Учебники по искусству

In Morpho: Joint forms and muscular functions, artist and teacher Michel Lauricella presents a mechanical view of the human body. In the same way that paleontologists work, we can deduce the body’s muscular functions by studying the shapes of the bones. Starting with the joints, which are reduced to simple shapes such as pulleys and spheres, Lauricella teaches you their connections and correspondences with the muscular system, which is necessary for understanding movement.

Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will facilitate your practice of imaginative drawing and will enrich your drawing from observation.

Table of Contents:
- Foreword
- Introduction
- Head and Neck
- Torso
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

This book provides a simplified and practical vision of the human skeleton to help you in your drawing studies. Here you will find the most common and useful approaches to the body’s underlying skeleton and bone structure, which will fuel your imagination and enrich your observational skills as you draw the living form. In this small, portable guide, artist and teacher Michel Lauricella focuses on the essentials you need to know, creating a book that is highly usable and helpful for artists of all kinds.

Table of Contents:
- Foreword
- Introduction
- Head and Neck
- Torso and Shoulders
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

Mosaics: Outside the Box is both a practical and inspirational guide to making mosaics. Including instructions for designing and making your own creations, this highly illustrated and interesting text covers a range of techniques for both the novice and the more experienced artist to follow.

Instructions show you how to create your own mosaics out of various materials including paper, ornaments, photos, fabric, paint, jewellery, glass, tiles, pebbles and moulded Duket.

Complete with handy tips about the technical side of mosaic-making including glueing and grouting, this book is your complete handbook of how to get started in this creative and exciting medium.

Learn to draw by sketching what surrounds you everyday. In Observational Sketching, author Mariko Higaki — an ISDA Gold Award-winning industrial designer based in Japan — teaches you how to practice and learn to sketch by using well-established observational techniques.

Perspective, proportion, lines, shapes, shading, and many other techniques can be learned through everyday practice and observation of the items you come in contact with everyday, from a backpack to your sunglasses. This book addresses how to approach sketching a range of shapes and materials and how to disassemble each object to accurately capture its unique design elements. Inspiration and examples from the author and other well-known artists accompany a variety of projects that you can try right away and skill-building projects that will strengthen your talent. Find within:

- An introduction to observational sketching
- The basic concepts and tools used in observational sketching
- Observation techniques
- Illustrated step-by-step instructions for creating observational sketches of 20 common objects, from an alarm clock to a wooden stool 

Hone your artistic skills with this daily sketching practice. Whether you are an urban sketcher or an industrial designer, this book should be part of your reference collection.

About the Author:

After graduating from the Faculty of Environmental Information of Keio University in 2007, Mariko Higaki joined Leading Edge Design, founded by design engineer Shunji Yamanaka, where she was involved in projects related to industrial design, exhibitions, and education. She later studied at the ArtCenter College of Design in Pasadena, California, completing their Product Design course in 2015, and has worked as an independent product designer since 2016. Higakil has received many awards and recognitions, including the IDSA Gold Award and the Pentawards Bronze Award, and was a Top 20  International Finalist for the James Dyson Award. She is based in Los Angeles. To see more of her work, visit: https://marikoproduct.com/

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Пролистать книгу Observational Sketching: Hone Your Artistic Skills by Learning How to Observe and Sketch Everyday Objects на Google Books.

A passionate assertion of the relevance of painting today, exploring how this traditional medium has been re-approached and reimagined by artists working across the globe

Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity.

Renowned critic and art historian Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time.

A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself.

The book features artists both well known and emerging, including Franz Ackermann, Angela de la Cruz, Urs Fischer, Katharina Grosse, Subodh Gupta, Wade Guyton, Julie Mehretu, Vik Muniz, Neo Rauch, Wilhelm Sasnal, Kara Walker, Christopher Wool, Yue Minjun and Zhang Xiaogang.

Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today and essential reading for all those interested in contemporary art, art history and criticism.

About the Author: 

Suzanne Hudson is Assistant Professor of Modern and Contemporary Art, University of Southern California. Her writing has appeared in publications such as Parkett, Flash Art, Art Journal and October.

A passionate assertion of the relevance of painting today, exploring how this traditional medium has been re-approached and reimagined by artists working across the globe

Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity.

