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'A compelling narrative of the workings of a curious, intelligent, visually inventive mind at work … a book designed to instil pleasure and to lift the spirits' Art Quarterly

The story of David Hockney, one of the most widely acclaimed of all living artists, is one of passion: passion for seeing, passion for telling, passion for images. But to these should be added passion for life. Hockney's art is a celebration of what it is to be alive. All his pictures - sometimes tender, as when he draws close friends and family; sometimes playful, as in his paintings of lazy, carefree days at the pool; sometimes awe-inspirin, as with his monumental images of the Grand Canyon - convey what it means to be in the world, to see it, to move in it, to love it. This constant exploration of how to communicate such feelings through art emerges with particular clarity in this stunning, lively volume, which charts almost fifty years of extraordinary creativity.

Hockney's Pictures is the first definitive 'retrospective' to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolours, prints and photography. The works, including many that are new and never published, have been selected and organized by David Hockney himself, and track his lifelong experiments in ways of looking and depicting.

Contents List:

Introduction: Loving the world with new eyes • Problems of Depiction: Looking at Pictures • A Marriage of Styles • Stages • Water • Movement • Moving Viewpoint • Life Stilled: Life and Love • Lives • Still Life • Home • Portraits: Friends • Family • Self • Space and Light: South • West • East • North London • Yorkshire

About the Author:

David Hockney is considered one of the most influential British artists of the 20th century. He has produced work in almost every medium - painting, drawing, stage design, photography and printmaking - and has stretched the boundaries of all of them. Born in Bradford, England, in 1937, Hockney attended art school in London before moving to Los Angeles in the 1960s. There, he painted his famous swimming pool paintings. In a 2011 poll of more than 1,000 British artists, Hockney was voted the most influential British artist of all time. He continues to create and exhibit art.

Holbein at the Tudor Court focuses on the internationally significant collection of portraits by Hans Holbein the Younger in the Royal Collection.

This richly illustrated publication has essays on the artist, his sitters and on the history of his work in the Royal Collection.

Holbein at the Tudor Court focuses on the internationally significant collection of portraits by Hans Holbein the Younger in the Royal Collection. These portraits, in drawing, miniature and painting, date almost exclusively from Holbein's period as the pre-eminent artist at the court of Henry VIII.

This richly illustrated publication has essays on the artist, his sitters and on the history of his work in the Royal Collection, and a series of entries on individual works - looking at both on the work of art and on the identity of the sitter featured, and uses, where possible voices from the period (as found in letters, poems, administrative records and diplomatic accounts) to bring alive the world of the sixteenth-century English court.

About the Author:

Kate Heard is Senior Curator of Prints and Drawings, Royal Collection Trust. Her previous publications include George IV: Art and Spectacle (2019), The First Georgians: Art & Monarchy (2014) and High Spirits: The Comic Art of Thomas Rowlandson (2013).

This introduction to the work of the 16th-century master portraitist Hans Holbein the Younger reveals the impressive and surprising scope of his career

16th-century Europe was a time of unprecedented economic expansion, cross-cultural trade, religious upheaval, warring empires, and scientific advancement. With unfettered access to the court of Henry VIII, Hans Holbein had a front-row seat to the royal drama and intrigue, and his detailed, highly narrative portaits tell us much about aristocracy. This volume features dozens of full-page reproductions of Holbein's key works accompanied by extensive commentary that explores his masterful portraits of prominent European figures such as Thomas More, Erasmus, and Thomas Cromwell. It also reveals the artist's talent in other media, such as woodcuts, frescoes, jewelry, and metalwork. Reproductions of these items, as well as Holbein's exquisite, palm-sized miniatures and his highly detailed studies in pencil, chalk, and ink illuminate an artist of unparalleled versatility and impressive commercial acumen.

About the Author:

Florian Heine is an arts editor, photographer, and author whose many books include 50 Contemporary Photographers You Should Know, Buildings that Revolutionized Architecture, Photography: The Groundbreaking Moments, and The Art of Illusion (all by Prestel).

Spiraling Ideas. Friedensreich Hundertwasser, hero of fluid forms and ecology

Architect, artist, ecological visionary, Friedensreich Hundertwasser left a thrilling trail of imagination and activism in buildings, paintings, manifestos, and more. From naked addresses and tree planting campaigns to the Hundertwasserhaus in Vienna, Hundertwasser refused the straight line in every sense. His vision was as much for society at large as for singular buildings.

