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The Day May Break, photographed in Zimbabwe and Kenya in late 2020, is the first part of a global series portraying people and animals that have been impacted by environmental degradation and destruction. The people in the photos were all affected by climate change, displaced by cyclones and years-long droughts. Photographed at five sanctuaries, the animals were rescues that can never be re-wilded. As a result, it was safe for human strangers to be close to them, photographed so close to them, within the same frame. The fog on location is the unifying visual, as we increasingly find ourselves in a kind of limbo, a once-recognizable world now fading from view. However, in spite of their loss, these people and animals are the survivors. And therein lies possibility and hope.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

Portraits of Survival and Hope

Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.

About the Author:

Nick Brandt (*1964, London) studied painting and film at St. Martin’s School of Art, London. In 1992 he moved to California, where he still lives today. Since 2001, he has documented the destructive impact that humankind is having on the natural world and, as a result, on humans themselves. Chapter One of his seminal series The Day May Break featured photographs taken in Zimbabwe and Kenya in late 2020. Chapter Two, shot in Bolivia in 2022, is the first time in his 20-year career that Brandt has made work outside of Africa.

Some of Nick Brandt’s subjects are humans, some are animals, but they all are creatures of equal and obvious personhood. The overwhelming sense in the photographer’s ongoing global series The Day May Break is that they are all figuring out how to live in a new world. Each has arrived at the shoot at Senda Verde wildlife sanctuary in Bolivia through their own cascade of tragedy. Both extreme droughts and floods have destroyed people’s homes and livelihoods. Victims of habitat destruction and wildlife trafficking, the animals are rescues that can never be released to the wild. People and animals were photographed in the same frame and indeed convey a sense of connectedness through a shared fate. Fog is the unifying visual, symbolic of the natural world rapidly fading from view; and an echo of the smoke from wildfires, intensified by climate change, devastating so much of the planet. But in spite of their loss, these people and animals are survivors, pioneers entering the new phase our world has reached. In The Day May Break they share their powerful stories.

This set includes the volumes The Day May Break and The Day May Break – Chapter Two.

About the Author:

Nick Brandt (b.1964) is an English-born, US-based photographer whose themes always relate to the disappearing natural world. He is the co-founder of the Big Life Foundation, in Kenya, where all of these photographs were shot.

An expansive and timely survey on contemporary British photographer and artist Nick Waplington, with work spanning his entire 40-year career – his first comprehensive retrospective volume

London- and New York-based artist Nick Waplington uses photography to capture the complex and far-reaching aspects of our lived experience. He rose to prominence in the early 1990s with Living Room and has since become known for his unfiltered depictions of people and places, and the sociopolitical backgrounds that define them.

From the chaos, violence, and euphoria of riots, protests, and free parties to the surreal, hypnotic quiet of his large-format landscapes, Waplington’s work (in all its messy humanness) transcends stereotypes and confounds expectations, and this book is no exception. Including never-before-published images, offering new insight into both well- and lesser-known projects, as well as Waplington’s painting and artistic practice, the book opens with a newly commissioned introduction from Simon Baker, one of the leading curators of contemporary photography in Europe and director of the Maison Européenne de la photographie (MEP), Paris.

This is the most extensive survey of Waplington's work to date, and includes previously unpublished photographs, as well as paintings, sketchbooks, and other artworks that complement his practice.

About the Authors:

Nick Waplington is a British artist living between London and New York. He has published extensively throughout his career, including Safety in Numbers (1995), Truth or Consequences (Phaidon, 2001), Working Process (2013), a collaboration with Alexander McQueen, Hackney Riviera (2019), and Anaglypta (2020). Waplington has exhibited in galleries and museums worldwide, and in 2015, was the first living British artist to have a solo photographic exhibition in the main galleries of Tate Britain, London.

Simon Baker is a curator, writer, and educator, and is currently director of the Maison Européenne de la Photographie, Paris. Formerly, he was senior curator of international art at the Tate Modern, London

Перша книга професійного спортсмена BMX, підприємця, творця контенту та культурної ікони Найджела Сільвестра; фотографії режисера, оператора та графічного дизайнера Гаррісона Бойса.

