The delicate beauty of the kimono and its appealing designs embody Japan's ancient and venerable tradition of textile arts. This unusual design treasury recaptures the graceful art of the kimono in all its subtle elegance, with authentic designs from a nineteenth-century source.

Reproduced directly from a rare and costly original portfolio, these luminous designs include allover patterns, nature scenes, magnificent floral sprays, and other finely detailed motifs. Sixty-two lavish full-color illustrations offer a vibrant resource of inspiration and browsing pleasure to devotees of fashion, art, and Asian culture.

Reprint of a rare, undated, late-19th-century Japanese volume.

The natural Japanese affinity for decorative art is apparent in this striking collection of exquisite stencil designs. A centuries-old tradition of capturing nature in striking floral and wildlife motifs is reflected in the graceful shapes and lovely lines of more than 100 illustrations. Lush blossoms, bamboo branches, butterflies, birds on the wing, and rustic country homes, among other subjects long associated with Japanese art, are boldly printed in black and white.

Ready for use as patterns for wallpaper, textiles, graphics, and needlework, these delicate royalty-free images are ideal for a host of modern decorative and graphic needs.

Republication of Japanische Motive Für Flachenverzierung, Verlag von Julius Becker, Berlin, 1897.

This example-packed overview of contemporary Japanese illustration showcases the works of 100 of Japans most successful and exciting artists and designers.

The images embrace a huge range of styles, from traditional to futuristic, from classic ukiyo-e prints to the worlds of manga and anime. Some look towards urban street culture or build their own surreal dreamscapes, while others revisit a playful world of childhood innocence or explore darker realms of violence and terror. The book also includes ten interviews in which the illustrators discuss their work and what inspires them.

The range of amazing images and subjects in this book is hugely memorable, an exciting journey to the utterly idiosyncratic but wonderful world of the Japanese sensibility.

Storefront design in Japan is part of Japanese culture and reflects the traditional concern for aesthetics, symmetry, discretion and simplicity. The commercial culture from brand identity to consumer psychcology calls for distinctive, innovative design statements consistent with widely diverse and high quality goods and services. This book presents the best of contemporary storefront design taking account of layout, colour, lighting, advertisement drawing, logo design, display cases and materials. It also shows the critical importance of the store window space to both the brand owner and the storefront designer.

TABLE OF CONTENTS

004/ Preface
006/ Brand Store
108/ Bags, Shoes and Hats
128/ Jewelry Shop
154/ Watch and Spectacles
170/ Cosmetics
184/ General Category
206/ Japanese Restaurants
214/ Chinese Restaurants
228/ The Restaurants Inside
236/ Cafés and Bakery

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The elegant design of the hotel and the perfect harmony between Japanese traditional culture and the modern design concept in this book present you both sensual and psychological appreciation of the affluent spa culture of Japan, the spa kingdom in the world. With more than fifty well-known and distinguished Japanese hotels included, the book gives detailed descriptions of the scales, facilities, and the design styles of the Japanese spa baths of each hotel in particular. From the interior design of the spacious and bright reception halls, the luxurious ocean-front guest rooms, and the cozy beauty and wellness salons to the exterior landscape design of Japanese gardens and the ideal location near the mountains or by a river, and especially the individualized recuperative spa baths, all demonstrate the work of the Japanese spa hotel master designers.

This book features the following Japanese Spa Resort projects

Shimoda Yamatokan
Otsuki Hotel Wafuukan
Seizanyamato
Hotel MICURAS
The Prince Hakone Resort
Ootaki Hotel
Hakone Hougetu
Gora Tensui
Hotel Kajikaso
Yushintei
Kamogawakan
Amagisou
Mizuniwa no Hatago Sumiyoshikan
Nishiizu Toi Onsen Hotel Miyabi
Toi Hotel Sankaitei
Ochiairou Murakami
Hotel Izukyu
Hoshinoya Karuizawa
Hotel Hananoi
IZUMISOU
ANGINE
Horai
Kishoan
Sun Hatoya Hotel
Hotel Hatoya
Sora Togetsusou Kinryu
Atami Sakuraya Ryokan
Yagyu-No-Sho
ASABA Ryokan
HANAFUBUKI Ryokan
Isawa View Hotel
Hotel Hana-Isawa
Kasugai View Hotel
Southern Cross Resort Hotel
Hotel Laforet Nasu
Laforet Club Hotel Naka-Karuizawa
Laforet Club Hotel Yitou
Zagyosoh
Yokikan
Inatori Ginsui
Dougashima New Ginsui
Tubaki
Sansuirou
Seiransou
Onyadomegumi
Mikawaya Ryokan
Hakone Hotel Kowakien
Hotel ChooBoo
Yugawara Mizunokaori
Hotel Shiroyama
Prince Hotel Manza

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Japan embodies the fascinating cross-section of a country endowed with a rich and varied culture, firmly imbued with traditional knowledge, skill and experience. The book features 50 of the best of Japanese interior design trends in Japan in different categories such as offices, bars, culture, living and shopping, from traditional tatami to modern minimal. The interiors presented in this book offer a glimpse into the eastern design and its philosophy of simplicity: the use of neutral and natural colors to minimize feelings of clutter and the color black to lend definition and form; furthermore, it reveals the ingenious, minimalistic way of living and being.

