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Bestselling artist and author explains how to use light and shade in watercolour painting to add lifelike detail and create engaging artworks.

Mastering light and shadow is the key to successful watercolour paintings and in this book, you can learn how to paint like an expert. The book is packed with Hazel Soan’s colourful and varied paintings, as well as step-by-step exercises and handy hints.

Beginning with how to see the values of light and shade through the eyes of an artist, the book then shows how watercolour is the perfect medium to represent light and shade. Learn how to balance light and shade through compositional design and how to establish the shadow of individual components within the composition. Hazel demonstrates clever techniques such as conserving white paper to show highlights, how to mix the right tonal values and how to balance detail in your painting. Finally, the book looks at using light and shade to create atmospheric effects, tonal patterns to look out for and how to bring it all together to create fantastic artworks.

About the Author:

Hazel Soan is a popular and successful artist who divides her time between London and Cape Town, exhibiting her work widely. She has her own gallery in Fulham, London. She is author of several bestselling books and a range of successful DVDs. She was one of the art experts in the popular Channel 4 TV series Watercolour Challenge. The very successful Learn Watercolour Quickly, Essence of Watercolour and Watercolour Rainbow are also by Hazel Soan.

Light is as important as colour in creating the right effect, whether on a palette or on a computer. Whether you’re an animator, painter, photographer or illustrator, you need to know how to harness light in your work to create the right effect. Light for Visual Artists is the first and only book that explores the way light can be used to create realistic and fantastical effects in a wide range of media.

This introduction to light for students and visual artists explores the way light can be used to create realistic and fantastical effects in a wide range of media. Divided into three parts, the clearly written text explains: the fundamental properties of natural and artificial light; how to create realistic images by observing people and the environment; the creative use of light in composition and design. Updated with revised photos and artwork, as well as 15 practical exercises and new online video material, this second edition is an indispensable resource for animators, digital illustrators, painters, photographers and artists working in any medium.

Illustrator Richard Yot, known for his work in film as a lighting artist and stylised 3D illustrations, takes you through the fundamental properties of natural and artificial light, shadows, the interaction of light on different types of surfaces, reflections, as well as transparency, translucency and the effects of light on colour. Richard also explores how to observe the effects of light to create realistic images, and the creative use of light in composition and design for creating moods or setting a scene. This second edition has been updated with revised photos and artwork, as well as 15 practical exercises and new online video material.

Packed with diagrams and illustrations, as well as computer game and film stills, Light for Visual Artists is an invaluable resource for animators, digital illustrators, painters, photographers and artists working in any medium.

About the Author:

Richard Yot has been working as an illustrator for 20 years and is known for his characteristically stylised and unique 3D work. He has worked extensively in advertising and also has experience in film as a lighting artist.

The latest edition of the bestselling guide to running a successful gallery, told from the expert perspective of art-world insiders

What makes an art gallery successful? How do galleries ensure their marketing is right? How should galleries best approach new markets and customers, while still serving their loyal clientele? Based on the results of an anonymous survey sent to more than 8,000 galleries in the US, UK, and Germany, Magnus Resch's insightful examination of the business of selling art, newly updated and revised, is a compelling read, with an approach that is both aspirational and practical.

About the Author:

Magnus Resch lectures on cultural entrepreneurship at Europe's leading business school: the University of St Gallen, Switzerland. Resch studied economics at Harvard University and at the London School of Economics (LSE). Resch is the author of the previous two editions of Management of Art Galleries and the co-author of 100 Secrets of the Art World.

Drawing on the mega-success of Christopher Hart's Manga Mania series, Manga Mania Universe combines curated content from each previous Manga Mania book (Girl Power!, Romance, and Shonen) into one giant volume. Manga fans will enjoy having such a wide variety of how-to-draw manga instruction in one convenient book. The dynamic artwork and first-rate instruction that has made this series a success is fully apparent in this version, which showcases the best in drawing manga girls, romantic characters and scenes, and manga action and adventure. The thickness of this volume, at this price point, will be a definite draw for the manga-drawing set as well.