Renowned critic and art historian Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time.

A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself.

The book features artists both well known and emerging, including Franz Ackermann, Angela de la Cruz, Urs Fischer, Katharina Grosse, Subodh Gupta, Wade Guyton, Julie Mehretu, Vik Muniz, Neo Rauch, Wilhelm Sasnal, Kara Walker, Christopher Wool, Yue Minjun and Zhang Xiaogang.

Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today and essential reading for all those interested in contemporary art, art history and criticism.

About the Author: 

Suzanne Hudson is Assistant Professor of Modern and Contemporary Art, University of Southern California. Her writing has appeared in publications such as Parkett, Flash Art, Art Journal and October.

Revel in the luminous and vibrant qualities of pastel with Ellen Eagles essential course in the history, techniques and practices of the medium. In this comprehensive yet intimate guide, Eagle explores pastels rich but relatively unexamined past, reveals her own personal influences and approaches and guides you toward the discovery and mastery of your own vision. In Pastel Painting Atelier, you will find advice on basic materials, studio practice suggestions, step-by-step demonstrations and more. A magnificent selection of works by masters such as James Abbott McNeill Whistler, Rosalba Carriera, Mary Cassatt and Eugene Delacroix augment this guide, as do works by contemporary artists including Harvey Dinnerstein, Elizabeth Mowry and Daniel Massad. Aimed at serious artists, this guide enlightens, instructs and inspires readers to create brilliant and sensitive works in the historic medium of pastel.

Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch.

With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode I — The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there’s no limit to what can be imagined with an open mind, though the journey may not always be an easy one. It’s what she calls “chasing the unicorn.” We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish — or wonder if — they are real.

About the Author:

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas's JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

The human body is a challenging subject to depict because of its intricate complexity and movement. “To do it well requires an in-depth knowledge of anatomy and an awareness of what lies beneath all parts of the body, for the greatest figurative art gives the impression that there is a living skeleton inside the body,” notes artist and veteran art educator Rey Bustos. With Rey’s Anatomy: Figurative Art Lessons from the Classroom, Bustos provides essential anatomical information, detailed studies, and valuable drawing tutorials to equip artists with a basic understanding of the skeletal structure and muscle system of the human body.

Having taught figure drawing for 30 years, he presents complex concepts in a remarkably accessible manner, referencing works from the Old Masters to demonstrate how an artist can take the same anatomical knowledge and express it in diverse and personal ways and, with study and practice, portray the human form without being hindered by the process or the intellect. Rey’s Anatomy explores anatomy first, followed by daily drawing exercises to help refine one’s figurative work, while featuring the extraordinary work of his students throughout the book ― alongside his own ― a testament to how his lessons have benefited generations of artists.

About the Author:

Rey Bustos is one of the country's preeminent artistic-anatomy teachers. He graduated with honors from the prestigious ArtCenter College of Design in 1989, and has been teaching figure drawing, composition, and 2D and 3D anatomy ever since. Bustos currently teaches at ArtCenter College of Design in Pasadena, CA, Los Angeles Academy of Figurative Art, and Kline Academy of Art in Culver City, CA and conducts online classes for Computer Graphics Masters Academy (CGMA), New Masters Academy and Gnomon School of Visual Effects.

Flowers by Rosie Sanders is a large-format book that showcases over 80 of her finest flower paintings in exquisite detail.

Often compared to the artist Georgia O’Keeffe, Rosie Sanders’s botanical paintings lie at the extreme end of botanical art – they exude dynamism and sensuality in every brushstroke and their richness of colour sets her apart from her contemporaries. In this beautifully illustrated book, Rosie exhibits a selection of flowers, from tulips to orchids, roses to irises, anemones to amaryllis, and illuminates them with fascinating and skillful uses of perspective and light. This large-format book showcases her finest paintings in exquisite detail and they are accompanied by excellent and accessible scientific commentary. Also included is an introduction by renowned Swiss botanist Dr. Andreas Honegger.

This book is perfect for artists want to get a closer look at a master’s brushstrokes, textures and colour in paintings, or readers who are interested in contemporary botanical art.