Натхненна його всесвітньо відомою цифровою серією GO, яка документує амбітне бажання уродженця Квінза, штат Нью-Йорк, об'їхати світ на велосипеді, книга обсягом понад двісті сторінок (виходить цього жовтня разом з Rizzoli) переносить глядачів у відомі міста світу, розміщуючи їх на передових сидіннях, де вони можуть побачити різні моменти гострих відчуттів, задокументовані за допомогою динамічних фотографій та коротких оповідань, включаючи боротьбу сумо в Токіо, фехтування в Сомерсет-Хаусі в Лондоні, гонки на Ferrari вздовж узбережжя Малібу та стрибки з літака з велосипедом BMX у руці в пустелю Дубая, і це лише деякі з них. Безпрецедентні моменти, такі як цей, дозволяють легко зрозуміти, як повсюдний вплив ікони BMX переосмислив спорт на його умовах і став одним із найвпізнаваніших облич у спортивному світі.

Культурна актуальність Сільвестра також пронизана крізь усю книгу, зокрема в епізодичних ролях Ніґо, чемпіона Супербоулу, ресивера Віктора Круза, репера Ріка Росса, діджея Халеда, ювеліра-зірки Грега Юни, Джеймі Чанга, ASAP Ferg, Стіва Аокі та чемпіона НБА Ніка Янга.

Про автора:

Найджел Сільвестр — американський професійний спортсмен BMX. Він найбільш відомий своїми прогресивними навичками їзди на велосипеді, а також своїм цифровим контентом, що демонструє його унікальні трюки та пригоди на BMX по всьому світу. Гаррісон Бойс — фотограф і режисер з Нью-Йорка.

____________

Погортати книгу Nigel Sylvester: GO

Nightclubs and discothèques are hotbeds of contemporary culture.

Throughout the 20th century, they have been centres of the avant-garde that question the established codes of social life and experiment with different realities, merging interior and furniture design, graphics and art with sound, light, fashion and special effects to create a modern Gesamtkunstwerk.

Night Fever. Designing Club Culture 1960 – Today is the first book to offer a comprehensive overview of the design history of the nightclub, examining its cultural context and international scope. Examples range from the Italian clubs of the 1960s created by the protagonists of Radical Design to the legendary Studio 54 where Andy Warhol was a regular and the Palladium in New York, designed by Arata Isozaki, Philippe Starck’s Les Bains Douches in Paris and the more recent Double Club in London, conceived by German artist Carsten Höller for the Prada Foundation, as well as more recent concepts by architecture studio OMA for the Ministry of Sound II in London.

Featuring films and vintage photographs, posters, flyers, and fashion, Night Fever takes the reader on a fascinating journey through a world of glamour, subculture, and the search for the night that never ends.

Один з найвідоміших фотографів природи в Європі, Стефан Форстер, документує надзвичайні скандинавські острови. Протягом понад 80 безстрашних подорожей Гренландією, Ісландією, Норвегією та Фарерськими островами Форстер фіксує епічні пейзажі, дику природу та красу цих віддалених островів.

Подорож Форстера включала в себе проходження сотень кілометрів пішки через Ісландське високогір'я, веслування на каяку вздовж західного узбережжя Гренландії, плавання на старому дерев'яному кораблі через могутню протоку Скорсбі у Східній Гренландії та підйом на одну з найкрутіших скель на Фарерських островах. Його фотографії відображають не лише ці надзвичайні пейзажі, а й їхніх корінних мешканців: молодих полярних песців, родини вівцебиків, морських орланів та тупиків. Результатом є захопливий фотографічний портрет одних з найвіддаленіших та найкрасивіших місць на землі.

Приголомшливі знімки скандинавських островів від одного з найвідоміших європейських фотографів природи. Зібрано протягом 14 років та понад 80 подорожей повітрям, водою та сушею до Норвегії, Ісландії, Гренландії та Фарерських островів. Із захопливими текстами про створення та закулісся. 140 кольорових фотографій.

Про автора:

Стефан Форстер, народжений у 1986 році у Швейцарії, працює пейзажним фотографом та фотографом дикої природи протягом останніх 14 років. З 2013 року Форстер також працює пілотом дрона та оператором на відомих міжнародних телеканалах.

