando has received are the Pritzker Prize and the Kyoto Prize. Ando has held solo exhibitions at the Museum of Modern Art in New York and the Centre Pompidou in Paris.

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Frank Lloyd Wright’s winter home and desert laboratory is a National Historic Landmark and has been named a UNESCO World Heritage Site. This book, the first of its kind in decades, celebrates that recognition and offers a new look at this world treasure.

An extraordinary compound of buildings that complements the cactus-studded environs and mountain backdrop of the Scottsdale desert in Arizona, Taliesin West is Wright’s ode to desert living and one of his greatest and most visited venues. Here, amidst palo verde trees and coyotes, the visitor finds an oasis of sparkling pools and low-slung modern buildings that are uniquely suited to the site — indeed a veritable paradise that seems to have emerged from the wilderness. The expression of profound vision and the product of determination, artistry, and imagination, here Wright brought forth an organic masterpiece from the elements of the earth.

Begun in 1937, the compound served as a place of exploration, a place of work, a place of camaraderie and culture, and a place of living for Wright, for his family, and for the apprentices of the Taliesin Fellowship, who had joined the architect to learn and to work with him side-by-side. A most unusual place and community, Wright’s legacy lives on even today.

Taliesin West: At Home with Frank Lloyd Wright explores the life within structures that make up Wright’s desert masterpiece, from Garden Room to Cabaret Theatre, and delves into the many stories that have made the place at once a crucible for creation and a home.

About the Authors:

Nora Burba Trulsson is an Arizona-based architecture, design, and travel writer, whose books include Desert Southwest and Living Homes: Sustainable Architecture and Design. 

Andrew Pielage is an internationally published architectural and travel photographer on a mission to photograph all remaining Frank Lloyd Wright designs. 

Stuart Graff is president and CEO of the Frank Lloyd Wright Foundation.

A compelling survey of Texas houses that draw both on the heritage of pioneer ranches and on the twentieth-century design principles of modernism.

Helen Thompson and Casey Dunn, the writer/photographer team that produced the exceptionally successful Marfa Modern, join forces again to investigate Texas modernism. The juxtaposition of the sleek European forms with a gritty Texas spirit generated a unique brand of modernism that is very basic to the culture of the state today. Its roots are in the early Texas pioneer houses, whose long, low profiles express an efficiency that is basic to the modern idiom. This Texas-centric style is focused on the relationship of the house to the site, the materials it is made of–most often local stone and wood–and the way the building functions in the harsh Texas climate.

Dallas architect David R. Williams was the first to combine modernism with Texas regionalism in the 1930s, and his legacy was sustained by his protégé O’Neil Ford, who practiced in San Antonio from the late 1930s until his death in the mid 1970s. Their approach is seen today in the work of Lake/Flato Architects and a new generation of designers who have emerged from that distinguished firm and continue to elegantly merge modernism with the vocabulary of the Texas ranching heritage.

Twenty houses are included from across the state, with examples in major urban centers like Dallas and Austin and in suburban and rural areas, including a number in the evocative Hill Country.

About the Authors:

Helen Thompson is a nationally known writer on interior design and architecture. Formerly a food writer and editor for Texas Monthly, she was the Texas city editor for Metropolitan Home and has written and produced articles for Elle Decor, Architectural Digest, House Beautiful, Martha Stewart Living, Western Interiors, Traditional Home, and Veranda. She is also the author of Marfa Modern and Texas Made, Texas Modern and a contributor to Hocker 2005-2020 Landscapes, all Monacelli titles, as well as The Big Texas Steakhouse Cookbook, and The Mansion on Turtle Creek Cookbook. She lives in Santa Fe.

Casey Dunn is an Austin-based architectural and landscape photographer whose work has appeared in Dwell, the New York Times Magazine, Interior Design, Architectural Digest, Architectural Record, and Paper City Magazine. He is the photographer for Marfa Modern, Texas Made, Texas Modern, and Oasis (Potter, 2020).

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Пролистать книгу Texas Made/Texas Modern: The House and the Land