Vivid colour, organic forms, and loathing of straight lines were just a few stalwart characteristics in the unique practice of Friedensreich Hundertwasser (1928–2000). A non-conformist hero, the artist, architect, and activist left a blazing trail of imagination and ideas in buildings, paintings, manifestos, initiatives, and more.

Hundertwasser’s best-known work is considered by many to be the Hundertwasserhaus in Vienna, a structural synthesis of the vitality and uniqueness that determined the artist’s entire oeuvre. For Hundertwasser, rational, sterile, monotonous buildings caused human misery. He called for a boycott of the modernist paradigm championed by the likes of Adolf Loos, and campaigned instead for an architecture of creative freedom and ecological commitment. A fierce opponent of straight lines, which he called “godless and immoral,” Hundertwasser was fascinated by the spiral, drawing also on the Secessionist forms of Klimt and Schiele.

This richly illustrated book traces Hundertwasser’s style and vision not only for each building but for society at large. From naked addresses at the end of the 1960s to worldwide architecture projects and alternative blueprints for society, author Pierre Restany explores Hundertwasser’s most high-profile and innovative ideas in a thrilling introduction to a pioneering 20th-century mind.

About the author:

Pierre Restany (1930-2003) was brought up in Morocco. He later studied in France, Italy, and Ireland. In 1963 he worked on the art and architecture journal "Domus", and since 1985 he has edited the magazine "D'ARS". His meeting with Yves Klein in 1955 inspired his 1960 theory of "Nouveau Réalisme" and he founded an art-group of the same name in Paris. He wrote and published extensively on the art of the twentieth century.

About the series:

Each book in TASCHEN s Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions 

This generously illustrated volume traces the achievements of the Impressionist movement in a compact, highly attractive format

Arguably the most important movement in the history of modern art, Impressionism changed the way audiences perceived painting. This elegant and portable book overflows with images and information about the movement’s leading figures, tracing its development as different artists took up the challenge of redefining light and space in two dimensions, revealing the role of recent scientific discoveries, the changing landscape of Paris, and how audiences reacted to this seismic shift. The work of Manet, Monet, Renoir, Pissarro, Sisley, Caillebotte, Degas, Morisot, Seurat and others are given special attention, with generous, full-page illustrations of their masterpieces. Chronologically arranged, the book provides important biographical detail on the aritsts and describes historic events in the context of the latest scholarship. It also includes suggestions for further reading.

About the Author:

Florian Heine is a photographer, art historian, and author of several books about art, architecture and photography. He wrote the screenplay for the TV series "The First Time: How New Things Came into Art", which was based on one of his books. As a photographer, he works in the fields of art, advertising, and industry. His many books for Prestel include "13 Architects Children Should Know", "Photography: The Groundbreaking Moments" and "The Art of Illusion".

The third book in the Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon

The third instalment in the Bacon Estate’s groundbreaking series discloses the most exciting new research and information to emerge in many years on this elusive artist. Three of the essays, by Francesca Pipe, Sophie Pretorius and Martin Harrison, are based on archives recently added to the collection of the Estate of Francis Bacon. Very little is known about Bacon’s early career, and the diaries of his two first patrons provide a far deeper understanding of his formative years than has been accessible hitherto. Especially revelatory are the extensive records kept over a long period by Bacon’s doctor, Paul Brass: what they reveal will revolutionise thinking on Bacon.

Sarah Whitfield sheds new light on both Bonnard and Bacon; she has identified concerns the two artists shared that will surprise as well as enlighten. Joyce Townsend draws on her scientific and technical investigations into Tate’s most important Bacon paintings to advance significant new information about Bacon’s methods. Christopher Bucklow is an expert on Japanese art, which forms an important, if unexpected, aspect of his rethinking of the metaphor system in Bacon’s paintings.

About the Authors:

Martin Harrison is one of the foremost scholars of Francis Bacon, and the editor of Francis Bacon: Catalogue Raisonné.

Christopher Bucklow is an artist, photographer and art historian.

Francesca Pipe has transcribed and annotated all the extant diaries of Eric Allden dating from the period 1920 to 1946.

Sophie Pretorius is Archivist of the Estate’s Bacon collection, and has transcribed all Bacon’s surviving medical records.

Joyce H. Townsend is senior conservation scientist at Tate. She is the author of numerous books, including Turner’s Painting Techniques and, with Tony Smibert, The Tate Watercolour Manual: Lessons from the Great Masters.