The Art of the Japanese Garden traces the development and blending of gardening traditions, as well as the inclusion of new features as gardening reached new heights of sophistication on Japanese soil. The book features a number of the most notable gardens in Japan, including graveled courtyards, early aristocratic gardens, esoteric and paradise gardens, Zen gardens, warrior gardens, tea gardens and stroll gardens.

The creation of a Japanese garden combines respect for nature with adherence to simple principles of aesthetics and structure. In Japanese Garden Design, landscape architect Marc Peter Keane presents the history and development of the classical metaphors that underlie all Japanese gardens.

Keane describes the influences of Confucian, Shinto and Buddhist principles that have linked poetry and philosophy to the tangible metaphor of the garden. Detailed explanations of basic design concepts identify and interpret the symbolism of various garden forms and demonstrate these principles in use today.

This lavishly illustrated book examines the profound influence of Japanese prints on the Impressionists and their American contemporaries.

Richly illustrated throughout, this elegant volume introduces two hundred years of Japanese prints and examines their evolution, innovative techniques, and radical impact on the European and American avant-garde of the nineteenth century. The book commences with a chronological survey of the Japanese print, including works from early masters such as Harunobu and Utamaro, classic prints by the renowned artists Hokusai and Hiroshige, and nineteenth-century examples by Kunisada and Kuniyoshi. The second half of the book focuses on Western artists such as Pierre Bonnard, Mary Cassatt, Edgar Degas, Paul Gauguin, Henri Rivière, Henri de Toulouse-Lautrec, and James Abbott McNeill Whistler, who drew on the Japanese aesthetic in their own diverse ways. The result is a beautiful book that offers a fascinating glimpse of how the great Japanese prints affected modern art, from Impressionism and beyond.

This book contains more than 350 masterworks of artists such as Hiroshite, Utamaro, Harunobu, Eisen and Hokusai, all from the collections of the Victoria & Albert Museum

Originating from Japan's Edo period (1615-1867), tansu refers mostly to wooden cabinets, boxes and chests. The gifted creators of this art were deservedly esteemed by Japanese society, leaving a rich and influential legacy. Their work was almost anonymous, though, and the history has remained in the shadows - until now. Japanese Cabinetry: The Art and Craft of Tansu is the first truly definitive volume on tansu, giving voice to the long-overlooked craftsmen and overdue respect for the craft. This book provides a broad representation of cabinetry designs along with contextual history, gleaning insights from the cabinetry itself. From trunks with wheels to shipboard safes, from kitchen cupboards to clothing chests, tansu were the receptacles of an age of economic expansion. Japanese Cabinetry chronicles not only the physical characteristics and details of tansu, but also the historical eras and societal factors that influenced the craft.

Recently Japanese swords have gained enormous popularity as art objects with collectors and enthusiasts around the world, but until now much of the most detailed information on the subject has been available only in Japanese. This comprehensive guide to the appreciation and appraisal of the blades of Japanese swords provides, at last, all the background that readers need to become true connoisseurs.
The book is organized along historical lines for the sake of clarity and convenience, and its approach is always practical. Broad discussions of each tradition within the Gokaden focus on the features that distinguish specific schools and smiths - the various kinds of jihada, hamon, boshi, and hataraki favored in different periods and regions - making this an invaluable reference tool for all enthusiasts, especially those who wish to take part in kantei-kai, or sword appreciation meetings. Each section closes with an easy reference chart summarizing the distinctive features of the work of various schools and smiths.

The chapter on terminology gives advice on what to look for when examining the different parts of a blade, again making reference to the unique features of particularly significant smiths. The chapter on care and appraisal of blades tells precisely how to handle blades and what to expect at a sword appraisal meeting, including an explanation of all the various responses that a judge may give in response to a bid.

Richly illustrated throughout with more than 550 of the author's own painstaking oshigata illustrations - sword tracings onto which details are penciled in by hand - THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS is easily the most informative and comprehensive guide to the blades of Japanese swords ever to appear in English.

Kokan Nagayama, who is widely recognized as one of the foremost living sword polishers, compiled the notes for this book over the course of many years spent teaching the arts of polishing and appraisal.