For the majority of his decades-long career, Norman Rockwell relied on a camera to help him render the iconic scenarios born in his imagination. Photograph by photograph, he painstakingly assembled the specific features he sought for his envisioned illustration, projecting whole or partial pictures of amateur models, objects and settings onto drafting paper, and from there, onto canvas.

Many of Rockwell's most famous works - including those reproduced for LIFE and the Saturday Evening Post - began behind the lens. Uncanny in their approximation to his final paintings and unknown outside a small circle of Rockwell specialists, his study photographs are among the most evocative ever taken by a painter and undoubtedly cast his brushwork in a new light.

It is our most passionate music, rooted in ancient Africa but brought to blossom in America at the doorstep of the twentieth century. It is a living heritage of song born in poverty, persecution, and hard labor, born of love and love betrayed, of holiness and sin, the pleasures and the pains of the flesh, the experience of tragedy, comedy, drunkenness, despair, desolation, and pure joy. It is the blues.

At root, the blues is rich in its simplicity, but it has flowered across the years in a variety of rare complexity. Perhaps no form of popular art is more immediately appealing than the blues, yet so rewards a thorough knowledge of its finer points. In eleven authoritative essays commissioned especially for the book, Nothing But the Blues traces the African-American origins of the music, its early development as popular entertainment, its early recorded manifestations, its regional differentiation (Mid-South, Tidewater-Piedmont, Chicago, Detroit, New York, Los Angeles), its many stylistic dimensions, and its contemporary manifestations. Country blues, urban blues, the evolution of rhythm and blues, rock 'n' roll, and the blues revival are all fully covered.

But the written history is only part of the story. Blues fans have always treasured rare photographs of their heroes, and Nothing But the Blues is gloriously illustrated with posed and candid shots of the musicians as well as photographs of such one-of-a-kind artifacts and documents as Leadbelly's NYPD rap sheet and classic recording contracts. Nothing But the Blues features an introduction by one of the genre's living legends, B. B. King, and a comprehensive "best of the best" discography, including current and rereleased recordings as well as the collectors' treasures to go after.

Blues is more popular than ever before. Not only are reissues of historical blues classics selling in unprecedented numbers, but a whole new crop of vital young blues artists is active in clubs and on record today. Nothing But the Blues is a lavishly illustrated comprehensive history of the music and the musicians, as well as the promoters, producers, and others who have shaped--and continue to shape--this powerful and enduringly popular American musical art form.

About the Author:

Lawrence Cohn is best known as one of the creators of Legacy Recordings, a branch of Sony Music Entertainment and as the originator and producer of the Roots 'N' Blues series.

Cohn was educated as a lawyer and became Vice-President of CBS/Epic Records and later head of Playboy Records and Music. One of his responsibilities at CBS was to co-supervise the Country Music Division. He was also COO & minor partner in the short-lived CBS Records-Bob Dylan generated label, "Accomplice Records." [1980-82] He has continued his career as a producer, writer and critic. He wrote Movietone Presents the Twentieth Century (New York : Saint Martin's Press, 1976) and edited Nothing But The Blues : The Music and the Musicians (New York : Abbeville Press, 1993).

He has eight Grammy Award nominations and won Grammy Award for Best Historical Album in 1991 for the "Robert Johnson : The Complete Recordings" project. In the same year he also received the W. C. Handy Award for his work on Robert Johnson and was honored with a Special Distinction Award by the Blues Foundation for his "Contribution to the Blues." Moreover, Sony Music provided him with their first President's Award, for his work on Robert Johnson. He was also selected as one of the "100 Most Important People In The Music Business."

Цей том, що містить рідкісні знімки з особистої колекції П'єра Пассебона, присвячений Марлен Дітріх, культовій фатальній жінці Голлівуду, увічненій майстрами-фотографами, серед яких Едвард Стайхен, Ірвінг Пенн, Річард Аведон, Сесіл Бітон, Мілтон Грін, Джордж Харрелл, Ентоні Армстронг-Джонс та інші. Активно беручи участь у своїх фотосесіях, вона створила свій власний унікальний образ шарму та спокуси.