Sarah Whitfield is an art historian, writer and curator. She is co-author of the René Magritte Catalogue Raisonné, and serves on the authentication committee for the Estate of Francis Bacon.

With determination to restore the universal language of realism in the visual arts, a group of fine artists and experts banded together to celebrate and propagate Contemporary Realism. They founded the Art Renewal Center in 1999. Since their genesis, this non-profit educational foundation has dedicated itself to encouraging rigorous skill-based training in the methods of the Old Masters, bestowing the title of ‘ARC Approved ‘ on ateliers who share their core values and demonstrate technical mastery. The International ARC Salon Competition is the largest and most prestigious for realist based art in the USA, arguably the world, receiving this year over 3,750 entries from 69 countries. This year’s winners demonstrate the great breadth and originality that can be found in all facets of fine art. Categories include: Figurative, Portraiture, Imaginative Realism, Landscape, Animals, Sculpture, Drawing, Still Life, Plein Air and the Da Vinci Initiative Award for the Young Aspiring Artist.

- Over a thousand stunning traditional artworks, from the forefront of the 21st Century Realist Art Movement
- Presents the winners and finalists of the 13th International ARC Salon Competition
- Artist contributors from across the globe compete in a range of genres, from 'Imaginative Realism' to 'Plein air' and 'Portraiture'

About the Authors:

Frederick C. Ross, Chairman of the ARC, has a Masters in art education from Columbia University and is the leading authority on William Bouguereau, co-author of the catalogue raisonne, William Bouguereau: His Life and Works. His essays and speeches have become required reading in countless classrooms. Kara Lysandra Ross, Co-Chair and Chief Operating Officer of the ARC, is an art historian and writer. She co-founded The Da Vinci Initiative, dedicated to introducing skill-based art education in public and private schools K-12, and serves as its Chief Executive Officer. She is the world leading authority on Edmund Blair Leighton, and is currently researching and writing the catalogue raisonne.

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Пролистать книгу International Realism: 13th International ARC Salon

Jack is one of the UK’s most popular, and yet most controversial, contemporary artists. His pictures sell for a record amount of money, the paintings in his exhibitions are always sold out before the opening and ‘The Singing Butler’ made history for being the most expensive painting by a Scottish living artist ever to be sold at auction. (And surely the same painting is one of the world’s most replicated fine art images?)

Here, for the first time, we get up close and personal with Jack in the studio. We see how he works in his studios in Scotland, London and Nice and we see how these locations influence his paintings. The book also includes brand new paintings never before seen. We analyse Jack’s own cultural influences and the influences his work has come to have on popular culture in turn.

With outstanding and revealing photography by Jillian Edelstein and a foreword from friend and fellow son of Fife, author Ian Rankin, this is a book to delight Jack Vettriano’s fans.

About the Author:

Jack Vettriano is entirely self-taught. A Scotsman of Italian descent, he left school at sixteen to become a mining engineer working down the Fife coalfields. For his twenty-first birthday, a girlfriend gave him a set of watercolour paints and from then on, he spent much of his spare time teaching himself to paint. His first solo exhibition in Edinburgh was a sell-out and since then he has had solo exhibitions in London, Hong Kong and New York. Over the last twenty years, interest in Vettriano’s work has grown consistently. Vettriano’s best-known painting, The Singing Butler, was sold at Sotheby’s for close to £750,000. He was awarded an OBE for Services to the Visual Arts. In 2013, a major twenty-year Retrospective exhibition of Vettriano’s work was staged at Kelvingrove art Gallery and Museum in Glasgow. He lives in Edinburgh.

Over seventy works from museums and private collections trace out the meteoric career of Jean-Michel Basquiat (1960-1988), “enfant terrible” of the art world who quickly became the symbol of the New York multiethnic culture of the Eighties.

With essays by Achille Bonito Oliva, Henry Geldzahler, Richard D. Marshall, Jeffrey Hoffeld, Bruno Bischofberger, and Luciano Caprile, a catalogue of Basquiat’s works (edited by Luca Marenzi) and his biography (by Gaia Regazzoni), the monograph accompanying the Lugano exhibition retraces the entire artistic development of this legendary figure, called by some the “Jimi Hendrix of art” or the “Boy-King”, providing readers with an in-depth view of one of the preeminent figures in the Twentieth-century international art scene.

