Книги по истории искусства

The deftness of da Vinci. The drawings of Art History's master genius

One of the most accomplished human beings who ever lived, Leonardo da Vinci remains the quintessential Renaissance genius. Creator of the world’s most famous paintings, this scientist, artist, philosopher, inventor, builder, and mechanic epitomized the great flowering of human consciousness that marks his era.

As part of our Bibliotheca Universalis series, Leonardo da Vinci – The Graphic Work features top-quality reproductions of 663 of Leonardo’s drawings, more than half of which reside in the Royal Collection of Windsor Castle. From anatomical studies to architectural plans, from complex engineering designs to pudgy infant portraits, delve in and delight in the delicate finesse of one of the most talented minds, and hands, in history.

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

The Popstar: When art went Whaam!

American painter Roy Lichtenstein (1923-1997) pioneered a new epoch in American art, bursting onto a scene dominated by Abstract Expressionism in late 1950s New York and defining a new art vocabulary for a new era.

With his groundbreaking use of industrial production techniques and trivial, quotidian imagery such as cartoons, comic strips, and advertising, Lichtenstein joined contemporaries such as Andy Warhol and James Rosenquist to reflect and satirize American mass media and consumer culture. Works such as Look, Mickey! (1961), Drowning Girl (1963), and Whaam! (1963), deployed mass production techniques, particularly Ben-Day dots printing, to create a blow-up effect and pixelated dot style, with which Lichtenstein has become synonymous.

This book provides an essential overview of Lichtenstein s career, tracing his earliest Pop statements through to later brushstroke retorts to Abstract Expressionism and reinterpretations of modern masterpieces. We look at his leading position in mid-century modernism, and the ways in which his works both critique and chronicle 20th-century America.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

A macabre, spectacular and thought-provoking survey of human remains used in decorative, commemorative or devotional contexts across the world today, from the author of Heavenly Bodies and The Empire of Death.

Memento Mori takes the reader on a ghoulish but beautiful tour of some of the world’s more unusual sacred sites and traditions, in which human remains are displayed for the benefit of the living. From burial caves in Indonesia festooned with bones, to skulls smoking cigarettes, wearing beanie hats and sunglasses, and decorated with garlands of flowers in South America, Paul Koudounaris ventures beyond the grave to find messages of hope and salvation. His glorious colour photographs and informed commentaries reveal that in many places, the realms of the living and the dead are nowhere near so distinct as contemporary Western society would have us believe.

Contents List:

Introduction: Memento Mori
1. The Dead Will Rise: Macabre Masterpieces of the Nineteenth Century
2. The Gates of Paradise: Bones and Salvation in the Christian Tradition
3. They Walk Among Us: Mysterious Burial Caves in Asia
4. Blessed Souls: Elaborate Ossuaries in the Catholic World
5. They Shall Not Perish: Memorials in Bone to Victims of Tragedy
6. Remains to be Seen: Mummies and other Exquisite Corpses
7. Crossing the Border: The Living and the Dead in Bolivia
8. Heavenly Glory: Decorated Bones from Around the World

About the Author:

Paul Koudounaris has a doctorate in Art History from the University of California and has written widely on European ossuaries and charnel houses for both academic and popular journals. He is also the author of Heavenly Bodies and Empire of Death, both published by Thames & Hudson.

Modern matters. A blow-by-blow account of groundbreaking modernism

Most art historians agree that the modern art adventure first developed in the 1860s in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, loose brushwork. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the Salon by organizing their own independent exhibitions.

After this first assault on the artistic establishment, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, abstract art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and conceptual practice.

This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards and broke down barriers. Introductory essays outline the most significant and influential movements alongside explanatory texts for each major work and its artist.

The editor:

Hans Werner Holzwarth is a book designer and editor based in Berlin, with numerous publications mainly on contemporary art and photography. For TASCHEN he has edited, among other titles, Jeff Koons, Christopher Wool, Albert Oehlen, Neo Rauch and Ai Weiwei

About the series:

Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!

Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together more than 100 of our all-time favourite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.

Bookworm’s delight — never bore, always excite!

A new concise history of modern painting, offering an indispensable reference to the complexities and characteristics of this medium.

While acknowledging the legacy of Herbert Read’s classic 1959 study A Concise History of Modern Painting in the World of Art series, academic and artist Simon Morley places the foundation of modern art much earlier than Read, at the emergence of Romanticism and the dawn of the industrial age. Structured loosely chronologically by period, the focus is as much on individual artists as well as movements, with works discussed within a broader context - stylistic, historical, geographical, and gender and ethnic frames - themes that recur throughout the chapters. Generously illustrated, the global and diverse range of artists featured include William Blake, Édouard Manet, Hilma af Klint, Kazimir Malevich, Willem de Kooning, Amrita Sher-Gil, Faith Ringgold and Kehinde Wiley.