About the Author:

Christopher Hart is the world's bestselling author of manga, basic drawing and cartooning books. His titles have set the standard for art instruction with more than 3 million copies in print in eighteen languages. Renowned for up-to-the-minute content and easy-to-follow steps, all of Hart's books have become staples for a new generation of aspiring artists and professionals.

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Пролистать книгу Manga Mania Universe: The Massive Book of Drawing Manga

In this book, Michel Lauricella presents both his artistic and systematic methods for drawing the human body — with drawing techniques from the écorché (showing the musculature underneath the skin) to sketches of models in action. In more than 1000 illustrations, the human body is shown from a new perspective — from bone structure to musculature, from anatomical detail to the body in motion. Morpho is a rich, fascinating, and helpful book that can go with you everywhere on your sketching journey.

Table of Contents:

- Foreword
- Introduction
- Head and Neck
- Torso
- Arms
- Upper Limbs
- Lower Limbs
- Overviews

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

In Morpho: Fat and Skin Folds, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. The typical approach to teaching anatomy and the sketching of the human form most often focuses on the skeleton and musculature. What often goes ignored is the skin itself -- how it moves and the expressions it creates as the body moves and changes positions. This book presents a simplified and practical vision of the fat and skin folds of the human body to help you in your drawing studies, encouraging both accuracy and a rich, diverse representation of the human form. Geared toward artists of all levels -- from beginners through professionals -- this handy, pocket-sized book will help spark your imagination and creativity.

Table of Contents:

- Foreword
- Introduction
- Head and Neck
- Torso and Shoulders
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

In Morpho: Hands and feet, artist and teacher Michel Lauricella presents a unique approach to learning to draw the human body. In this book, Lauricella focuses exclusively on the hands and feet—arguably the most popular and, for many, the most challenging parts of the body to draw successfully. Breaking the subject matter down into the underlying skeletal shapes, followed by the musculature, then skin and fat, and finally, the veins, Lauricella offers multiple approaches—from simple forms to complex renderings—and a plethora of positions and gestures are included to help you improve your drawing skills.

Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will help spark your imagination and creativity.

Table of Contents: 
- Foreword
- Introduction
- Hands
- Feet
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

In Morpho: Joint forms and muscular functions, artist and teacher Michel Lauricella presents a mechanical view of the human body. In the same way that paleontologists work, we can deduce the body’s muscular functions by studying the shapes of the bones. Starting with the joints, which are reduced to simple shapes such as pulleys and spheres, Lauricella teaches you their connections and correspondences with the muscular system, which is necessary for understanding movement.

Geared toward artists of all levels, from beginners through professionals, this handy, pocket-sized book will facilitate your practice of imaginative drawing and will enrich your drawing from observation.

Table of Contents:
- Foreword
- Introduction
- Head and Neck
- Torso
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

This book provides a simplified and practical vision of the human skeleton to help you in your drawing studies. Here you will find the most common and useful approaches to the body’s underlying skeleton and bone structure, which will fuel your imagination and enrich your observational skills as you draw the living form. In this small, portable guide, artist and teacher Michel Lauricella focuses on the essentials you need to know, creating a book that is highly usable and helpful for artists of all kinds.

Table of Contents:
- Foreword
- Introduction
- Head and Neck
- Torso and Shoulders
- Upper Limbs
- Lower Limbs
- Resources

About the Author:

Michel Lauricella was trained at the Ecole Nationale Superieure des Beaux-Arts in Paris. He has taught morphology for 20 years, successively at the Emile Cohl School in Lyon, Beaux-Arts workshops in Paris, and the Gobelins (Paris). He is currently a professor at Lisaa (Paris) and at Fabrica1 (Paris).

Mosaics: Outside the Box is both a practical and inspirational guide to making mosaics. Including instructions for designing and making your own creations, this highly illustrated and interesting text covers a range of techniques for both the novice and the more experienced artist to follow.