The tragic victim perhaps of his own inner fire, which consumed the proudly mixed-race and errant artist at the youthful age of 27, Basquiat made his entrance into the art world with graffiti work signed SAMO©, and became a protagonist of the US graffiti movement in the late Seventies alongside Keith Haring. In the early Eighties, after his participation in collective exhibitions at alternative galleries that sought to give visitors a full panorama of the current New York art and cultural scene, Basquiat was officially launched into the art world as a painter at the tender age of 21, thanks to an article written by the critic René Ricard who compared him to masters such as Cy Twombly and Jean Dubuffet.

Basquiat was one of the few emerging artists to experience not only immediate international fame but also the at times impetuous requests to exhibit his works in the most notable New York art galleries — and soon thereafter, all over the world. Intelligent, curious and full of a lust for life, Basquiat broke with tradition and blazoned his cruel truths about the true perils of modern life: money, drugs, sex, adulation, oppression and racism. The rebel artist incorporated a great variety of elements into his work, from symbols of mass culture, jazz legends and famous black sports heroes and musicians to the skeletons and skulls evoking his fascination with death.
His creations are a fusion of symbols, words and colours. His colours are not those of a painting on an easel created with studied art, they are the colours of life, the colours of the street, both brilliant and faded, overlaid like torn posters that don’t hide what lies beneath.

The chronological presentation of the selected works includes some fifty paintings, twenty drawings, collaborations done with Andy Warhol and Francesco Clemente, and canvases commissioned by Bruno Bischofberger of Zurich, Basquiat’s exclusive European representative. Basquiat would establish a fundamental bond with Warhol, and the death of the master of Pop Art in 1987 would leave a great void in his life.

The catalogue concludes with previously unpublished photographs by the noted Lugano film director, Edo Bertoglio. A number of these were taken during the shooting of the film “New York Beat” later renamed “Downtown 81”, in which Basquiat plays the lead role of a nineteen-year-old unknown artist trying to survive in the churning artistic and musical circles of downtown New York in the early Eighties.

A rare and poignant compilation of photography and written anecdotes by American photographer and artist Lee Jaffe that captures his close friendship, collaboration, and travels with the artist Jean-Michel Basquiat as they traversed Japan, Thailand, and Switzerland in 1983. 

Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world’s true legends through an unfiltered and authentic lens.

Basquiat and Jaffe connected over reggae music at a mutual friend’s art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. “For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics,” Jaffe says. “With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place.” This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe’s unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.  

About the Author:

Lee Jaffe is an artist, photographer, filmmaker, musician, and producer.

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Пролистать книгу Jean-Michel Basquiat: Crossroads

- Accompanies a major double exhibition on Jean-Michel Basquiat and Egon Schiele - two artists that died too young but created masses of work over the course of a decade - at the Fondation Louis Vuitton, Paris, from 3rd October 2018 to 4th January 2019
- Comprises drawings, objects and paintings, gathered from private collections and museums all over the world

In 2018 the Fondation Louis Vuitton, Paris, is hosting exhibitions on two of the greatest artists of the 20th century - Egon Schiele, and Jean-Michel Basquiat. Both exhibitions have the same curator, and are taking place at the same time. The shows illustrate exactly what it is that linked the two artists: line, and the use of expressive force.

This, the catalogue of the Basquiat exhibition, labelled "the definitive exhibition" by its curator, brings together 120 of the artist's most important masterpieces, sourced from international museums and private collections. With the astonishing radicalness of his artistic practice, Basquiat renewed the concept of art with enduring impact. This Basquiat retrospective centres on the idea of Basquiat's unique energetic line, his use of words, symbols, and how he integrates collage in his paintings, sculptures, objects, and large-scale drawings.

The catalogue includes texts by great authors, including Paul Schimmel who tells of his meeting with Basquiat in California; Francesco Pellizzi who knew Basquiat well and has not written about him for a long time; and Okwui Enwezor who talks about the Afro-American identity.

About the Author:

Dieter Buchhart is a curator and art theorist based in Vienna. He has PhD degrees in art history and restoration (science). He has curated many exhibitions in renowned international museums and art spaces, and was co-curator of the Barbican's exhibition, Basquiat: Boom for Real (21 September 2017-28 January 2018).

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Пролистать книгу Jean-Michel Basquiat: Foundation Louis Vuitton

This landmark volume tells the story of Jean-Michel Basquiat from the intimate perspective of his family, intertwining his artistic endeavors with his personal life, influences, and the times in which he lived, and features for the first time work from the Estate’s largely unseen and significant collection of paintings, drawings, sketches, and ephemera.