About the Author:

Rosie Sanders is an artist and the author of several books. Her work has been displayed in many galleries, including the Shirley Sherwood Gallery of Botanical Art in Kew Gardens and the Park Walk Gallery since 2002. She has also been awarded five Gold medals by the Royal Horticultural Society and won the Royal Academy miniature award.

Rosie currently lives in Devon where she gives residential and non-residential botanical painting courses.

Chapters include:

1. Diversity in the Garden
2. Dark Flowers: the Magic of Night
3. A Fascination of Orchids
4. Lilies in Spring
5. Varieties of Belladonna
6. In Search of the Black Iris.

What is creature design? We all have a notion — mostly consisting of evocative images of otherworldly beings galloping, swimming, flying, and often attacking the hero of an epic film or story. But what makes a creature believable? In the follow-up to her best seller, Animals Real and Imagined: The Fantasy of What Is and What Might Be, world-renowned artist Terryl Whitlatch reveals the secret behind believable creature design: anatomy.

Anatomy is the cornerstone of successful creature design, whether the creature is real or imaginary. Accurate anatomy is often the key to suspension of disbelief, allowing you to draw imaginary creatures that viewers will believe in.

We invite you to delve into the intricate workings of numerous animal anatomies — and the beauty they possess — in the Science of Creature Design: Understanding Animal Anatomy. Whitlatch’s delightful and charismatic illustrations will inform and thrill readers with every turn of the page. She shares valuable techniques reaped from years working for Lucasfilm and Walt Disney Feature Animation, and on such films as Jumanji, Brother Bear, and The Polar Express. In addition, Whitlatch possesses an endless love for real animals that continues to inspire her fantastic imaginary creatures, which have captivated audiences around the world.

About the Author:

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas's JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.

Learn about key elements of character art from traditional and digital illustrator, Simone Grünewald. Simone, also known as “Schmoe”, creates heart-felt and personal designs inspired by her everyday life experiences and passion for the arts.

Discover in-depth visual breakdowns of Simone’s techniques as well as a varied and extensive collection of Simone’s stunning art. From linework advice to character design considerations, Simone generously shares her creative practice. With special focus on developing dynamic poses and expressions, Simone’s advice will help you feel motivated to practice (nearly!) every day to develop engaging characters of all shapes, ages and sizes!

With special focus on developing dynamic poses and expressions, Simone’s advice will ensure that you create emotive characters with energy and personality.

Known for her humorous characters and relatable narratives, Simone Grünewald offers creatives the opportunity to delve into her engaging illustrative practice. Through this captivating book, discover practical and instructional exercises as well as useful industry tips and technical insights. Inspired by her recent arrival into the world of motherhood, Simone imbues her works with charming anecdotes, giving her designs personality and energy.

About the Author:

Simone Grünewald, also known as “Schmoe,” is a passionate illustrator and well-known art director, character designer, 2D animator, and key art storyboarder working in the games industry. She has a desire to create emotive designs that document her life, including the experiences of motherhood, in addition to her commercial work. Having followed the creative path all of her life, Simone has a wealth of knowledge in both traditional and digital art and shares her insights with her global audience via increasingly popular social media accounts. Simone is also the author of Draw What You Love.

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Посмотреть видео о книге Sketch Every Day: 100+ simple drawing exercises from Simone Grünewald

An exclusive selection of awe-inspiring concept designs and sketches from some of the world’s most talented artists.

Whether scribbled in a sketchpad or on a napkin, concepts are a way for artists to develop their skills and discover interesting shapes and forms that can be developed into their next masterpiece. In Sketching from the Imagination, 50 talented traditional and digital artists have been chosen to share their sketchbooks and explain the reasons behind their design decisions. A visually stunning collection packed full of useful tips, Sketching from the Imagination is a master class in concept design to inspire artists of all abilities.

Drawings are the foundations of great fantasy art where concepts, thoughts and inspirations first become images.

In Sketching from the Imagination: Fantasy, 50 talented traditional and digital artists have been chosen to share their sketchbook works. Ranging from Hollywood film concept designers to talented students, each artist is handpicked from a vibrant international online art community. From doodles and sketches of creative creatures to fully rendered drawings of invented worlds, this book explores how 50 artists develop their ideas to create incredible images.

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Посмотреть видео о книге Sketching from the Imagination: Fantasy