Життя Дітріх було присвячене гламуру понад сорок років: у сценічних виступах, на екрані та на концертах. Публіка любила її. Сучасна та трансгресивна жінка, вона не вагалася порушувати правила, одягаючись у чоловічий одяг (вона була музою Іва Сен-Лорана для його культових смокінгів) або з'являючись на публіці зі своїм чоловіком та коханцями (як чоловіками, так і жінками). Дітріх також відмовилася підкорятися голлівудським умовностям щодо материнства, виховуючи свою дочку в центрі уваги.

Її краса, стиль та елегантність зробили її архетипною фатальною жінкою, але саме непохитна впевненість Дітріх, її гендерна мінливість та тверда позиція проти нацизму зробили її революціонеркою та іконою. Цей том розкриває, що її чарівність полягає не лише в тому, як вона надихала найвидатніших фотографів та модельєрів свого часу, але й у тому, як вона продовжує втілювати суть гламуру та жіночої незалежності сьогодні.

The ultimate escapist collection of self-sufficient cabins and retreats in the world’s most stunning and inaccessible locations

Recent advances in technologies and home-generated renewable energy have made building away from urban and rural infrastructures more practical, affordable and desirable than ever. This survey of the world’s most innovative off-grid homes reveals the stunning spaces and constructions that enable us to escape to some of the most extraordinary natural environments on the planet.

All of the houses featured in Off the Grid are fully, or almost fully, self-sufficient in terms of energy, water and, in some cases, food. Architecture and interior design expert Dominic Bradbury reveals how each house makes everyday living in these wild and natural settings a rewarding and tempting reality. From snowbound cabins in the far Northern Hemisphere to coastal retreats that can only be accessed by boat, the diverse projects collected here show the ingenious ways in which architects and their clients are tackling extreme climates, remoteness and construction challenges for new lifestyles that are both liberating and sustainable.

The imperative to reduce our carbon footprints and refocus on renewable sources of energy has a profound impact on our domestic lives. Off the Grid proves that creative architecture, design and technology are redefining living a truly responsible and fulfilling lifestyle.

About the Author:

Dominic Bradbury is a writer and freelance journalist specializing in architecture and design. He has written over 20 books, including Mid-Century Modern Complete, The Iconic House, and The Iconic Interior. He contributes to magazines and newspapers in the UK, US, Australia, and internationally, including The Financial Times, The Times, Telegraph, House & Garden, World of Interiors, Wallpaper, and Vogue Living.

The first complete monograph on Olivier Theyskens surveys his twenty-year career and documents the highly anticipated return of his eponymous label.

Olivier Theyskens’s refined sensibilities earned him international acclaim as the dark prince of late 1990s couture. From his first saturnine collections, to his new vision for Rochas, to his patterns and textiles at Nina Ricci, to his years designing for Theyskens’ Theory, the designer has proved himself a master of couture, semi-couture, and prêt-à-porter. Celebrated for his fine tailoring, romantic silhouettes, and gothic palette, Theyskens transforms each house he helms. This distinctive volume charts the twenty-year development of an extraordinary aesthetic vision, rendered across countries, cultures, and the shifting sands of the fashion landscape.

Newly commissioned texts connect the threads of the Belgian-born artist’s diverse practice. Drawings created for the publication accompany photography from each period of his career. At both Rochas and Nina Ricci, the designer crafted ethereal garments with unorthodox silhouettes, mixing sheer fabrics and old-world bustles with subtly subversive punk elements. Theyskens then broke ground in 2011 with his trailblazing partnership, Theyskens’ Theory. With a special focus on the designer’s return to the runway at the head of his own line, this is the definitive work on a fashion visionary who, like the girls he designs for, changes form, but walks in beauty wherever he goes.

About the Author:

Kaat Debo is director, and Karen Van Godtsenhoven and Elisa De Wyngaert are curators, of Antwerp’s ModeMuseum. Vanessa Friedman is chief fashion critic of the New York Times. Lydia Kamitsis is a freelance fashion curator and writer. Wim Mertens is conservator at MoMu. Dan Thawley is editor in chief of A Magazine Curated by.