This guide also includes an Appendix in the form of questions the reader might like to ask in relation to the artists and the ideas discussed - in order to reconsider the works from a contemporary perspective.

About the Author:

Simon Morley is a visual artist and Assistant Professor in the College of Arts, Dankook University, Republic of Korea. He has lectured at such museums as Tate, The National Gallery, Hayward Gallery, Serpentine Gallery, Whitechapel Gallery and Camden Arts Centre, and has contributed to numerous publications including Third Text, World Art, the TLS, The Burlington Magazine, Art Monthly, The Art Newspaper, Contemporary Art and the Independent on Sunday.

National Portrait Gallery: The Collection is published to celebrate the reopening of the Gallery after a three-year redevelopment project.

Designed by Daniela Rocha, this engaging and inviting book takes the reader on a chronological journey through Britain’s history in portraiture, from the Tudors to Now, featuring the country’s most impactful and famous individuals, from Queen Elizabeth I to Mary Seacole, and Virginia Woolf to David Bowie. The book is richly illustrated with beautiful paintings, photographs, sculptures, drawings and digital works.

Readers will enjoy a selection of the most popular and recognisable portraits from the Collection, accompanied by short chapter introductions that introduce key historical periods, their most exciting figures, and their most important historical, political, social and cultural moments. This accessible structure allows the reader to dip into any of the beautiful portraits and their stories, and understand their place in British history.

An Introduction by Director Dr. Nicholas Cullinan will highlight why portraiture has been fundamental to people and society historically, but also to contemporary audiences, by exploring themes of culture, identity and the representation of diversity. This will also introduce readers to the nation’s newly reopened National Portrait Gallery, explaining how it came to be the nation’s home of portraits and the world’s most significant Collection of people.

About the Authors:

Rab MacGibbon is Cross-Collections Curator at the National Portrait Gallery, London. He is the author of Icons and Identities (2021), and a contributor to Love Stories: Art, Passion & Tragedy (2020), Elizabethan Treasures: Miniatures from Hilliard to Oliver (2019) and The Lost Prince: The Life & Death of Henry Stuart (2012).

Dr Nicholas Cullinan is Director of the National Portrait Gallery, London.

New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art. It demonstrates the many ways in which the most significant art movement of the last century continues to be relevant today, featuring an international selection of contemporary artists whose compositions and studio practice reveal its influence.

There are many modalities of historical Surrealism that still maintain contemporary currency: presenting the familiar as unfamiliar and uncanny, the juxtaposition of seemingly unrelated imagery, the use of absurdity to critique political or social issues, and the use of erotic imagery in an irrational, non-linear context. Not all the artists brought together in this book self-identify as Surrealist, per se, but each uses some variation of Surrealism in a personal manner.

The book begins with a study of the origins, leadership, participating artists, and major milestones of historical Surrealism. Zeller chronicles the movement starting at the end of World War I and the birth of Dada. The most important players and events emerge throughout the timeline of events — including World War II, and such notable artists as Max Ernst, Marcel Duchamp, Leonora Carrington, and many others — up until the death of its leader Andre Breton in 1966.

Zeller then explores how elements of New Surrealism are being put into practice in the contemporary art world. Section Two offers a survey of 29 contemporary artists who engage in New Surrealism's seemingly unlimited variations of the movement's original themes, including Rosa Loy, Glenn Brown, and Arghavan Khosravi. Section Three features 14 artists, including important contemporary artists such as Inka Essenhigh, Ginny Casey and Anna Weyant, who speak to Surrealism's influence on their studio practice, detailing in their own words how they create a composition from start to finish.

About the Author:

Robert Zeller is a visual artist and writer who received a BFA from a joint program of the Boston Museum School and Tufts University and an MFA from the New York Academy of Art. Following his bestselling The Figurative Artist's Handbook (2017), New Surrealism: The Uncanny in Contemporary Painting is his second book published by Monacelli Studio. He contributed a chapter about Surrealist photography to the exhibition catalog Photography: Real and Imagined (2024), profiling the permanent collection of the National Gallery of Victoria in Melbourne, Australia, and has also written for The Brooklyn Rail and other influential art periodicals and blogs. In 2009, he founded The Teaching Studios of Art, an in-person and online art school devoted to instruction in figurative art. Zeller maintains a studio practice in Brooklyn, New York, and is the recipient of two Posey Fellowships and a Pollock-Krasner Foundation Grant. He has curated group exhibitions and shown his own work at galleries in the United States and Europe.

