Искусство

From the towering Tyrannosaurus to the winged Microraptor, Roaring, Rumbling Tattoo Dinosaurs features 50 detailed tattoos depicting dinosaurs as scientists think they might have looked, along with fascinating facts about each one. Easy to apply with a damp cloth, these tattoos promise tons of prehistoric fun — and learning — for kids with a passion for dinosaurs!

About the Author:

Artemis Roehrig is a children's book coauthor and wrote the text for Super, Strong Tattoo Sharks, Roaring Rumbling Tattoo Dinosaurs, Creepy, Crawly Tattoo Bugs, and Fluttery, Friendly Tattoo Butterflies and Other Insects. She grew up in western Massachusetts and spent summers on Cape Cod where she worked at the Wellfleet Bay Wildlife Sanctuary. After graduating from Skidmore College, she received her master's degree from the organismic & evolutionary biology program at the University of Massachusetts. She continues to research invasive insects in the Elkinton Lab.

Master of the human form. Rodin's ode to flesh in bronze, marble, and clay

One of the most celebrated sculptors of all time, Auguste Rodin transformed sculptural substance not only into human forms, but into the evocation of human experience. In bronze, marble, and clay, his captivating works summon up all the passions, joys, and vices of life. 

About the series:

Each book in TASCHEN's Basic Art series features:

- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

Flowers by Rosie Sanders is a large-format book that showcases over 80 of her finest flower paintings in exquisite detail.

Often compared to the artist Georgia O’Keeffe, Rosie Sanders’s botanical paintings lie at the extreme end of botanical art – they exude dynamism and sensuality in every brushstroke and their richness of colour sets her apart from her contemporaries. In this beautifully illustrated book, Rosie exhibits a selection of flowers, from tulips to orchids, roses to irises, anemones to amaryllis, and illuminates them with fascinating and skillful uses of perspective and light. This large-format book showcases her finest paintings in exquisite detail and they are accompanied by excellent and accessible scientific commentary. Also included is an introduction by renowned Swiss botanist Dr. Andreas Honegger.

This book is perfect for artists want to get a closer look at a master’s brushstrokes, textures and colour in paintings, or readers who are interested in contemporary botanical art.

About the Author:

Rosie Sanders is an artist and the author of several books. Her work has been displayed in many galleries, including the Shirley Sherwood Gallery of Botanical Art in Kew Gardens and the Park Walk Gallery since 2002. She has also been awarded five Gold medals by the Royal Horticultural Society and won the Royal Academy miniature award.

Rosie currently lives in Devon where she gives residential and non-residential botanical painting courses.

Chapters include:

1. Diversity in the Garden
2. Dark Flowers: the Magic of Night
3. A Fascination of Orchids
4. Lilies in Spring
5. Varieties of Belladonna
6. In Search of the Black Iris.

This illustrated catalogue is published to accompany the retrospective exhibition devoted to American artist Mark Rothko, curated by Suzanne Pagé and the artist’s son, Christopher Rothko. The show will feature over one hundred works. Born Markus Rothkowitz in Latvia in the early 20th century, the man who would soon become known as Mark Rothko began painting in the 1930s. While his early works were influenced by mythology and Surrealism, his first abstract paintings emerged in the 1940s with the Multiform series, followed by his Classic Years and the Black and Gray paintings. A key figure on the New York art scene, Rothko was an uncategorisable artist who deployed an extensive palette of colour and light with a talent that consistently triggers emotion. His great sensitivity shaped a poetic, enigmatic universe that leaves no one untouched.

• A catalogue of the major exhibition of remarkable paintings by Mark Rothko at the Fondation Louis Vuitton in Paris, from October 18, 2023 to April 2, 2024
• This publication has been produced in close collaboration with the artist’s family
• Two page fold-outs plunge the reader deep into Rothko’s oeuvre
• Contains previously unpublished works and archive material
• Represents a major cultural event for Paris and the world

About the Author:

An internationally renowned art historian, Suzanne Pagé is currently artistic director of the Fondation Louis Vuitton. Formerly the director of the Musée d’Art Moderne de la Ville de Paris, she curated the previous French retrospective of Rothko’s work, back in 1999.

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Пролистать книгу Rothko (Foundation Louis Vuitton)  на сайте издательства.

Mark Rothko's iconic paintings are some of the most profound works of twentieth-century Abstract Expressionism.