Nagayama-sensei is widely recognized as one of the foremost living sword polishers and is a veteran teacher of both polishing and appraisal. Here in one accessible volume he distills the store of knowledge he has gained over a lifetime of intensive research.

From the Back Cover:

"Nagayama-sensei and his senior pupils have for many years now taken an enlightened approach to study of Japanese swords outside of Japan. They have been of great assistance to collectors here in Great Britain and in other countries, traveling and living abroad, organizing exhibitions, teaching us and polishing our swords, always in an altruistic spirit. This translation is another example of this same approach. In the past we have often struggled on our own or in small groups to gain an understanding of this peculiarly Japanese cultural asset, and with many of the definitive books on the subject still untranslated, a wealth of information has in the past been inaccessible to the non-Japanese reader. THE CONNOISSEUR’S BOOK OF JAPANESE SWORDS will be of great help in making educated judgments at kantei sessions, and will be an invaluable and constant reference work." - From the Foreword by Clive Sinclaire, Chairman of the Token Society of Great Britain.

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The Japanese sword combines unbreakability, rigidity, and lethal cutting power, and it is in the resolution of these conflicting practical requirements that it emerges as a triumph of the forger's art. The mystique of the sword lingers on in our age of mechanized combat, but the aesthetic qualities for which swords are most valued by collectors today - the liveliness of the metal "skin," the confidence in every aspect of the design, the scrolling temper-line, the almost buoyant lightness of the hilt when the blade is held in the hand - all derive from what the Japanese sword demanded as a symbol of strength and as a weapon. As an instrument of clear persuasion, no other blade anywhere has ever been it's equal.

This volume, containing color and black-and-white plates, has been prepared as an introduction to the history and appreciation of the Japanese sword. Its author, until his death in 1978, was one of Japan's foremost sword experts, and his wide knowledge is here brought to bear on every aspect of sword lore, including forging techniques and problems of appraisal. Looking over the 1,500 years of sword history in Japan, Kanzan Sato notes how the major developments - the shift from the early straight blades to the tachi, which were longer curved blades slung edge downwards at the waist, to the familiar daishō pair of short and long swords worn by samurai until modern times - were the result of both technical innovation and changed fighting techniques. He examines the various fashions in sword mounts and the at times precious, highly decorated work of the smiths who specialized in sword guards, or tsuba, during the Momoyama and Edo periods.

The centerpiece of this book, however, is a detailed examination of over a dozen of Japan's most revered blades, including the Ō-Kanehira and the Dōjigiri by Yasutsuna, perhaps the two finest swords in Japan and as clear and beautiful today as when they were forged some 900 years ago. The discussion of what makes these blades special and how they have been passed down for generations offers the reader a wealth of insight into the sword in Japan as heirloom and cultural treasure.

About the author

Kanzau Sato was born in Yamagata Prefecture in 1907 and until his death in 1978 was regarded as one of Japan's foremost experts on the Japanese sword. A graduate of Kokugakuin University, he worked in the section for National Treasures, Ministry of Education, and Tokyo National Museum. He was Executive Director of the Society for the Preservation of Japanese Art Swords and Vice-Director of the Sword Museum. His publications include works on Kotetsu and Higo metal-working.

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This is a sister book of “The Traditional Japanese Color”, and focuses on the beauty of Japanese traditional color combination. This book explores the aesthetic of color combination in the traditional Japanese art works, which show its various aspects and constitute the exquisite world of color. About 100 examples of two, three or more color combinations in various fields from painting to annual events in the Japanese art and culture will be included. Color name list of 250 traditional Japanese colors and index with CMYK/ RGB date in the back page.

A collection of Japanese eroticism by Ukiyo-e artists.

A new volume in the Traditional Patterns series, this book features Shunga, a type of Ukiyo-e that is made using the finest Japanese woodblock print techniques and portrays the erotic expressions of men and women; and the pleasure, the pain, and the beauty of the human body.

This Japanese erotic art was made by all Ukiyo-e artists and was usually more profitable than "normal" art during the Edo period. It is believed that Shunga, literally "springtime picture," originated from Chinese medical books. It was not only intended to provide the fun that comes from viewing erotic images, but also the book could be held as a charm against evil. Shunga was also used as textbooks for the sexual education of young men and women. Because there were fewer restrictions on Shunga, ukiyo-e artists used a variety of colors usually not seen in usual woodblock prints. Only the best techniques of Ukiyo-e are found in Shunga.

This glorious volume features works from the Edo period to the present. Including works by Ukiyo-e artists such as Hishikawa Moronobu, Kitagawa Utamaro, Utagawa Kunisada, Katsushika Hokusai, this Japanese "kama sutra" manages to be erotic, artistic, and fun all at the same time.