A clear, concise and detailed historical analysis of the eclectic and beautiful visual and material culture of paganism

For more than a thousand years, a diverse range of peoples, from Ireland to India and from the Andes to Australia, have been labelled ‘Pagan’ by the Christians who encountered them. Since the twentieth century new groups have emerged – wiccans, druids, neo-shamans and heathens – who openly call themselves Pagans. But who are these Pagans and what do they believe? Which gods and goddesses do they revere? Do they worship nature? Do they practise divination and magic?

From sacred plants imbued with supernatural powers to hand-carved amulets that repel evil, and from mischievous spirits of nature to holy mountains, Pagans find divine value in the natural world and spiritual significance in the material universe. Delve within these pages and examine the myriad paintings and sculptures, shrines and ceremonial objects that reveal the stories, symbols and rituals of Paganism.

Contents List:

Introduction
Ancient Ways
1: Goddesses + Gods
2: Myths + Legends
3: Numinous Nature
Ritual
1: Sacred Sites
2: Witchcraft
3: Oracles + Divination
Community
1: Festivals
2: Embodied Faith
3: Journeying

About the Author:

Ethan Doyle White is a writer and researcher interested in the religious beliefs and practices of early medieval England as well as contemporary Paganism and related forms of occultism. He is the author of Wicca: History, Belief, and Community in Modern Pagan Witchcraft and co-editor of Magic and Witchery in the Modern West. Other publications have dealt with topics including modern Pagan activity at Britain’s archaeological monuments, the revived worship of the god Antinous, and the occult films of Kenneth Anger.

Pandemonium: The Illustrated History of Demonology presents — for the first time — Satan’s family tree, providing a history and analysis of his fellow fallen angels from Asmodeus to Ziminiar. Throughout the book, there are short entries on individual demons, but Pandemonium is more than just a visual encyclopedia. It also focuses on the influence of figures like Beelzebub, Azazel, Lilith, and Moloch on Western religion, literature, and art. Ranging from the earliest scriptural references to demons through the contemporary era, when the devils took on a subtler form, Pandemonium functions as a compendium of Lucifer’s subjects, from Dante’s The Divine Comedy to John Milton’s Paradise Lost, and all the points in between. Containing rarely-seen illustrations of very old treatises on demonology, as well as more well-known works by the great masters of Western painting, this book celebrates the art of hell like never before.

About the Author:

Ed Simon is a staff writer for The Millions, which the New York Times has called “the indispensable literary site." A widely published and prolific freelance writer who holds a PhD in English from Lehigh University, his work has appeared in most major American literary and journalistic sites. He is also the author of several published books, including Furnace of This World: Or, 36 Observations about Goodness and Printed in Utopia: The Renaissance's Radicalism, both released by Zero Books. In April of 2021 Belt Publishing will be releasing his short An Alternative History of Pittsburgh and Broadleaf Books will be releasing his co-edited anthology The God Beat: What Journalism Says about Faith and Why it Matters in June of 2021. He lives in Washington, D.C.

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Пролистать книгу Pandemonium: A Visual History of Demonology на Google Books.

Pantone, the worldwide colour authority, invites you on a rich visual tour of 100 transformative years.

From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with colour.

Longtime Pantone collaborators and colour gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, décor, and fashion, and carefully match them with 80 different official PANTONE colour palettes to reveal the trends, radical shifts, and resurgences of various hues. This vibrant volume takes the social temperature of our recent history with the panache that is uniquely Pantone.

This broad survey of modernism — the most scintillating creative era in Paris — spans all domains: architecture, art, design, entertainment, fashion, film, literature, and photography.

The lives and works of artists in every creative discipline transformed Paris into a crucible of modernity in the first half of the twentieth century. Profiles of eighty-eight influential artists, designers, photographers, architects, writers, and personalities — including Gabrielle Chanel, Eileen Gray, Jean Prouvé, Pablo Picasso, Tamara de Lempicka, Sonia and Robert Delaunay, Brassai, Man Ray, Robert Mallet-Stevens, Charlotte Perriand, Le Corbusier, Adolf Loos, Walter Benjamin, Josephine Baker, Jean Renoir, Gertrude Stein, and more — highlight the boundless creative energy and optimism that permeated the City of Light at this key historical juncture.

Richly illustrated alphabetical entries with cross-references to related topics are complemented by six thematic essays on cinema, fashion, graphic design, habitation, painting, and urban planning. A portfolio of original contemporary photographs — from the historic center to the suburbs of Paris — reveals traces of modernism in dozens of buildings and their interiors that are rarely open to the public.

This catalogue — published to accompany an exhibition at the Power Station of Art in Shanghai in the summer of 2023 — sketches a panorama of human invention across the vast creative landscape of Paris from 1914 to 1945.