This collection presents fifty large-scale artworks from the American master's color field period (1949-1970) alongside essays by Rothko's son, Christopher Rothko, and San Francisco Museum of Modern Art curator of painting and sculpture Janet Bishop. Featuring illuminating details about Rothko's life, influences, and legacy, and brimming with the emotional power and expressivecolor of his groundbreaking canvases, this essential volume brings the renowned artist's luminous work to light for both longtime Rothko fans and those discovering his work for the very first time. A textured case and large-scale tip-on on the front cover round out this sumptious package.

About the Authors:

Mark Rothko (1903-1970) was one of the foremost members of the Abstract Expressionist movement. He is known for his colour field paintings, which used staining techniques to create abstract fields of colour on large canvases. Rothko was a guest instructor at the California School of Fine Arts, San Francisco, and taught at Brooklyn College, the University of Colorado, Boulder, and Tulane University. From 1958 to 1969, he worked on three major commissions: monumental canvases for the Four Seasons Restaurant and Seagram Building, both in New York; murals for the Holyoke Center, Harvard University; and canvases for the chapel at the Institute of Religion and Human Development, Houston, known worldwide as "The Rothko Chapel." His work is held in gallery and museum collections worldwide.

Janet Bishop is the Thomas Weisel Family Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. While the museum underwent expansion construction, she oversaw "SFMOMA on the Go," an innovative program of exhibitions presented throughout the Bay Area and beyond. She is best known for her curatorial work on Matisse/Diebenkorn; The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde; and Robert Bechtle: A Retrospective.

Dore Ashton is an award-winning critic of modern and contemporary art. An authority on Abstract Expressionism and the New York School of the 1950s and 1960s, she is the author and editor of more than 30 books, including About Rothko, a celebrated biography of Mark Rothko. Ashton is a professor of Art History at the Cooper Union in New York City.
 

Baroque and Roll. Meet Sir Peter Paul Rubens, master painter and polymath

A painter of dramatic battles as much as erotic mythologies, Sir Peter Paul Rubens was a key figure in the 16th-century art world and a flag bearer for Baroque color, motion, and sensuality. His prolific oeuvre includes altarpieces, portraits, landscapes, historical paintings, as well as his famous, bountiful nudes.

There are over 1,000 catalogued works by Sir Peter Paul Rubens (1577–1640), the 16th-century flag bearer for Baroque drama, movement, and sensuality. This essential introduction takes in the most important works from this astonishingly prolific oeuvre to explore Rubens’s influences and innovations, and his remarkable visual, and art historical, impact.

The richly illustrated survey takes in Rubens’s portraits, landscapes, and historical paintings, as well as his famed and bountiful nudes. Along the way, we examine the artist’s astonishing technique and his deft ability to depict narrative in a compelling and legible visual form, whether an erotic mythological scene or a tender biblical story. This remarkable artistic bravura is placed in context both within Rubens’s long art historical legacy through Van Dyck, Velázquez, and beyond, and his other talents as a classical scholar, diplomat, and knight.

The author:

Gilles Néret (1933–2005) was an art historian, journalist, writer, and museum correspondent. He organized several art retrospectives in Japan and founded the SEIBU Museum and the Wildenstein Gallery in Tokyo. He directed art reviews such as L'Œil and Connaissance des Arts and received the Élie Faure Prize in 1981 for his publications. His TASCHEN titles include Salvador Dalí: The Paintings, Matisse, and Erotica Universalis.

About the series:

Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. 

Each book in TASCHEN’s Basic Art series features:
- a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance
- a concise biography
- approximately 100 illustrations with explanatory captions

The Russian Criminal Tattoo Archive presents highlights from FUEL’s singular collection of authentic material on this subject

Previously unpublished in its original form, the material in this archive comprises ink-on-paper drawings by Danzig Baldaev, the photographic albums of Arkady Bronnikov and prisoner portraits by Sergei Vasiliev. The selection is contextualised with insights from Mark Vincent PhD (author and academic specialising in the Soviet Gulag) and Alison Nordström (photography scholar, writer and curator).

The meticulous depictions of tattoos by prison guard Danzig Baldaev are reproduced in facsimile, authenticated by his signature and stamp, alongside his handwritten notes on the reverse. Sergei Vasiliev’s photographs portray inmates in startling intimacy, reproduced in colour for the first time. Arkady Bronnikov’s collection of photographs are shown in the albums in which they were collected. Used exclusively to aid police in their investigations, they depict a motley line-up of assorted body parts.