Instructions show you how to create your own mosaics out of various materials including paper, ornaments, photos, fabric, paint, jewellery, glass, tiles, pebbles and moulded Duket.

Complete with handy tips about the technical side of mosaic-making including glueing and grouting, this book is your complete handbook of how to get started in this creative and exciting medium.

The first-ever visual expansion of Werner’s Nomenclature of Colours, featuring over 800 illustration references from the natural world

This chromatic catalogue of the natural world pairs individual colour swatches with examples from the animal, vegetable and mineral kingdoms to create a beautiful and comprehensive colour reference system to grace every bookshelf.

Marking the 200th anniversary of the publication of Syme’s expanded edition of Werner’s Nomenclature of Colours (1821), this lavish volume takes Syme’s field guide of 110 standard colours and – for the first time – fully illustrates it with nineteenth-century depictions of his referenced species. Expert text explains the uses and development of colour standards in relation to zoology, botany, minerology and anatomy, while specimens from contemporary collector’s cabinets (birds, butterflies, eggs, flowers and minerals) are matched to each colour swatch. Syme’s groundbreaking guide attempted to establish a universal colour reference system to help identify, classify and represent species from the natural world: this landmark publication completes his endeavour.

Contents List:

Introduction The Origination, Purpose and Development of Werner’s Nomenclature of Colours by Patrick Baty • i. Whites, Greys and Blacks • 1. Werner’s Mineralogical System and how his Nomenclature of Colours Became Syme’s Colour Standard by Peter Davidson • ii. Blues and Purples • 2. Colours in Zoology: Subjective or Systematic? by Elaine Charwat • iii. Greens • 3. Syme’s Colour Chart in Botany: Origin and Impact by Giulia Simonini • iv. Yellows and Oranges • 4. One for All? Werner’s Nomenclature of Colours as a General Standard of Colour and its Particular Use in Medicine by André Karliczek • v. Reds and Browns

About the Authors:

Patrick Baty is the author of The Anatomy of Colour and owner of Papers and Paints, a specialist paint business in London. His great grandfather, the artist Robert Bevan, was described by a former director of the National Gallery as being ‘perhaps the first Englishman to use pure colour in the 20th century’. He runs a consultancy that advises on the use of paint and colours in historic buildings and has worked with Dulux and Little Greene to develop ranges of traditional paint colours for English Heritage. He also lectures frequently on the subject of paint and colour of the 18th and 19th centuries.

Learn to draw by sketching what surrounds you everyday. In Observational Sketching, author Mariko Higaki — an ISDA Gold Award-winning industrial designer based in Japan — teaches you how to practice and learn to sketch by using well-established observational techniques.

Perspective, proportion, lines, shapes, shading, and many other techniques can be learned through everyday practice and observation of the items you come in contact with everyday, from a backpack to your sunglasses. This book addresses how to approach sketching a range of shapes and materials and how to disassemble each object to accurately capture its unique design elements. Inspiration and examples from the author and other well-known artists accompany a variety of projects that you can try right away and skill-building projects that will strengthen your talent. Find within:

- An introduction to observational sketching
- The basic concepts and tools used in observational sketching
- Observation techniques
- Illustrated step-by-step instructions for creating observational sketches of 20 common objects, from an alarm clock to a wooden stool 

Hone your artistic skills with this daily sketching practice. Whether you are an urban sketcher or an industrial designer, this book should be part of your reference collection.

About the Author:

After graduating from the Faculty of Environmental Information of Keio University in 2007, Mariko Higaki joined Leading Edge Design, founded by design engineer Shunji Yamanaka, where she was involved in projects related to industrial design, exhibitions, and education. She later studied at the ArtCenter College of Design in Pasadena, California, completing their Product Design course in 2015, and has worked as an independent product designer since 2016. Higakil has received many awards and recognitions, including the IDSA Gold Award and the Pentawards Bronze Award, and was a Top 20  International Finalist for the James Dyson Award. She is based in Los Angeles. To see more of her work, visit: https://marikoproduct.com/

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Пролистать книгу Observational Sketching: Hone Your Artistic Skills by Learning How to Observe and Sketch Everyday Objects на Google Books.

