Искусство

The seminal artist’s recent art and poster works, and his triumphant return to his street-art roots with murals, all in work never before published. Shepard Fairey rose out of the skateboarding scene, creating his “Andre the Giant Has a Posse” sticker campaign in the late ’80s, and has since achieved a mainstream recognition that most street artists never find. Fairey’s “Hope” poster, created during Obama’s 2008 presidential campaign, is arguably the most iconic American image since Uncle Sam. Fairey has become a pop-culture icon himself, though he has remained true to his street-art roots.

OBEY: Covert to Overt showcases his most recent evolution from works on paper to grander art installations, cross-cultural artworks, and music/art collaborations. The book also includes his ubiquitous streetwear and chronicles his return to public artworks. His signature blend of politics, street culture, and art makes Fairey unlike any other subculture/street artist working today. 

This book showcases the significant amount of art he has created the last several years: street murals, mixed-media installations, art/music events, countless silk screens, and work from his extremely successful OBEY brand.

About the Author:

Shepard Fairey is an American contemporary street artist, graphic designer, activist, and illustrator who emerged from the skateboarding scene. He earned a bachelor of fine arts in illustration from Rhode Island School of Design in 1992. He is best known for his Barack Obama “Hope” poster, which he created in support of the 2008 presidential campaign. His work has been included in the collections of several museums, including the Smithsonian Institution in Washington, D.C.; the Los Angeles County Museum of Art; the Museum of Modern Art, New York; and the Victoria and Albert Museum, London.

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Rizzoli is pleased to bring back into print OBEY: Supply and Demand, Shepard Fairey's first book originally published in 2006 and slightly updated in 2009, which showcases the artist's career from his earliest art school years to the creation of his famous Obama HOPE and CHANGE posters and is the perfect pendant to Rizzoli's first Shepard Fairey collaboration Covert to Overt.

Shepard Fairey's first comprehensive monograph brought back into print, which chronicles his early art school days, his viral Andre the Giant has a Posse sticker campaign in the 1990s, the creation of his enormously successful OBEY apparel brand, and his longtime role as an activist-street artist.

About the Author:

Shepard Fairey is an American contemporary street artist, graphic designer activist and illustrator who emerged from the skateboarding scene. He earned a bachelor of fine arts in illustration from Rhode Island School of Design in 1992. He is best known for his Barack Obama "Hope" poster, which he created in support of the 2008 presidential campaign. His work has been included in the collections of several museums, including the Smithsonian in Washington D.C.; the Los Angeles County Museum of Art; the Museum of Modern Art, New York; and the Victoria and Albert Museum, London.

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A personal celebration of the hunt for — and joy of living with — favorite collections and things

What is it in our homes that we truly value and why? What would you take when you leave in fear of fire?  

Our home is an expression of ourselves in many ways, largely through the objects we accumulate. For Maria Hummer-Tuttle, the objects she has collected over the years, from the priceless to the flea-market finds, are precious not only for their beauty, uniqueness, and craftsmanship but also for their connection to the past and the future, for their resonance with one another.

In this exquisitely illustrated book, she serves as our guide through three dwellings, focusing our attention on objects ranging from an ancient Chinese horse sculpture to a Louis XV clock painted with characters from an Aesop fable, from a small snail sculpture found in a venerable hardware store to a monumental safety-pin sculpture by Claes Oldenburg and Coosje van Bruggen, and from 18th-century to 20th-century furniture.  

With a foreword by master ceramicist and acclaimed author Edmund de Waal and featuring two lavish gatefolds, Objects of Desire is a feast for the eyes and an object to be cherished in its own right. 

About the Authors:

Maria Hummer Tuttle practiced law for more than 25 years. She served as chairman of the Getty Board of Trustees and is on the board of numerous museums, arts foundations, and foreign policy, government, and education organizations. She is the co-author of Winfield House, written while her husband was American ambassador to the UK. She lives in Los Angeles and New York.
Edmund de Waal is a British ceramist renowned for his large scale installations of porcelain vessels and the author of award winning books, including The Hare with Amber Eyes: A Hidden Inheritance and The White Road: Journey into an Obsession. He lives in London.
Miguel Flores Vianna is a photographer and writer whose work appears regularly in a variety of leading international publications. His books include Haute Bohemians and A Wandering Eye: Travels with My Phone. He lives in London.