This unique book is the only publication of primary material on this subject, highlighting the pioneering methods of these three individuals used to document this unique phenomenon.

About the Authors:

Danzig Baldaev worked as a warden in ‘Kresty’ (‘the Crosses’) – an infamous Leningrad prison – where he began drawing the tattoos of criminals. Between 1948-2000 he travelled to reform settlements across the former USSR, using pen and ink to record the tattoos he found.
Sergei Vasiliev worked as a photographic journalist for more than 30 years. He documented Russian prisoners and their tattoos in between 1990-93. His work has been exhibited internationally including in the Saatchi Gallery, London and Galerie Max Hetzler, Berlin.
Arkady Bronnikov was a police officer working in the Ministry of Internal Affairs in Perm between 1963-91. During this time, he collected thousands of photographs of tattooed prisoners from across the Soviet Union.
Mark Vincent is a writer and academic. He is the author of Criminal Subculture in the Gulag (Bloomsbury). He is a lecturer at the University of East Anglia, School of History.

The photographs, drawings and texts published in this book are part of a collection of more than 3,000 tattoos accumulated over a lifetime by prison attendant Danzig Baldaev. Tattoos were his gateway into a secret world in which he acted as ethnographer, recording the rituals of a closed society.

The icons and tribal languages he documented are artful, distasteful, sexually explicit and sometimes just strange, reflecting as they do the lives and traditions of Russian convicts.

Skulls, swastikas, harems of naked women, a smiling Al Capone, medieval knights in armour, daggers sheathed in blood, benign images of Christ, sweet-faced mothers and their babies, armies of tanks, and a horned Lenin - these are the signs by which the people of this hidden world mark and identify themselves.

This second volume of the Russian Criminal Tattoo Encyclopaedia is an essential companion to the critically acclaimed first volume. It features previously unpublished drawings and photographs from the extraordinary archives of Danzig Baldaev and Sergei Vasiliev.

During his lifetime as a guard in St Petersburg's notorious Kresty Prison, Baldaev diligently recorded over 3,000 criminals' tattoos and their coded meanings. His drawings form a unique gallery; a passport into a hidden world of shovel-faced politicians, fornicating devils, messages tangled in barbed wire. Tattoos on hands, feet, legs, torsos, foreheads, eyelids, buttocks and genitals all take their place in this fascinating document of a rapidly disappearing criminal society, where history, status and even sexual preference are indelibly etched on the body.

Introduction by Anne Applebaum, winner of the 2004 Pulitzer Prize.

This is the final volume of drawings and photographs from Danzig Baldaev and Sergei Vasiliev, which completes the Russian Criminal Tattoo Encyclopaedia trilogy. 

Danzig Baldaev documented over three thousand tattoos during a lifetime working as a prison guard. His recording of this esoteric world was reported to the KGB who unexpectedly supported him, realising the importance of being able to establish facts about convicts by reading the images on their bodies. The motifs depicted represent the uncensored lives of the criminal classes, ranging from violence and pornography to politics and alcohol. The illustrated criminals of Russia tell the tale of their closed society.

With an introduction by historian Alexander Sidorov, exploring the origin of Russian criminal tattoos and their meaning today.

This book features over 180 photographs and accompanying texts of Russian criminal tattoos from the Arkady Bronnikov collection.

From the mid-1960s to the late- 1980s Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, part of his duties involved visiting correctional institutions of the Ural and Siberia regions. It was here that he interviewed, gathered information and took photographs of convicts and their tattoos, building one of the most comprehensive archives of this phenomenon. He regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses.

The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistry, these vernacular photographs present a guileless representation of criminal society. Every image discloses evidence of an inmate’s character: aggressive, vulnerable, melancholic, conceited. Their bodies display an unofficial history, told not just through tattoos, but also in scars and missing digits. Closer inspection only confirms our inability to comprehend the unimaginable lives of this previously unacknowledged caste.

Salon culture in Japan: making art, 1750–1900 celebrates the British Museum’s rich collection of technically sophisticated artworks created as part of Japanese cultural salons in the late 18th and 19th centuries, featuring lively figures in daily life and festivals, elegant birds and flowers, ferocious animals, and lyrical landscapes.

This book accompanies the special 2024 display in the British Museum Mitsubishi Corporation Japanese Galleries, City life and salon culture in Tokyo and Osaka: 1770–1900.