About the Authors:

Jean-Louis Cohen is France’s most authoritative historian of twentieth-century architecture. He has published more than forty books, including Frank Gehry: The Masterpieces (Flammarion, 2021), and curated numerous architectural expositions. He is the Sheldon H. Solow Professor in the History of Architecture department at NYU’s Institute of Fine Arts and holds a chair at the Collège de France.

Guillemette Morel Journel is an architect and urbanist; she has published several books on Le Corbusier including Villa Savoye.

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Пролистать книгу Paris Moderne: 1914-1945 на сайте издательства.

Less a distinct style than the concrete expression of being in a particular era, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork.

The movement’s primary provocation was to defy ideas of the artistic canon or “originality” by integrating mass market imagery into their works. Whether advertising slogans, famed Hollywood faces, comic-strip-style characters, or the packaging of consumer products, the likes of Robert Rauschenberg, Claes Oldenburg, Andy Warhol, and Roy Lichtenstein knowingly reproduced mundane, everyday images from popular culture.

At the same time, Pop Art reduced the role of the individual and challenged the notion of originality by deploying mass production techniques such as screen printing. Like a hall of mirrors, the resulting works came to interrogate both the ideas and desires of contemporary culture, and its state of simulacra, whereby images, substitutes, and representations come to define the experience of “reality.”

In this book, Tilman Osterwold explores the styles, sources, and stars of the Pop Art phenomenon. From Lichtenstein’s comic-book aesthetics to Warhol’s images of Marilyn, it explores how a movement that interrogated the icons of its time came to produce icons of its own.

Whaam! When the kitschy, banal, and mass-market became art

Peaking in the 1960s, Pop Art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, the role of the artist, and of what constituted an artwork.

Focusing on issues of materialism, celebrity, and media, Pop Art drew on mass-market sources, from advertising imagery to comic books, from Hollywood's most famous faces to the packaging of consumer products, the latter epitomized by Andy Warhol's Campbell's soup cans. As well as challenging the establishment with the elevation of such popular, banal, and kitschy images, Pop Art also deployed methods of mass-production, reducing the role of the individual artist with mechanized techniques such as screen printing.

With featured artists including Andy Warhol, Allen Jones, Ed Ruscha, Robert Indiana, Jasper Johns, Robert Rauschenberg, and Roy Lichtenstein, this book introduces the full reach and influence of a defining modernist movement.

About the series:

- Each book in TASCHEN's Basic Genre series features:
- approximately 100 colour illustrations with explanatory captions
- a detailed illustrated introduction plus a timeline of the most important political, cultural, and social events that took place during that period
- a selection of the most important works of the epoch, each presented on a 2-page spread with a full-page image and accompanying interpretation, as well as a portrait and brief biography of the artist

The world’s most famous portraits and the hidden stories behind their subjects are explored in this fascinating and highly entertaining book.

Portraiture is one of the oldest and most studied genres of art. While most scholars will look at a painting’s composition, style, and themes, often questions remain unanswered—who were these people and why were they painted? This entertaining book reveals the identities and lives of some of the most famous characters that populate art history — from the Renaissance to the 21st century. Readers will learn how the fifteen-year-old subject of da Vinci’s Lady with an Ermine nearly destroyed a marriage; that van Dyck’s depiction of Prudence in wild clothes is actually one of the most controversial aristocrats of the seventeenth century; and that Francis Bacon’s character George Dyer was a man he met in a Soho nightclub.

These and other stories behind works by Picasso, Klimt, Rubens, Warhol, and dozens of other artists show how portraiture remains one of the most enthralling genres.

Based on art scholarship and conveyed in an accessible tone, these fascinating tales of power, lust, intrigue, jealousy, vengeance, and romance will help readers understand masterpieces of art history in an entirely new light.

Illustrious turning point - Augsburg as the centre of the German Renaissance.

Hans Holbein the Elder and Hans Burgkmair are regarded alongside Albrecht Dürer as the forerunners of Renaissance painting in Germany. The prosperous Imperial and trading city of Augsburg was an important centre during this artistic golden age. By means of high-quality works this volume presents a comprehensive insight into the epochal revolution from the Middle Ages to the modern age.

Augsburg was influenced by the humanist culture of Italy from an early stage. Thanks to the art-loving trading houses with international operations like the Fuggers, as well as the long sojourns of Emperor Maximilian I and the frequent Imperial diets, the city offered artists like Holbein the Elder and Burgkmair an ideal setting for the development of a new form of art. Together with the works of Dürer, Holbein the Younger and others, many of their most important works bear witness to the highly fertile and yet contrasting ways in which the two artists adopted the Italian Renaissance.

About the Authors:

Guido Messling is the curator for German Painting in the Gallery of Painting at the Kunsthistorisches Museum in Vienna.

Jochen Sander is the deputy director and head of collections for Dutch, Flemish and German Painting before 1800 at the Städel Museum in Frankfurt.