Surrealism was one of the most influential art movements of the twentieth century. This book examines the dialogue between Surrealism and design and, for the first time, reveals the enormous influence the movement has had on design over the last hundred years. It has encouraged designers to question the reality beyond what is visible and to design objects that offer resistance, undermine routine, and disrupt the quotidian. The spectrum of examples ranges from Duchamp’s ready-mades and Dalí’s sensual object sculptures to works by designers like Carlo Mollino or Gae Aulenti and includes current designs that analyse new technologies or gender roles in subversive ways. Evidently, Surrealism has lost none of its relevance — for art as well as for design.

With works by Gae Aulenti, André Breton, Achille Castiglioni, Le Corbusier, Salvador Dalí, Marcel Duchamp, Dunne & Raby, Ray Eames, Max Ernst, Front Design, Iris van Herpen, Friedrich Kiesler, Shiro Kuramata, René Magritte, Lee Miller, Carlo Mollino, Isamu Noguchi, Odd Matter, Meret Oppenheim, Mimi Parent, Gaetano Pesce, Man Ray, Robert Stadler, Studio Wieki Somers, among others.

Learn to draw by sketching what surrounds you everyday. In Observational Sketching, author Mariko Higaki — an ISDA Gold Award-winning industrial designer based in Japan — teaches you how to practice and learn to sketch by using well-established observational techniques.

Perspective, proportion, lines, shapes, shading, and many other techniques can be learned through everyday practice and observation of the items you come in contact with everyday, from a backpack to your sunglasses. This book addresses how to approach sketching a range of shapes and materials and how to disassemble each object to accurately capture its unique design elements. Inspiration and examples from the author and other well-known artists accompany a variety of projects that you can try right away and skill-building projects that will strengthen your talent. Find within:

- An introduction to observational sketching
- The basic concepts and tools used in observational sketching
- Observation techniques
- Illustrated step-by-step instructions for creating observational sketches of 20 common objects, from an alarm clock to a wooden stool 

Hone your artistic skills with this daily sketching practice. Whether you are an urban sketcher or an industrial designer, this book should be part of your reference collection.

About the Author:

After graduating from the Faculty of Environmental Information of Keio University in 2007, Mariko Higaki joined Leading Edge Design, founded by design engineer Shunji Yamanaka, where she was involved in projects related to industrial design, exhibitions, and education. She later studied at the ArtCenter College of Design in Pasadena, California, completing their Product Design course in 2015, and has worked as an independent product designer since 2016. Higakil has received many awards and recognitions, including the IDSA Gold Award and the Pentawards Bronze Award, and was a Top 20  International Finalist for the James Dyson Award. She is based in Los Angeles. To see more of her work, visit: https://marikoproduct.com/

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Featuring rare images from Pierre Passebon’s personal collection, this volume celebrates Marlene Dietrich, Hollywood’s iconic femme fatale, as immortalized by master photographers including Edward Steichen, Irving Penn, Richard Avedon, Cecil Beaton, Milton Greene, George Hurrell, Antony Armstrong-Jones, and others. An active participant in her photo sessions, she constructed her own unique image of charm and seduction.

Dietrich’s life was devoted to glamour for over forty years: in stage performances, on screen, and in concert. The public loved her. A modern and transgressive woman, she didn’t hesitate to break the rules by dressing in menswear (she was Yves Saint Laurent’s muse for his iconic tuxedos) or by being seen in public with her husband and her lovers (both male and female). Dietrich also refused to bend to Hollywood conventions around motherhood by raising her daughter in the limelight.

Her beauty, style, and elegance made her the archetypal femme fatale, but it was Dietrich’s unwavering confidence, gender fluidity, and firm stand against Nazism that made her a revolutionary and an icon. This volume reveals how her fascination lies not only in the way she inspired the greatest photographers and fashion designers of her time, but in how she continues to embody the essence of glamour and female independence today.

Artist Oliver Jeffers gives readers an unprecedented and intimate window into his creative process, weaving his popular works with never-before-seen art and illustrations, alongside his personal story of how he came to art, his love of books, and his bookmaking, fashioned from his personal sketchbooks.

This dynamic visual biography is Jeffers's personal chronicle of an artist who blends his love of creating stories with his love of art and his infectious charm, and is a must-have for art lovers and bibliophiles both young and old.