In early modern Japan, cultural salons were creative spaces for people of all ages and social levels to pursue painting, poetry and other artistic endeavours, as serious but amateur practitioners. They all used a pen- or art-name. Individuals were therefore able to socialise and interact broadly through these artistic activities, regardless of official social status as regulated by the shogunal government. The idea of communal and collaborative creativity seems to have been especially ingrained around the area of Kyoto and Osaka. Each of the two cities had a distinct character: Kyoto was the national capital, where the emperor and aristocrats resided, and Osaka was the centre of commerce.

Only a fraction of these technically sophisticated artworks has previously been published in colour. With five essays by leading experts that explore this fascinating cultural phenomenon from different angles, and eight shorter insights that delve into specific historical aspects and the personal connections and legacies of cultural figures, this book offers a new perspective on Japanese art and society in the late 18th and 19th centuries.

About the Authors:

Principal contributors from the British Museum
Rosina Buckland, Curator, Japanese Collections
Timothy T. Clark, Honorary Research Fellow
Alfred Haft, JTI Project Curator for Japanese Collections
Akiko Yano, Mitsubishi Corporation Curator, Japanese Collections
with C. Andrew Gerstle, Professor Emeritus, SOAS University of London

Supporting contributors
Akama Ryo, Ritsumeikan University
Akeo Keizo, Osaka University of Commerce
Paul Berry, Kyoto University of Foreign Languages
Hirai Yoshinobu, National Museum
of Modern Art, Kyoto
Scott Johnson, Kansai University
Nakatani Nobuo, Kansai University
Ellis Tinios, Leeds University

Samurai warriors ruled Japan for 700 years and are widely admired as the most skilled swordsmen who ever lived.

- 1000 pieces
- The finished puzzle is 74 x 51 cm inches
- Quality design & easy to handle pieces
- Full color A3 sized Poster (74 x 51 cm) included for reference
- Features a classic Japanese woodblock print by the artist Toyohara Kunichika

This ukiyo-e woodblock print by the artist Toyohara Kunichika (1835 -1900) shows a Kabuki enactment of a battle between Samurai fighters in a bamboo grove. The warrior astride a brown horse raises his riding crop high above his head, ready to bring it down on his enemy.

About the Author:

Toyohara Kunichika (1835 - 1900) was a well-known ukiyo-e woodblock print artist in Japan. As a teenager he began studying under Tokyo's leading print-maker, Utagawa Kunisada. He was successful throughout the Edo period (1603 - 1867) and the Meiji Era (1868 - 1912). He most often painted beautiful women and contemporary social life, alongside some landscapes and historical scenes. He has historically been dismissed by Western art collectors, but a 2008 show at the Brooklyn Museum and resulting article in the New York Times led to a resurgent interest in Kunichika in the 21st century. 

Tuttle Studio draws inspiration from the modern and traditional cultures of Asia to create its language workbooks and resources, journals, stationery, gift wrapping products and origami paper. It is a division of Tuttle Publishing, a leading publisher of books on the languages, history, art and cultures of Asia. The company was founded in 1832 in Rutland, Vermont (USA) and opened a branch in Tokyo, Japan in 1948.

Ever wondered why Yayoi Kusama dresses in dots or dreamt of asking Picasso: why the Breton tee?

Enter sARTorial, a fun guide to the signature looks of 60 key artists from the 19th century to today. Short texts unpack the style essentials from icons such as Claude Monet to millennials including Tauba Auerbach, revealing how they construct their looks and why it reflects the works they create.

Featuring fantastic images of the artists in all their splendour, sARTorial is essential reading for anyone looking to decode the ‘drobe, and gain valuable insight into the cult of the artist.

About the Author:

Katerina Pantelides studied Russian ballet and the body at the Courtauld Institute of Art, where she also taught. She has written style-related pieces for several publications.
 

Egon Schiele left an enormous artistic legacy that is all the more powerful for the brevity of his career. Isabel Kuhl's lively text follows Schiele's trajectory from an artist in the Art Nouveau style to a powerful interpreter of human sexuality and considers the many hardships, including exile and even imprisonment, faced by Schiele as a young and rebellious artist with a singular vision. Gorgeous reproductions of his most emblematic works are presented chronologically, allowing readers to appreciate the evolution of Schiele's radical style, his uncanny use of colour and line, and his willingness to confront an oppressive society. From unflinching portraits to precisely detailed landscapes, Schiele's artistry shines through on every page.

About the Author:

Isabel Kuhl is an art and architecture historian. Among her many books are Vincent van Gogh, 50 Buildings You Should Know, and 50 Sculptures You Should Know.