The aura and romance of Old California lives on in this treasury of inviting homes. The California House presents the magic of the "golden state," that land of infinite promise and dreams, the most tangible expression of which can be found in the homes built by early California dreamers. Here domestic visions of tranquility and repose were inventively realized—in stucco or stone, wood and wrought iron, plaster, and glass and tile. Spanish Colonial Revival–style homes with elaborate wrought-iron window grilles, romantic, shadowy interiors, and lush courtyard gardens stand beside other particularly Californian architectural wonders such as the San Francisco Victorian Painted Lady, the Monterey Colonial, Eurekan Queen Anne, and the homey California Arts & Crafts. Including houses designed by luminaries George Washington Smith, Stanford White, Greene & Greene, and Reginald Johnson, this book will fascinate both the architecture aficionado and interior design enthusiasts, as well as the everyday lover of homes. Including, but going beyond, the much-adored Spanish style (in its many manifestations) and Mission Revival, the book features as well the Victorian of San Francisco's Painted Lady and Eureka's Queen Anne, Monterey Colonial, California Arts & Crafts, French Chateau, classic Colonial farm house, and more. All new color photography of 25 houses in California ranging in style from Spanish Colonial Revival, Mission, Victorian, Queen Anne, California Arts & Crafts, Monterey, French Chateau, Colonial Farm House. The book includes little known California work by well known architect Stanford White, known primarily for his East Coast work (designer of the original Penn Station with McKim, Mead & White, and original Madison Square Garden, and many others); as well as the Magdelena Zanone House (Queen Anne late Victorian style home in Eureka, CA); the Murphy House, San Francisco (Classic French Chateau); a Gothic Victorian 1860s home in Sonoma; Casa Amesti (Monterey style home); "El Cerrito" designed by Russel Ray and Winsor Soule and built in 1913 in Santa Barbara (an amalgam of Mission and Spanish Colonial Revival); the Frothingham House designed by George Washington Smith in 1922 (Spanish Colonial Rev.); Cuartro Ventos House by Reginald Johnson, 1929 in Santa Barbara; William Edwards House by Roland E. Coate, Sr. in San Marino, 1926; Robinson House by Greene and Greene in Pasadena, 1905; Sack House in Berkeley (California Arts & Crafts) Brune-Reutlinger House in San Francisco (classic Painted Lady Victorian); a colonial mid-19th cent farm house in Sonoma; "Mariposa," classic Spanish style in Montecito; The Marston House in San Diego (Arts & Crafts/Tudoresque); Rancho Los Alamos De Santa Elena in Los Alamos (Span. Col. Rev.); Pepper Hill Farm in Balard.

About the Authors:

Kathryn Masson is the author of several books, including Santa Barbara Style and Stables. Paul Rocheleau is the photographer of numerous books, including Stables and American Masterworks. Robert Winter is a leading California architectural historian and professor emeritus at Occidental College, Los Angeles.

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Пролистать книгу The California House: Adobe. Craftsman. Victorian. Spanish Colonial Revival

This exciting new book on British country houses offers an unusual and magnificent look at the lifestyle, architecture, and interior design of the country house of the British Isles.

From Brideshead to Downton Abbey, the country house is a subject of fantasy and curiosity, as well as a rich resource to explore the history of great architecture and decoration and the lives of landowners and those who made the houses work. With hundreds of photographs from the National Trust, and others from public and private collections, this visually lavish volume draws back the curtain on important historic homes in England, Wales, Scotland, and Ireland. At the same time it reveals the complex stories of these interiors, both grand and hidden, from great halls, libraries and entryways to the kitchens and stables and gardens. Locations featured include Knole, Cragside, Castle Howard, Chatsworth, Polesden Lacey, Petworth, Bodiam Castle, Blenheim, Longleat, and dozens more.
An insightful essay by renowned British author and historian David Cannadine explores how the idea of the country house has changed over the past forty years. Additional essays reflect on how changing twentieth century values have impacted the country house, with contributions by writers and scholars such as Sarah Callander-Beckett on the private house, Dr. Madge Dresser on slavery and the country house, and Dr. Oliver Cox on the 'Downton Abbey 'effect.' The texts are woven around extensive picture essays, introduced and curated by country house specialist Jeremy Musson, which look at the identity and image of British country houses of all kinds and the stories they contain.

About the Author:

David Cannadine is on the board of the Royal Oak Foundation (the American arm of the National Trust in Britain). The author of seventeen books, Cannadine has taught at Oxford, Cambridge, and Princeton. He is the president of the British Academy and editor of the Oxford Dictionary of National Biography and has served as chairman of the trustees of the National Portrait Gallery in London.

Jeremy Musson is a leading commentator and author on the British country house. He was architectural editor of Country Life from 1998 to 2007 and remains a regular contributor. Musson is the author of seventeen books including English Country House Interiors, Robert Adam, and The Drawing Room. A trustee of the Country Houses Foundation and the Stowe House Preservation Trust, he is also the co-writer and presenter of the BBC2's The Curious House.