Oliver Jeffers takes a dive into Oliver's own origin story, inspirations, art evolution, and passion for storytelling: from growing up loving art and creating stories as a young boy in Belfast, Ireland; to finding a huge audience for his loveable stories; to what led him to his enormously clever found painting; to his collaborations with U2, TED, Colette, and Apple, to his newest meditative dipped painting performances. Oliver Jeffers is a fresh canvas for his imagination, and includes a pass through his most popular work, never-before-published illustrations and art, and a look into his more personal world of sketchbooks and doodles. Oliver's own story, infused with the whimsy and joy his work is famous for, is must-have not only for current fans of Oliver Jeffers's picture books, but also new fans, art lovers, and bibliophiles both young and old.

About the Author:

Oliver Jeffers is an award-winning artist, illustrator, and writer. his work has been exhibited in The Brooklyn Museum, Berlin, Dublin, London, Paris, Sydney, Washington, DC, and Belfast. Bono is a musician, humanitarian, and cofounder of U2. John Maeda is an artist, designer, and technologist. Sharon Matt Atkins is the director of curatorial affairs at the Brooklyn Museum.Sir Quentin Saxby Blake, CBE, is an English illustrator, and children's writer perhaps best known for illustrating the books of Roald Dahl.

A remarkable history of jewelry told through the beguiling stories of the royal families of Italy, Greece, Belgium, Russia, and Yugoslavia.

Renowned jewelry designer Prince Dimitri of Yugoslavia recounts the enthralling exploits of his beloved family members and describes their extraordinary jewelry collections. Among the many royals whose stories are richly illustrated in this volume are his paternal grandparents Prince Regent Paul and
Princess Olga of Yugoslavia; Grand Duke Vladimir and Grand Duchess Maria Pavlovna of Russia; his great-grandparents Prince Nicolas and Princess Helen of Greece as well as his maternal grandparents King Umberto II and Queen Marie-José of Italy.

The exquisite photography and family albums of Grand Duchess Elena of Russia (later Princess of Greece and Prince Dimitri's great-grandmother) present remarkable never-before-seen images of the prerevolutionary life of the Russian imperial family, their court, and their many European royal family members and friends.

This luxurious tome also includes exclusive and previously unpublished designs by Prince Dimitri, which juxtapose uncommon materials and color in imaginative yet timeless forms.

About the Authors:

Prince Dimitri founded his jewelry company in 2007 after a longtime position as senior vice president of jewelry at Sotheby's auction house and later head of jewelry at Phillips de Pury & Luxembourg. Lavinia Branca Snyder is a writer and the author of Equestrian Life from Riding Houses to Country Estates. Carolina Herrera is a fashion designer. François Curiel is chairman of Christie's Europe and Asia and head of its global luxury division. Mark Roskams is a New York-based photographer who specializes in architecture and interior design. His work has been featured in Architectural Digest and Elle Decor.

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Пролистать книгу Once Upon a Diamond: A Family Tradition of Royal Jewels

Geared toward the absolute beginner, Origami 101 contains more than 40 amazing folding projects for the whole family, including models that evolve from one of four basic origami shapes.

Have you always been intrigued by origami, but often found the diagrams confusing or the models uninspiring? Origami 101 is here to help.

A revolutionary illustration enhancement called Glow Fold makes the diagrams and video steps easy to understand. With the introduction of every folding symbol, you'll find a detailed sidebar explaining what it means and a symbol index bookmark that guides you to these sidebars whenever you need to be reminded. If you need more help, just pop the accompanying DVD into your computer and go directly to the video of any model.

Just a few of the things you'll learn to create:

- roosting robin
- flowering branch
- flying dragon
- sea turtle
- Tyrannosaurus rex
- tree ornament
- tropical fish
- graceful swan

With the help of origami enthusiast Benjamin Coleman, you'll learn how this classic craft can be enjoyed by all ages. Amuse yourself and delight your friends with these captivating folded figures!

About the Author:

Benjamin John Coleman, also known as Benagami, first found success in the business world and then turned to teaching math as a creative outlet. An origami book he received from a friend brought back childhood memories of paper folding and renewed his fascination with the craft. Always intrigued by the complexity and simplicity of origami, Ben has most recently devoted his time to making bonsai botanical sculptures from recycled paper, which he calls origami bonsai. He has published a book on this art, called Origami Bonsai. Ben maintains www.bengami.com and www.origamibonsai.org, and he publishes online The Origami Bonsai Electronic Magazine. He lives in Pawtucket, Rhode Island.