A passionate assertion of the relevance of painting today, exploring how this traditional medium has been re-approached and reimagined by artists working across the globe

Painting is a continually expanding and evolving form of creative expression. The radical changes in the medium that took place in the 1960s and 70s - the period that saw the shift from a modernist to a postmodernist visual language - have led to painting's continued energy and diversity.

Renowned critic and art historian Suzanne Hudson provides an intelligent and original survey of contemporary painting - a critical snapshot that brings together more than 200 artists from around the world who are defining the painterly ideas and aesthetics of our time.

A contextual introduction maps out the history of painting in the modern and postmodern eras, followed by six chapters that explores the themes of appropriation, attitude, production and distribution, the body, painting about painting, and painters who introduce performance, installation and textiles into their work to critique painting itself.

The book features artists both well known and emerging, including Franz Ackermann, Angela de la Cruz, Urs Fischer, Katharina Grosse, Subodh Gupta, Wade Guyton, Julie Mehretu, Vik Muniz, Neo Rauch, Wilhelm Sasnal, Kara Walker, Christopher Wool, Yue Minjun and Zhang Xiaogang.

Compellingly argued and beautifully illustrated, Painting Now is an invaluable primer on the state of painting today and essential reading for all those interested in contemporary art, art history and criticism.

About the Author: 

Suzanne Hudson is Assistant Professor of Modern and Contemporary Art, University of Southern California. Her writing has appeared in publications such as Parkett, Flash Art, Art Journal and October.

Revel in the luminous and vibrant qualities of pastel with Ellen Eagles essential course in the history, techniques and practices of the medium. In this comprehensive yet intimate guide, Eagle explores pastels rich but relatively unexamined past, reveals her own personal influences and approaches and guides you toward the discovery and mastery of your own vision. In Pastel Painting Atelier, you will find advice on basic materials, studio practice suggestions, step-by-step demonstrations and more. A magnificent selection of works by masters such as James Abbott McNeill Whistler, Rosalba Carriera, Mary Cassatt and Eugene Delacroix augment this guide, as do works by contemporary artists including Harvey Dinnerstein, Elizabeth Mowry and Daniel Massad. Aimed at serious artists, this guide enlightens, instructs and inspires readers to create brilliant and sensitive works in the historic medium of pastel.

Designing a captivating creature simply for it to exist against a white background and going no further is a purely academic exercise. Designing a creature that can survive in a world, interact with its own and other species, and go on to make an impact, is designing with intent. This is the end goal of creature design and what you will witness in this latest book from industry expert Terryl Whitlatch.

With decades of experience in the entertainment industry, developing creatures for Star Wars: Episode I — The Phantom Menace and Beowulf, among other films, Whitlatch offers an abundance of valuable advice throughout the Principles of Creature Design. For Whitlatch, there’s no limit to what can be imagined with an open mind, though the journey may not always be an easy one. It’s what she calls “chasing the unicorn.” We will surely enjoy joining her on her journey, filled with creatures so vivid, whimsical, and elaborate that we will wish — or wonder if — they are real.

About the Author:

Terryl Whitlatch is an accomplished, scientifically and academically trained illustrator who extensively studied vertebrate zoology and animal anatomy. She has worked for various zoos and museums in the United States and as senior consultant on Wildlife Art and Animal Anatomy for the World Wildlife Fund. She is considered to be one of the top creature designers and animal anatomists working in the field today. In a career spanning more than 25 years, Whitlatch has many projects to her credit, including Star Wars: The Phantom Menace, Star Wars: The Special Edition, Jumanji, Men in Black, Brother Bear, Dragonheart, Alvin and the Chipmunks, Curious George, The Polar Express, and Beowulf. For over seven years, she worked for Lucasfilm, Industrial Light & Magic, and George Lucas's JAK Films. Her illustration skills and comprehensive knowledge of animal anatomy and movement are essential in the development of believable creature creation.