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Пролистать книгу The Country House: Past, Present, Future: Great Houses of The British Isles

The English Country House takes a look at the architecture and interiors of sixty-two stunning houses in a range of architectural styles spanning seven centuries - from the medieval Stokesay Castle to the newly built, Lutyens-inspired Corfe Farm - brought to life through the world-renowned photography library of Country Life. More than four hundred color and black and white illustrations provide an insight into the architecture, decoration, gardens, and landscape settings of these houses, which are set into their architectural and historical context by the accompanying text and extended captions.

The book provides an entrée into the houses to which Country Life has had privileged access over the years, many of which are still private homes, often occupied by descendants of the families that built them. Punctuating the book at intervals in the form of booklets on rich, uncoated paper are six essays by leading British architectural historians that set the English country house into its social context and chart the changing tastes in decorating and collecting, the development of ancillary buildings, gardens and landscapes, and finally, its influence in the United States. 

About the Authors:

Mary Miers is architectural writer, arts and books editor for Country Life. Her previous career was in architectural conservation, and she established and ran Scotland's Buildings at Risk Register in the 1990s.  Her books include The Western Seaboard: An Illustrated Architectural Guide and American Houses: The Architecture of Fairfax & Sammons.  Her home is in the Highlands of Scotland. 

This new book provides unique access to 9 distinct interiors from renowned Belgian architects and designers who have a deep understanding of family life. Belgian architects are best known for their exceptional craftsmanship and refined sophistication, for their attention to space and light, as well as their expert use of sumptuous materials and details.

 A “Family Home” blends comfort with elegance, authenticity with simplicity. Understated luxury is a common theme of the family interiors featured in this book, with custom-designed furnishings, artisanal pieces and an emphasis on serenity, simple forms, and a soft, warm palette. 

Through 9 carefully constructed interior and exterior spaces, these family residences are rich with inspirational ideas, with a particular focus on craftsmanship in design and simplicity.

Philip Johnson designed some of America’s greatest modern architectural landmarks — most notably the Glass House. This new publication, with a foreword by Paul Goldberger and essay by Philip Johnson, presents an exclusive tour of the Glass House, its grounds, treasures, and patrons, and honours the legacy of one of modern architecture’s most famous creations. 

Johnson’s private residence on forty-seven acres in New Canaan, Connecticut, which opened to the public in 2007, preserves some of the most exciting innovations in the fields of architecture, art, and landscape design, executed under the tutelage of Johnson and partner David Whitney over the course of nearly fifty years. This book serves as a virtual visit to the modern masterpiece and its grounds. Included are photographs of the interiors and exterior facades, as well as snapshots of Johnson and guests on the premises. An introduction to the work of Philip Johnson, The Glass House appeals to visitors of the house and enthusiasts of modern architecture and design.

About The Author

Paul Goldberger is the architecture critic for the New Yorker and the author of several books, including Why Architecture Matters, Building Up and Tearing Down: Reflections on the Age of Architecture, and Christo and Jeanne-Claude.

Philip Johnson designed some of America’s greatest modern architectural landmarks, including the Glass House, the Abby Aldrich Rockefeller Sculpture Garden at the Museum of Modern Art in New York, numerous homes, New York’s AT&T Building (now Sony Plaza), Houston’s Transco (now Williams) Tower and Pennzoil Place, the Fort Worth Water Gardens, and the Crystal Cathedral in Garden Grove, California.

Пролистать книгу The Glass House на сайте издательства.

Acclaimed architect Gil Schafer illustrates how he blends classical architecture, interior decoration, and landscape to create homes with a feeling of history. As a traditional architect, Gil Schafer specializes in building new "old" houses as well as renovating historic homes. His work takes the best of American historic and classical architecture - its detailed moldings and harmonious proportions - and updates it, retaining its character and detail while simultaneously reworking it to be more in tune with the way we live now - comfortable, practical, family-oriented. In his first book, Schafer covers the three essential cornerstones of creating a great traditional house: architecture, landscape, and decoration. He discusses the important interplay between the interior architecture and the fabrics, furniture, and wall treatments. In-depth profiles build on these essays, including Schafer’s own new "old" house in the Hudson Valley; the renovation of a historic home in Nashville designed by Charles Platt in 1915; and the restoration of a magnificent 1843 Greek Revival mansion in Charleston. Filled with hundreds of interior and detail shots, The Great American House is an invaluable resource for anyone who loves old houses and traditional design.

About the Authors:

Award-winning architect and AD 100 member Gil Schafer is consistently recognized as one of the world’s experts on contemporary classical architecture. From 1999 to 2006, Schafer served as president and then chairman of the Institute of Classical Architecture & Classical America. His work has been featured in many publications, including Elle Decor and the New York Times. Bunny Williams is an acclaimed interior designer and the author of four books, including An Affair with a House.

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Пролистать книгу The Great American House: Tradition for the Way We Live Now