Organized by the family of Basquiat, the exhibition and accompanying catalogue feature over 200 never before and rarely seen paintings, drawings, ephemera, and artifacts. The artist’s contributions to the history of art and his exploration into our multi-faceted culture — incorporating music, the Black experience, pop culture, African American sports figures, literature, and other sources — are showcased alongside personal reminiscences and firsthand accounts providing unique insight into Basquiat’s creative life and his singular voice that propelled the social and cultural narrative that continues to this day.

Structured around key periods in his life, from his childhood and formative years, his meteoric rise in the art world and beyond, to his untimely death, the book features in-depth interviews with his surviving family members.

About the Authors:

Lisane Basquiat and Jeanine Heriveaux are the sisters of Jean-Michel Basquiat, and along with Nora Fitzpatrick, the artist’s stepmother, they run the Estate of Jean-Michel Basquiat. Ileen Gallagher is a curator and producer. Formerly a curator at De Young Museum in San Francisco and the Queens Museum of Art, New York, she also served as Director of Exhibitions for the Rock and Roll Hall of Fame Museum in Cleveland.

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Пролистать книгу Jean-Michel Basquiat: King Pleasure©

The volume is dedicated to the work of Jenny Saville (Cambridge, 1970), one of the greatest contemporary painters and a leading voice in the international art scene.

Saville transcends the limits between figurative and abstract, between informal and gestural, managing to transfigure the news into a universal image, which puts the human figure at the center of the history of art. Huge, naked bodies, with a carnal physicality and oppressed by a weight that is more existential than material, Saville is linked to the great European pictorial tradition in constant comparison with the modernism of Willem de Kooning and Cy Twombly and the portraiture of Pablo Picasso and Francis Bacon.

Her work also outlines a strong correlation with the masters of the Italian Renaissance, in particular with some of Michelangelo’s great masterpieces. 

The volume contains a rich catalogue of paintings and drawings from the 1990s to today.

A homage to the great Spanish painter of light and sea, among the innovators of Spanish painting, drawing from the Impressionist experience

Joaquín Sorolla y Bastida (Valencia, 1863 – Cercedilla, 1923) was one of the major Spanish painters at the turn of the 19th century; his paintings exude light, and appear modern and photographic-like, capturing dynamic moments of gentle and subtle realism, capable of staging the contemporary, without commenting it.

An authentic visual poetry presenting a marine rural Spain rooted in tradition; an artistic style relevantly set between Goya and Picasso, marking a crucial milestone in the course of Spanish and European painting. Published on the occasion of the exhibition at Palazzo Reale in Milan, this monograph documents the long and prolific artistic career of this important protagonist of the international art scene in the decades between the 19th and the 20th centuries: scenes of life by the sea, fishermen, beautiful and fleeting real-life moments (with children playing by the sea and women strolling along the beach), as well as portraits in the wake of the grand portraiture tradition established by Greco, Goya, Velázquez, interpreted with modern photographic take.

The main subject of the Spanish painter’s art however was always the Mediterranean light, that the artist masterfully captured on his canvases with vibrant, light, bright palettes and pure dazzling whites; his extraordinary works en plein air by the sea make Sorolla an exponent of an accomplished Mediterranean impressionism.

A retrospective on the life and art of this renowned Cuban-American artist, acclaimed for his refined and thought-provoking paintings with fantastical, Surrealist overtones.

One of the most important contemporary painters to emerge from Latin America, Julio Larraz (b. 1944, Havana) creates powerful, dreamlike paintings that reflect the influence of painters from Velázquez to Sargent and Hopper, and Surrealist artists like Dalí and Magritte. A unique visionary, Larraz produces work that has been described by some as mind-bending and playful, using a refreshingly wide range of subjects from still life to Cuban cultural imagery, such as bullfights, men in white linen suits, and maritime scenes. He reveals imaginary worlds, with deeply satirical, ambiguous, and multilayered themes, in which he often alludes to political corruption, class structure, and human foibles.

This is the largest and most comprehensive book to date, with 200 paintings, 50 works on paper, and 10 sculptures, ranging from the 1960s to the present, accompanied by an essay by David Ebony that situates Larraz’s work within the Latin American painting tradition.

About the Authors:

David Ebony is a Contributing Editor of Art in America and a frequent contributor to Artnet News and Yale University Press online, among other publications. Ariel Larraz is Executive Director of the Julio Larraz Foundation.

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Пролистать книгу Julio Larraz: The Kingdom We Carry Inside