Toscani's photography often depicts what no one has ever dared to explore before in advertising, such as homosexuality, racism and anorexia. This magnificent volume explores the creative force behind brands and advertising campaigns, focusing on the finest examples of his work. Interspersed throughout are collected stories of the life of the man behind the lens from some of the major personalities in the creative industries. Contributors include the photographers, David Bailey and Rankin, fashion designer Issey Miyake, designers Philippe Starck and Kenzo Takada, the musician Peter Gabriel and film director and actor, Mathieu Kassovitz, and the entrepreneur Luciano Benetton.

The book features Toscani's advertising campaigns, particularly his work with Benetton from 1982 to 2000, which was some of the most shocking advertising ever seen: in some cases provoking lawsuits and the removal of Benetton clothing from stores. However, Toscani worked wonders for the company, making it into one of the world's most recognised clothing brands – despite no items of clothing appearing in the campaigns between 1990 and 2000.

Throughout the years he has also created corporate images and campaigns for companies such as Esprit, Chanel, Fiorucci, Prenatal and many more. He has collaborated as fashion photographer for international magazines such as Elle, Vogue, GQ, Harper's Bazaar, Esquire, and Liberation.

About the Authors:

Oliviero Toscani is one of world's most high profile image-makers. He was born in Milan, Italy in 1942, and studied photography and design at the University of the Arts in Zurich from 1961 to 1965. He is best known for his shocking advertising campaigns.
Tommaso Basilio studied at the Politecnico di Milano before becoming one of Italy's most respected fashion magazine editors working for L'Uomo Vogue. He was later Head of Communication at Romeo Gigli and then at Malo. He currently teaches History of Fashion Photography at the IED (Istituto Europeo di Design) in Milan and Rome and works as a freelance journalist and stylist.

A collection of the best portraits and smoking shots from the wildly popular French firefighter calendars, personally selected by creator Fred Goudon.

A sensual, sexy homage to firefighters, this new volume spotlights the proud members of fire squads from all over France, who have discarded their helmets and gear to flash their best smiles and flex their muscles. Personally selected and beautifully shot by photographer Fred Goudon, the candid images from the popular 2016, 2017, 2018, 2019, 2020, and 2021 calendars offer readers the chance to fulfill their fantasies by discovering what these Gallic hunks look like underneath it all. Smoldering black-and-white and equally stunning color pictures uncover these everyday heroes in various states of undress, whether training and preparing for the call of duty or captured in gripping, intimate portraits. With their sculpted bodies on full display, this visual celebration of the masculine form, bravery, and spirited camaraderie is bound to raise the temperatures of photography aficionados everywhere.

About the Author:

Fred Goudon is a French photographer. His work has focused on the male form for over twenty years, and he is notably the photographer of the Firefighters and Dieux du Stade calendars, the latter featuring tantalizing portraits of international rugby stars.

Gain a new perspective on photography in this personally guided introduction to photographic images and what they mean by one of the leading writers and curators of our time

What shapes our response to a photograph? Where does the meaning we ascribe to it come from? And how important to our reading of it are the photographer’s intentions? In a dazzling example of photography writing – an exploration of the photographic medium through 120 images, some familiar, some surprising – David Campany shows us that how we think about photographs is just as important as what we think about them.

Rejecting the conventions of chronology and the heightened status afforded to ‘classics’ in traditional accounts of the history of the medium, Campany’s selection of photographs is an expertly curated and personal one – mixing fine art prints, film stills, documentary photographs, fashion editorials and advertisements. In this playful new take on the history of photography, anonymous photographers stand alongside photography pioneers, 20th-century talents and contemporary practitioners. Each photograph is accompanied by Campany’s highly readable commentary, which strives to guide the reader in their own interpretation and understanding of the image itself.

In a visual culture in which we have become accustomed to not looking, Campany helps us to see.

Contents List:

Introduction • The Photographs • List of Works • Further Reading

About the Author:

David Campany is a curator, writer and educator, based in London. His previous books include Walker Evans: The Magazine Work, The Open Road: Photography and the American Road Trip and A Handful of Dust, each of which was accompanied by an exhibition. Awards received by Campany include the ICP Infinity Award and The Kraszna-Kraus Book Award.