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The Art of Transformation

Using her own body as raw material for her artistic practice, French artist Orlan deconstructs the traditional iconography of the feminine. In the 1990s, ORLAN caused a sensation with surgical operations performed on her body, but it was as early as 1964, at the age of 17, that she gave birth to her artistic self. Since then, she has continuously recreated herself and keenly explored the concept of identity. In her “carnal art,” the body becomes both subject and object. This publication traverses the six decades of Orlan’s oeuvre, revisiting her early performances in particular. One of her most recent creations is the ORLAN-OÏDE robot, and thanks to an augmented reality app, Orlan avatars come to life and emerge from this richly illustrated volume. The political status of the body is made evident through all of her works: in 1989 she transformed Gustave Courbet’s famous painting L’origine du monde into L’origine de la guerre by replacing the vulva with the phallus. The statement has not lost any of its topicality.

About the Author:

Orlan (*1947, Saint-Étienne) is one of the most noteable representatives of the feminist avant-garde and performance art as well as the founder of L'Art Charnel (carnal art). The French artist has been using her own body as artistic material for six decades. She lives and works in Paris.

A dazzling study of the role and fundamental importance of decoration in Islamic architecture, available in a new compact format

Surface decoration has always played a fundamental role in Islamic architecture. As human representation is forbidden in Islamic religious monuments, designers employed mosaics, stucco, brickwork and ceramics, and the vigorous use of brilliant colour to reach unparalleled heights of expression. It is this ornamental dimension of Islamic architecture that is explored in this magnificent volume.

Rather than limiting itself to an exclusively historical or chronological perspective, Ornament and Decoration in Islamic Architecture presents four successive approaches to its subject. The first part offers an overview of Islamic architecture, discussing the great diversity it contains. Dealing exclusively with techniques, the second part considers the materials most often used as well as the expertise of the builders and Muslim decorative artists, and the third part explores themes in Islamic ornamentation. Section four discusses aesthetics, and studies the relationship between the buildings – the
structures or their architectonic components – and their ornamental coverings.

Each of these topics is presented through a number of outstanding examples and then through comparable monuments from all over the Islamic world. For anyone in thrall to such great wonders as the Taj Mahal and the Alhambra, and for everyone interested in the world of Islam, this lavish publication will be indispensable

Contents List:

1. Islamic Architecture and Decoration • 2. Materials and Techniques • 3. Ornamental Motifs • 4. Surface Art

About the Authors:

Dominique Clévenot is a professor at the University of Toulouse and is the author of several books on Islamic art.
Gérard Degeorge has contributed to several books on Islamic art and architecture, including The Art of the Islamic Tile and Damascus.

Enter the world of OSGEMEOS, the Brazilian twins driving international graffiti culture.

Contemporary art is sometimes considered an austere matter: ascetic in palette, serious in tone, a subject for sober contemplation. That stereotype is exploded — ecstatically, and in full color — by the work of OSGEMEOS, trailblazing twin Brazilian artists with a practice as firmly rooted in the rule-breaking world of urban graffiti as it is in the elevated spheres of museum and gallery. Gustavo and Otavio Pandolfo first wielded their spray cans (and spun their discs, and breakdanced with friends) in the São Paulo hip-hop scene of the 1980s and ’90s, drawing from that vibrant milieu the lesson that art is at its best, and most meaningful, when everyone is invited to the party.

Combining historical and contemporary elements of Brazilian society with graffiti, hip-hop, and youth culture, OSGEMEOS: Endless Story extends an invitation into the artists’ expansive body of work, which embraces murals, paintings, sculpture, installations, and video, all using a symbolic visual language often inspired by dreams.

Renowned for their spindly yellow characters — seen dancing, writing graffiti, interacting with their urban settings, and stretching high across buildings and train cars worldwide —OSGEMEOS creates works that invite readers into a surreal, chimerical world filled with motifs that signal access to another realm or the deep psyche. This fantasy world, which they call Tritrez, is the apex of their vision: a land of wonder that reflects the diverse nature of Brazil itself.

OSGEMEOS: Endless Story, the artists’ first major English-language monograph, will be accompanied by their first US survey exhibition and their largest US show to date, on view at the Hirshhorn Museum and Sculpture Garden in Washington, DC, from May 2024 to July 2025. The book is given a third dimension through Hirshhorn Eye (Hi) technology: readers can activate, via smartphone, videos of the artists and the exhibition’s curators discussing the works in both book and show.

About the Authors:

Marina Isgro is associate curator, media and performance art, and Melissa Chiu is director of the Hirshhorn Museum and Sculpture Garden in Washington, DC.

Marguerite Itamar Harrison is an expert on Brazilian art at Smith College.

Alan Ket is cofounder and curator of the Museum of Graffiti and Wynwood Gallery, Miami, Florida.

Peter Michalski is an expert in uncommissioned public works on walls and trains.

Jochen Volz is the director of the Pinacoteca de São Paulo, Brazil.

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Is it painting or sculpture? This literally outstanding exhibition catalog deepens our understanding of a genre-bending medium over the course of nearly two centuries.

No other artistic medium transcends the boundaries of our vision quite like the relief; this very ambiguity has tempted some of the world’s greatest artists to explore its possibilities. Delving into the subject of reliefs in modern art, this book presents to readers the unique opportunity to do some exploring themselves. From 1800 on, it traces the relief's fluid aesthetic, and illuminates the significance of innovation and adaptation until the 1960s.

Opening with neoclassical works that echoed the reliefs of ancient Egypt, Greece and Rome, the authors examine sculptors who deliberately defied the boundaries of their medium, such as Jules Dalou, Auguste Rodin, and Medardo Rosso, juxtaposing these works with those of painter-sculptors such as Edgar Degas, Paul Gauguin, and Pablo Picasso. Readers will learn how Dadaists such as Kurt Schwitters, Hans Arp, and Sophie Taeuber- Arp transformed the techniques of collage and assemblage using found materials, and how Henry Moore, Louise Nevelson or Lee Bontecou ushered in a return to monumental, large-scale works. Filled with highest quality reproductions and photographs, this book celebrates the evolution of a means of creative expression that started as a dialectic between genres and which, over decades, has achieved the status of an artistic medium in its own right.

About the Authors:

Alexander Eiling was Curator at the Staatliche Kunsthalle Karlsruhe, Germany, until 2017. He is Curator and Head of Modern Art at the Städel Museum in Frankfurt am Main, Germany, since 2018.

Karin Schick is Curator and Head of the Department of Modern Art at the Hamburger Kunsthalle, Germany.

The seminal volume on body painting and adornment by the world’s preeminent photographers of African culture. Following the international masterpiece Africa Adorned, Carol Beckwith and Angela Fisher have focused on the traditions of body painting spanning the vastly unique cultures of the African continent. In a contemporary world so fascinated with tattoos and piercings, Beckwith and Fisher document the origins of these fashionable adornments as passed down through African tribal culture. Featured are portraits of the richly colored, detailed, and exquisite body paintings of the Surma, Karo, Maasai, Himba, and Hamar peoples, among others. Drawing from expeditions in the field and firsthand experiences with African peoples and cultures over the past thirty years and with more than 250 spectacular photographs, this is the definitive work on the expressiveness and imagination of African cultural painting of the human body.

About the Author:

Carol Beckwith and Angela Fisher have photographed the peoples and cultures of the Horn of Africa for more than 30 years. Together, they exhibit internationally and lecture widely at prestigious venues such as the American Museum of Natural History, The Explorers Club, The Smithsonian Institution, the National Geographic Society, and the Royal Geographical Society. Their magazine credits include major features in Time, Life, Vogue, Marie Claire, and Elle.

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Пролистать книгу Painted Bodies: African Body Painting, Tattoos, and Scarification

A passionate assertion of the relevance of painting today, exploring how this traditional medium has been re-approached and reimagined by artists working across the globe

Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity.

Renowned critic and art historian Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time.

A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself.

The book features artists both well known and emerging, including Franz Ackermann, Angela de la Cruz, Urs Fischer, Katharina Grosse, Subodh Gupta, Wade Guyton, Julie Mehretu, Vik Muniz, Neo Rauch, Wilhelm Sasnal, Kara Walker, Christopher Wool, Yue Minjun and Zhang Xiaogang.

Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today and essential reading for all those interested in contemporary art, art history and criticism.

About the Author: 

Suzanne Hudson is Assistant Professor of Modern and Contemporary Art, University of Southern California. Her writing has appeared in publications such as Parkett, Flash Art, Art Journal and October.